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Showing results for tags 'Super 8'.
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Another great article by Phil Rhodes in the June issue of American Cinematographer. This one is for all us film lovers. It discusses the making of a short documentary, the subject of which is a man who owns one of the last film shops in the world, devoted solely to Super 8 and 16mm. He hits all the salient points we talk about here. You can view the film here: http://www.liamsaintpierre.com/the-way-of-the-dodo/ Thanks, Phil!
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Development of the Digital Super 8 Cartridge. Using a subminiature 15 x 15mm USB camera board, 3D printed Super 8 cartridge and an Intel based Dev Board. Bring your old S8 camera back to life by a digital hack. Comments welcome! http://www.ximea.com/community/f4/digital-super-8-cartridge-8mm-film-cameras-96/
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Salutations, I'm very new to this whole Super 8 craze. I'm going to shoot some video with expired 8mm Kodachrome 40 and I need it both processed and digitized. There are tons of services online for this. Does anyone know what the most reliable and cheapest option is? I'm not looking for uber quality, just decency. Thanks, Liam
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So as a project for high school some friends and I are going to shot a short on Super 8. I am planing on purchasing Kodak's 7266 Tri-X and I've been looking into developing it. I know that I can send it to get developed at Pro8mm or CineLab but if it's reasonable I'd like to try home developing. I've see a number of different ways in my research. I know the basic process of developing the film twice and bleaching it in the middle. I've read that I could just use D-76 for developing. But I've also read that I should use KODAK B&W Reversal First Developer Starter. I've read the instructions for using the Developer Starter and it sounded like it includes everything someone needs. But when I was looking into it more someone had posted saying I would needed to buy some other products. Also I've heard that you can use coffee as developer but I didn't really look into that. So I could use some advice is there a good way to do home developing, if so what do I need and what is the specific formulas for mixing. Or would it just be better to mail it in and if so what service would you suggest.
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Super 8 kit for sale. All carefully serviced, film tested, with clear lenses and in fully working, near mint condition. Minolta XL-84 - £149.99 (RL button intentionally removed) Canon AF514XL-S - £124.99 Canon 514XL-S + 43mm C8 wide lens - £99.99 Sankyo XL-620 - £99.99 Sankyo XL-420 - £74.99 Bolex Aspheron 4mm (55mm thread) Wide Lens - £34.99 Canon 43mm C8 wide lens - £49.99 Canon 67mm C8 wide lens - £99.99 Prices in GB Pounds Sterling. Based in London UK. billrodgersfilms@hotmail.com -
So here's something I haven't seen before: A client sent us some Super 8 Sound film shot in the 1980s, but the audio is consistently about 1 second out of sync throughout the reel. How is this possible? The sound record head was a fixed distance (18 frames) from the gate in all sound cameras, and it's clear that this is sync sound with appropriate ambient noise (not post-dubbed on a projector or editor). The subjects are holding the typical cheap condenser microphone that came with most of these cameras. You can hear them bump the mic against a table about a second before you see them do it. I could see a sloppy manufacturer having the head be maybe a frame or two out of place, but given the way S8 Sound carts were constructed, there's not enough of a window for the record head to be a full 18 frames *more* away from the gate than it already is. Any ideas? I'm stumped. (and just to verify it's not our scanner, we've scanned several other films known to be in perfect sync and they're absolutely fine). -perry
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Hey, I am a new film student at RMIT in Melbourne Australia. I am looking for resources or tips on finding stock super 8 footage that I can use to put together a music video for a friend. Can anyone point me in the right direction? Any info would be greatly appreciated. Thanks, Ben benjaminstewart90@gmail.com -
