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Showing results for tags 'Sony a7s'.
How does the A7s and the BMCC compare against each other? Because I've just joined on as the DoP to shoot a feature on a BMCC, but given the nature of the film (shooting most of the time late at night), am wondering if a Sony A7s is better. Am curious about some direct comparisons between an A7S and a BMCC at night, and how they'd be able to grade, and how they'd be used in practise with lighting set ups (as if we can use a smaller lighting kit, that might help mitigate some of the cost of an A7S), their look, etc. As if so, I might then recommend to the director trying to find s
I just read an article (http://nofilmschool.com/2016/02/cameras-used-sundance-2016-filmmakers-why) about the cameras used by DOP for the films at Sundance 2016, I notice there’re a bunch of film shot entirely or partially with BlackMagic, and cameras such as 7D, 5D Mark3 and C100. I see there’s no Sony a7 series cameras being used. What do you think you guys about the new Sony a6300 expected for march 2016? could it live up to be a camera for low budget film, with external record? being the internal sampling 4:2:0? what could the market be for it? or why would people pre
I'll be shooting soon a short film (as DP), and I only have a small amount of choices in term of which camera I can use. I was wondering if anyone has personal experience to share as for how these cameras work in a low key light system, which of these cameras render the black at the best, with which one we can play with sort of gamma settings so as we can get a good latitude? I also have the opportunity to work with Panasonic AF101, but I don't like codec so much beside the fact it crashes the highlights very quickly and can't go beyond 2 stops 2 stops and a half in the blacks, so I was