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Found 4 results

  1. Hey Everybody I have a question about the matching of different Cameras and Codecs. We are just considering a reshoot for our feature film which wrapped last fall. The main footage was shot on an ARRI Amira on Log-C. With Zeiss High Speed primes and an Angenieux Optima Style 16-40 zoom. Du to budget reasons, we won't be able to get the same package. The possibility we have is to shoot on an Sony FS7 MKI on Cine3/Slog3. Has anybody any experience how this two codecs are coming together in grading, if we would use the same optics? And what about the worst case opt
  2. Hi All, I'm shooting a TVC on Sony Venice next week, and have been looking for Sekonic / X-Rite exposure charts for S-log3.cine, preferably in both Native ISO's so that I can load the data into my Sekonic L758-Cine light meter. Does anyone have any good sources for this? Cheers, Lewis Jelley Cinematographer T: +44 (0)2920 251 255 M: +44 (0)7929 174 457 13 Mount Stuart Square, Cardiff, CF10 5EE http://stormandshelter.com Lewis Jelley Cinematographer T: +44 (0)2920 251 255 M: +44 (0)7929 174 457
  3. Looking for some exposure help when shooting moody scenes with the FS5 - I have seen a lot of people recommending setting the zebra to 70 percent ( which makes things pretty bright on the monitor for a darker scene/ is this something people only do in LOG? ) are there any other usable on camera exposure tool other than zebra?. Don't use Sony's much and am more used to Using a REC 709 LUT or false colors within my ALEXA eyepiece to expose. Also, should I be switching from LOG3 to cine gamma for lower light situations? Also any general tips for exposing low light scenes without crushing the bla
  4. Hi Guys, I’ve been running into some very strange discrepancies between grading in the ACES and YRGB colour spaces in Resolve, and was wondering if anyone might be able to shed some light on them? In a nutshell, what I’m seeing is the following: - in YRGB, images respond predictably to LUTs, but yield less subtle variation in skintones - in ACES, images become violently overexposed when applying LUTs, and contain boosted red tones - After correction, images in ACES appear to yield more accurate and nuanced colour reproduction Here’s the original log image (slog3 from a Sony F5) an
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