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Showing results for tags 'Super16'.
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Eclair ACL Super 16mm Camera with Zeiss 10-100mm lens and Bescor 12v li-ion bat. Condition is "Used" French made, the better of the models, with Bescor 12v XLR battery, recently serviced and converted by Les Bosher to super 16m looking for offers around £2300, open to conversation, if bought outside of ebay. Eclair ACL converted to super 16mm by Les Bosher, recently serviced, variable speed motor and rotating eye peice, and handle. Fully working XLR power input 2x 400ft french made magazine recently serviced Zeiss 10-100mm 3.1 lens with Arri mount and adaptor for eclair New Bescor 12v battery 4 pin XLR (worth £250) Tifen filters x 5 various Film Changing bag flight case Motor runs fine, magazines are like new. Lens is a bit stiff, but nothing a little service won't fix, reflected in the price Collection in person available. Any questions just ask postage available Link to ebay posting ; https://www.ebay.co.uk/itm/Eclair-ACL-Super-16mm-Camera-with-Zeiss-10-100mm-lens-and-Bescor-12v-li-ion-bat/143855996556?hash=item217e7c4e8c:g:VAMAAOSwttRfuPMC -
Canon Zoom Super 16 SC15x11 T2.5 11-165mm Checked and serviced zoom with normal wear but really perfect glass. Privately owned! It’s the most versatile Super16 zoom I have ever worked with, one of the best ever made for Super 16. It's not a converted lens, it was properly designed for Super 16. It’s really sharp! Can be used in crop-mode on all the new digital cameras as well. Please make an offer!
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Hello, I am looking for a used super 16 package with a PL mount. I'm interested in a SR2 or SR3 or an Aaton XTR Prod. If anyone is interested in selling please let me know! Thanks!
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Hello I just got back some super16 footage from the lab and the scan from one roll is showing scratches on the right side. I was very surprised by this, since we were using a magazine that caused no problems in previous footage on the same project. I can't think of anything out of the ordinary that might have happened during the shooting this day to cause such a big damage. We shot with an Arri SR3 that was well maintained and maybe no weird noises. I'm already double checking with the lab if this is really in the negative or if there's any chance that it's due to a malfunction during the scan but would love to get another opinion. Attached some stills where the scratches are visible. Thanks in advance for your thoughts!
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Hi all, I own an Aaton XTR s16 camera. Currently I have a PL hard mount on the camera and have only used the camera with rented PL glass, but I also own the original Aaton Mount, which has a much shorter FFD than the PL mount (40mm compared with PL 52mm). So I’m looking for adapters that would allow me to put vintage lenses (with ffds between 40mm and 52mm) on the camera that will cover the s16 film plane (i.e. m42, Canon FD, Nikon f, etc). Does anyone know if there are any adapters out there that would allow me to put any of these lenses on my Aaton camera mount? If so, where can I find them? Thanks for your help! - Clay
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I've ordered a Bolex REX 3 and I am so excited! I've also gotten a Sekonic L398, so I've really got the cliche film student package, haha. Honestly, the simplicity/limitations of the tools is what I find inspiring and fun. A few things I'm still trying to grasp: - Shutter angle: When to adjust and how, for effect or utility - Aperture: How to compensate for the viewfinder? - In what situations is it practical to push or pull the film more than an aesthetic choice? - common pitfalls to avoid? - best places to buy film stock? - Is using a digital camera for reference an effective way to prevent light flicker? this is one i really want to avoid lol Thanks to anyone who answers, any info is really appreciated. I am new to the forums and this site is a wonderful resource -
Hey, Deciding to let go of my three lens set of Super 16 Super Speed Mark III lenses. These lenses were purchased from Visual Products a year and a half ago and have been babied the entire time. Really nice condition. Glass is immaculate. I can email high res photos upon request. 9.5mmGlass - Front element is clear. Back element is clear. Perfect image.Body - Near MintMechanics - Both iris and focus turn smoothly16mmGlass - Front element is clear. Back element is clear. Perfect image.Body - Near MintMechanics - Both iris and focus turn smoothly25mmGlass - Front element is clear. Back element is clear. Perfect image.Body - Near MintMechanics - Both iris and focus turn smoothly 10k USD