Hello, everyone! I know there's probably a bunch of "I'm new" threads on here every so often, but I'd really appreciate it if I could get some help from the people who know this format way better than I do. I recently purchased a Canon Autozoom 518 as my first Super 8 camera. I admit that I might not have done as much research as I should have, because only now am I finding out that it only goes as high as 160 ASA. I don't think it will be a big deal to overexpose 200 ASA film by 1/3 of an f-stop, but then again, I don't really understand much about exposure and film speed. I'd be filming mostly in daylight, with some interior shots added here and there. As far as I understand it, Vision3 50D works best for natural light, while 200T is better suited to bright interior lighting (though it can also be shot in daylight with the camera's filter). I plan to scan all the footage I shoot. With this in mind, my questions are: 1. How much would the overexposure on 200 ASA films (Vision3, Wittnerchrome) affect the footage? 2. Would it be possible at all to shoot 500 ASA film on the camera? Should I get an ND filter if I choose to do so? 3. Would I be better off letting the camera set the exposure automatically or should I look into manual exposure? 4. Would I need to notch hack any of the cartridges? I plan on buying Kodak's 50D and 200T, in addition to Wittnerchrome 200D. In addition, I'm kind of lost when it comes to the camera's Tungsten and Daylight filters and what they do. 5. What film stock would give me the best results in my scenario? I'm looking for a fair amount of grain (though maybe not quite as much as the Wittnerchrome stock has) and vivid colors. I'm looking to stay away from a flat image as much as possible. 6. What processing and scanning service provide the best results? I was planning on having the reversal stock developed at Dwayne's Photo or Pro8mm, the color negatives processed at Cinelab and the scanning done at Gamma Ray Digital @ 2K, but if there are better options I'd love to know about them! 7. Is there any general advice I should know before shooting my first roll? Despite having read a lot about the format, I feel like you can never be too careful when trying out something new and unfamiliar. Thank you!
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Alrighty, looking to purchase a Super 8 camera to get the experience of producing something narrative through the film medium. Ive been shooting alot of HDSLR narratives...but i'm excited to have an opportunity to shoot and edit on film, and really feel the value of each and every frame. Saying that, I realize how niche Super 8 is. It will be expensive, so i've determined that I will try shooting and developing the film myself, editing linearly, and projecting to view. If I do decide to digitize my media, where is the cheapest to get 1 or 2 carts developed and have decent 1080p scan. I live in Ohio, so centers in New England would be better. On to cameras... I want to get the cleanest image I can from Super 8, and generally want to treat the process as much like shooting 16mm as possible. That means that I will try to manually expose every scene I shoot...how consistent is that to do compared to HDSLR shooting? Also, whats the deal with stocks? How does the 100D differ from the 200D? Where does asa rating come into play? Generally what are some tips for dealing with tri x? Finally, which camera would be best to invest in? I've been seeing the Nizo S800 and S560 models and Canon's 518sv models. Are these "good" cameras? Which has better glass? Are there any that are gonna be better/more bangy for bucky for what I want to be shooting (Alot of tripod)? Also, I am kinda mystified by the price differences between cameras. Does it all come down to features, because it certainly appears like the huge price differences have to be coming from somewhere else. Perhaps manufacturing standards? Thanks for any responses...I know I have a lot of questions, and I really appreciate any help that you can give me:) Looking forward to jumping in, Jackson Clark
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Hello, I've recently purchased a Canon auto zoom 814 (not the electric version) with two rolls of Ektachrome 160 from Ebay with a guarantee that it was completely functioning. I loaded in the correct voltage Wein Cell batteries for the exposure meter and AA batteries and decided to load in one of the rolls of film to shoot a test roll. I made sure I put the cartridge in the correct way and securely, and when I pressed the shutter lever it seemed as though it was filming. However, when I checked the footage counter the little needle didn't move at all, making me worry that none of my film is actually being exposed. I tried opening the compartment and taking out the cartridge and putting it back in, which I thought worked because I swore the needle moved a little when I pressed the lever, but I went out today to shoot and the needle didn't move at all the entire time I shot. Could the dial just be broken and the camera actually be exposing the film or is there some other issue with my camera/ none of the footage actually getting exposed?? Thanks!
