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Found 9 results

  1. Last October I had the chance to work on a new project in Ireland with director Ian Power. The project was a promo for TAM Ireland, which is the organisation that oversees commercial publications / advertising on TV in Ireland. TAM Ireland - TV Build Brands We had a 2 days shoot in the Ardmore backlot in Bray, which is an amazing backlot with everything that you need in order to get a lot of production value out of the set. However, the budget was minimal, 30K for 2 days, so we had to be quite inventive about how to make everything work. Ideally I would have shot
  2. Hi All, I’m about to shoot a fiction in upcoming days. And the camera options provide to me are Sony F55 or Sony FS7 M1. We would we shooting prores due to budget constraints in post. Hence I needed your inputs on which one should I select. I understand that the Sony F55 has its advantages with global shutter and raw recording with R5 extension. However as we would be primarily shooting prores, should I select F55 or FS7. Thanks, H
  3. Selling my Elements Micron 15mm dovetail/bridgeplate package with shim and shoulder pad. (this was primarily used with Sony F5/55 camera) The package is solidly built with quality workmanship in design and machining. Everything included is still in excellent shape and working as it should. This setup is for 15mm rods and was used primarily with the Arri MFF-1 follow focus and MMB-1 matte box on a Sony F5. The entire package consists of: 1x ELEMENTS MICRON 15MM DOVETAIL • Designed to be a scaled down version of the Arri dovetail for 17mm rods. This is shorter, thinner and lighter to a
  4. Trying to get a low noise image with the f55 but finding lots of noise in the shadows. I posted earlier exposure tips but any thoughts on how to get less noise in the shadows especially during a low light shoot.
  5. Hi All, I'm currently DOP for a social realism graduation film, a bit naive and a bit nervous because my approach is to experiment and shoot with the Sony F55 and 16mm Zeiss Distagon prime lenses throughout the whole of the short film. This means I have to operate with 2x crop, which isn't much of an issue because I have all the necessary primes and zoom lens to cover the shots needed, but from the camera test footage the lenses appear a bit too soft. I was intending to get a soft look, but I didn't realise how soft they would actually be. I'm not too sure if the lenses need calibrating in
  6. Camera Essentials camera raincover sale is underway! For a 20% discount on our website: coupon code is RAIN (for raincovers only) Alexa, Epic, Sony F55/F5 Weather Protectors We still have some FILM camera raincovers at a deep discount, attached is the list with prices We also have a few sample raincovers, along with some raincovers for Steadicam (the clear vinyl kind) While supplies last.... Patti Harrison Camera Essentials www.cameraessentials.com cameraessentials@gmail.com Raincover Sale 2017.pdf
  7. Hi, I'm currently in pre-production on a "kitchen-sink" social realism drama and I'm looking at films like 'Fish Tank' and 'This is England' as visual references for the look of this film. I want to use the flat and dry colour palettes used in these films to create a similar mood and atmosphere for my film. Eventhough my influences are from an 80's style, this is a creative choice for a film with a contemporary story. I will be testing the Sony F55 and the Blackmagic distagon lenses next week to see if this would be a possible substitute for shooting 16mm film as this would be too expe
  8. Hi everyone, I just ran some camera tests on the Sony F55. We're shooting an MFA thesis film at Emerson College in Boston and this was our first test. Here's my question: Why does shooting with a Red 25 filter yield such extreme contrast after converting to black and white? We're shooting the entire film black and white by simply turning the monitor to b&w, then reverting the Raw images to be graded in post. Our tests with yellow filters and blue filters converting to black and white yielded similar results to using color filters with b&w film, increasing contrast. Shootin
  9. WANT TO BUY! Looking to buy used PL-mount camera in good condition and fair price. Preferably EU /Europe as i am in Sweden. Canon C300 Canon C500 Sony F5 Sony F55 Other PL cameras (Alexa, Red Epic) can be of interest as well. PM me with offer! Thanks
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