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Hello, I'm looking for a Canon 8-64mm t2.4 OR 7-64mm t2.6 OR 6.6-66mm t2.7. I'm based in Copenhagen, Denmark. For tax and shipping concerns a lens currently inside the EU would be preferable - but I could pay for shipping from overseas if the price is right. Let me know what you've got! Best, Peter Hammer Documentary filmmaker
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Hi, for sale is Canon 7-63mm T2.6 zoom lens. Serial number is 10303 (so it's been made around 2003) Lens is very sharp, even wide-open, has no noticable breathing when focusing. Lens is designed for Super16 image size, film or digital sensor. It has Arri PL mount, and 95mm front diameter. Lens has got installed Chrosziel damper for fluid zooming. Lens is in mint condition, with minimal signs of usage on barrel and absolute pristine glass. Comes with lens support, both caps, in custom metal case. Footage ------ I live in Bratislava, Slovak Republic. Shipping only to EU. PRICE: 3300 € + 150 € shipping. ------ PHOTOS
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I have a set of Cooke Kinetal primes I'm looking to rehouse and the adapt for an Aaton XTR PL mount. I have the 9, 12.5, 17.5, 25, and 50 So far the only house I've found who will work on them them is asking 3.5k per lens, anyone have a tip on a more affordable vendor?
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My Eclair ACL has a little cartridge that slides in in front of the film and behind the lens. The cartridge has a circle cutout that is about the image size of 16mm, and the intention of it is that you can load it with a circle gel to act as a filter. If I could use this feature of the camera instead of using square glass filters on the front element, I’d save about 10x the money and I’d be able to have more filtration options. I’ve got a couple questions for those who have used filter gels like this before, though: 1. Are gel filter sheets of lower quality than glass filters? Will the image be different between using an ND filter on the front element versus using a gel behind the lens? 2. Will the possibility that of the gel not being perfectly flat (since it is flexible) affect the image quality? This is what I’m most worried about; that it would cause flares. 3. More practically, the camera I have was converted to super-16. Does anyone know if this filter holder covers the full super-16 image? I just discovered this feature of the camera the other night since the previous owner had it taped up (which I assume indicates I should tape it over if I end up using it or not, to prevent light leaks).
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Even though I’ve rented cine lenses (mostly CP.2) in the past and have used others on set, I’ve always owned only still/photos lenses. I’ve always put UV filters (specifically B+W brand) on every lens I have—makes me less nervous about cleaning the glass in the case of a smudge or dust, and if it gets scratched up, it’s easily replaced. Also, I’ve read that UV filters help when shooting film, even though I’ve never noticed a difference with digital (convo for another day). But I’ve just brought two super 16 Zeiss super speed Mk. II which I don’t think have front threads. The fronts have 80mm diameters. Are cine lenses always left bare? Is there any way to protect them besides the lens cap? I like to shoot out in the world (i.e. encountering elements occasionally), so is a matte box the only solution?
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Just got an ACL today. Seems to be working fine. I think this ACL is equipped with the heavy-duty motor (but not the fancy crystal sync at all speeds motor). The speeds increase when I turn the fps dial. But there’s this blank option. When I turn to it, it makes the motor go really slow, like slower than 8fps. What is that? I’ve included a photo.
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Using 16mm film... Do anyone use any other format besides 16mm and Super16mm? I know there are others... But am I wrong in saying Super16mm is the most popular? Come visit us at our revised website: drbolex.com Thanks... Arthur!
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For Sale : Zeiss Super 16 Lenses MK2 $11,000.00 9.5, 12, 16, 25 & 50mm.