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So, I finally got hold of a Beaulieu 4008 ZM II for a friend's production but despite working perfectly, being pristine, with a crystal clear Schneider Kreuznach 1.8 / 6-66 zoom and even a working rechargeable battery... I DON'T LIKE USING IT! The main problem is that I adore shooting Super 8 handheld and I just don't feel comfortable holding the 4008, as I struggle to get a good grip on the tiny handle. It works like a dream and is nice to operate in many ways but I feel like I'm almost balancing the camera uncomfortably on my hands rather than actually holding it whilst shooting. I know a few fellow Film-makers who adore the 4008 but I literally can't get to grips with it! Should I possibly add a larger grip underneath? Attempt to clutch hold of the camera differently? Or simply consign it to a tripod? Or am I doing something wrong? This beautiful piece of kit doesn't feel as instinctive to use in my own (not that large) hands. :unsure:
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I'm having a clearout and so, unfortunately, this has to go. I have used it, it works well, but i have too many things on the go and this just doesnt get the use and love that it really should and i just need to make some room. Its the Bolex Jubilee Super 8 complete in its box, the outer box is a little bit tatty but it has the original sticker on it with the serial number and certificate number so it made sense not to throw it away as it felt like it supports its authenticity. It has the eyecup, the strap, the remote, the certificate (in its original envelope) and even the original purchase receipt from 13/06/1978 although i think the manufacturers warranty may be slightly out of date now, lol. Price....£45? Plus the delivery cost of your choice and i would prefer it to be a "signed for" service so we have insurance and can track it...peace of mind both ways really.
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Hello! I'm new to the forum, but I have made several student films before... I have a question, I want to try and experiment with a Super 8 camera. I don't have any idea what are the best Super 8's out there, but I would like something with an alright zoom, cheap (under $70), and that records good audio... Does anybody know of any cameras in that description? Thanks, Brian
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I wish I could get this camera: http://www.logmar.dk/
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I have various S8 Canon AF310 : 8.5 wide angle is too short Beaulieu 6008 Pro : Heavy for travel. Chromatic abberation in tele position Canon 1014 xl-s : too heavy and I have not very sharp images in low light Sankyo Em60XL : chromatic abberation in "tele" position but compact, 24fps !, good in low light. Tremor when I Took over this camera Sankyo ES 44XL : 18fps only ! but sharp Nizo 481 : viewfinder dark in low light, I have special cell but I dislike this system. The silver aspect is good for this camera. Canon 514 xls : I don't know I'm traveling tomorrow in Thailand and I don't know which to take, I'm looking for the most sharp, light weight. I will move a lot. I have Vision 3 50D and 200T, 500T Thank you for your quick help ;)
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http://youtu.be/c4IxLmrpktg Ektachrome 100D Super 8 shot on a Bolex Double Super 8 H8 Camera. Cross Processed and Hand Processed. Transferred to Video one frame at a time on a JK Optical Printer.
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Here is another fashion shot with 50d Vision 3. The telecine was done by Ochoypico, the camera used my Beaulieu 4008 ZM2.
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Hey all, Selling my amazing 1014 Max 8mm cam with tons of accessories way below the $2995 list price. www.ebay.com/itm/261373903953?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 Also, an anamorphic adaptor for lenses under 52mm thread size www.ebay.com/itm/261373920695?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 No reserves, just moving on. Feel free to ask questions through eBay. -
The Cambridge SUPER 8 Group is running a workshop to shoot and develop a roll of Tri-X black&white movie film as negative Week-end of the 25/26thJanuary 2014/Cambridge, maximum of 6 participants Starts at 10:00 am to 5pm both days This include one cartridge of Tri-X Super 8 film (runs 3 minutes), development chemistry, loan of camera, and telecine transfer to DVD ● Join us in a two-day DIY workshop in which you learn the basics of using a Super 8 movie camera, see some monochrome masterpieces from our worldwide archive to inspire you, devise a shooting plan, then take the leap of irrevocably filling those 3500 tiny frames with rich monochrome Kodak magic. We loan the camera, you provide the imagination! ● The next day, we’ll hit the darkroom – a real one. Using a special spiral (a challenge in itself!), each film is loaded into a developing tank to be soused with chemistry, stopwatch in hand, washed, unrolled and hung up to dry, as you see your efforts appear in full effect like a hatching dragonfly. ● Each film will be run through a vintage projector to shine your unique and permanent image on a screen for the first time. Later you’ll get a positive-image telecine digital file to edit as you please - plus your original 50’ of unique film to last for… 50 years? 100 years? Longer than your digital media will ever survive? Something for your grandchildren, as the legacy of real film already is in our own time? To register interest contact us via the website http://www.cambridge-super8.org/2013/12/10/super-8-workshop-in-january-2014/
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Hello Community, For the last year I have experimenting heavily with Super 8, particularly Tri-X. I have been shipping rolls to Spectra for processing. A couple of days ago I found 3 rolls that have not been developed. They are 2 rolls of Tri-X and one Ektachrome. I shot with these rolls probably 5 months ago. Before I send them to Spectra, I was wondering if there is even any chance that these can still be developed. Any input would be appreciated. Thanks!
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Hello Community, For the last year I have experimenting heavily with Super 8, particularly Tri-X. I have been shipping rolls to Spectra for processing. A couple of days ago I found a 3 rolls that have not been developed. They are 2 rolls of Tri-X and one Ektachrome. I shot with these rolls probably 5 months ago. Before I send them to Spectra, I was wondering if there is even any chance that these can still be developed. Any input would be appreciated. Thanks
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After a few attempts at capturing in real time using a camcorder, I've finally pushed the boat out and bought a machine vision camera. Here's the result, I'd love to know what people think: Sadly the focus is off in a few places thanks to the UWL III lens on my Beaulieu. One thing I can't quite decide on is how much neat video noise reduction I ought to be using; it's great for getting rid of the digital noise of the capture but I actually quite like film grain. The other consideration of course is that grainy footage gets mangled by the streaming compression... Here's what I used: Canon 310XL - bride prep, b&w, night Canon 814 Auto - ceremony Beaulieu 4008ZM2 - everything else Vision3 200T - everthing indoors + confetti slo-mo Vision3 50D - outdoors Argenti APX100 - b&w Vision3 500T - evening/night Pixelink PL-A782 2208x3000 Schneider Componon-S f4 80mm enlarger lens (facing forwards) Many, many extension tubes Fred's script for some dust removal in places
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For sale my beloved super 8 camera Canon 1014 XLS. I shot some shorts with it. It works great and it is in great condition, It is one the best super 8 camera ever made and for me it is the best super 8 camera. variable shutter, superb zoom, quiet and accurate camera. It comes with UV filter, canon rubber lens hood, remote on-off and aluminium flightcase. Price 350 euro Photos: http://imageshack.us/g/1/10453106/ I also have some great accessories for this camera like: - angle viewfinder ( it allows to shoot the camera at the ground) 20 euro - wireless remote on-off : 15 euro - wired remote on-off with 10 meter cable extension: 10 euro - Canon 1.4X converter (MINT condition) : 40 euro photos: http://imageshack.us/g/1/10473338/ -
Our Pro8mm adapted Canon 1014 XL-S is ready for hire in the UK . We will shortly be adding details to our website, www.cinesanctuary.co.uk. If you would like more details now, please do not hesitate in contacting us. Merry Christmas Grant Bennett
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- cine camera
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SUPER 8 STUFF FOR SALE = Bolex 680 + Aspheron Wide Lens £100 Revue TM 8 £75 Bolex Aspheron Wide Lens £30 Sankyo XL-420 £60 Sankyo XL-620 £100 Canon 514XL-S + 43mm C-8 Wide Lens £100 Canon AF514XL-S AUTO FOCUS £100 Canon 67mm C-8 Wide Lens £100 Braun Nizo 6080 Matte Box Cased Kit £300 All prices in GB Pounds. - Everything in excellent cosmetic condition, professionally serviced and fully tested. :)