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Please email sales@broadcastsolutions.com for pricing and details. Canon EF Lenses (14mm-24mm-35mm-50mm-85mm-135mm) L Series / USM II Optex 5.5mm Super 16 Lens Zeiss Super 16 Lenses (9.5mm-12mm-16mm-25mm-50mm) MK 2 Zeiss Super 16 Zoom Lens 11-110mm Zeiss Variable Primes VP1-VP2-VP3 ARRI Alexa Classic Camera with Accessories (Fully checked at ARRI Munich)
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I've been mulling what it would take to make a lens from scratch, particularly a projector lens. With proper machining equipment, I believe I could construct every part of the lens except the actual glass elements themselves. As far as designing the optics, instead of ordering custom glass elements, I could take advantage of the low cost of mass produced elements from companies like Edmund Optics. However, I'm wondering just what kind of tolerances in the glass thickness would be acceptable. For example, in an old episode of "How It's Made", they show the construction of a Canon EF 500mm F4 L IS USM lens, a $9000 lens, and they mention that the glass elements have a tolerance of +/- 0.001mm. That kind of a lens has far more precision than I would need. The cheapest elements from Edmund Optics however have a tolerance of +/- 0.1mm., something I would guess is way too low, but I'm not sure. This is for projecting Super16 film in a modified projector. Really, I don't think I would need better precision than what you would find in a $100 DSLR kit lens. My question is: What kinds of tolerances would be acceptable, and/or what kind of precision is used in mass produced kit lenses.
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Hi guys I'm selling of my Super16 lenses (9.5mm, 16mm & 25mm), they are in great shape with both feet/meter on the focus-scale, they are all PL converted the lenses are T1.2 (although it says 1.3 on the iris-ring) No fungus or scratches, only normal sign of use Price: well i tried to find other adds on eBay and other forums, but found only a few and there the lenses was listed for around 2500 Euro each, but I'm up for reasonable offers i also have a clip-on matte box (chrozhiel) and loads of 4x4 filters that i used with this lenses, and a black magic pocket with PL-adapter and cage i planning to sell aswell I'm located in Gothenburg (Sweden) and can ship almost everywhere, but buyer pays the shipping cost
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Hi, Im selling my Aaton A-Minima Motion Picture Camera Package. Pristine Condition. I last used it in summer and everything is working great. I got it couple of years ago and got some extra stuff overtime. I will be selling it as a package without separating anything. History First owner got it in brand new condition from Abel Cine (LA) about 14 years ago. Im the second owner and took great care of it and enjoyed shooting with it a lot…. (note: Camera was never rented out !! - and lightly used) Asking : $9800 USD Location: Toronto, Canada HERE IS THE LIST OF STUFF THATS INCLUDED IN PACKAGE: Aaton A-minima Camera (PL MOUNT) - Serial Number : A284 Oppenheimer Battery Handle - Power Base Battery Handle (IMO its the best accessory for minima) “Swan Neck" Attachment Mini-Base (amazing base !!) Custom Mini-Euro release Plate Battery Charger Cables (x2) Oppenheimer Batteries (x3) Magazines + 2 Covers ( One Mag stays on camera, so doesnt have the cover) (x3) Aaton + Oppenheimer Threaded Rods ( all compatible with mini-base) 50mm (Short Rod) 100mm (Medium) 120mm (Long) - best for Rederock micro follow focus (included in list) (x1) Original Aaton Wooden Front Handgrip (Walnut) (x1) Lemo 2 pin to Lemo 2 pin Cable (Handgrip to Camera) Original Tiedown for Handgrip (Compatible with all rods) (x1) RedRock Micro Follow Focus (x2) micro lens gear included. (x7) Original A-Minima Empty Spools (hard to find, reusable) (x10) Kodak Vision, 2, 3 FilmStocks ( Filmstocks specially for Aaton A-Minima with original spools) - All filmstocks kept in fridge. (x2) Kodak Vision - 250D / 7246 (x3) Kodak Vision 2 - 500T / 7280 (x2) Kodak Vision 2 - 250D / 7205 (x2) Kodak Vision 3 - 250D / 7207 (Respool) (x1) Kodak Vision 3 - 50D / 7203 (Respool) Extra Stuff (x4) Duracell Ultra Lithium CR123 - CR17345 Batteries for A-minima EyeCushion Sekonic - Studio Deluxe - Model L-398 (No: 410772) Pelican Case for Camera Aaton A-Minima User Guide Booklet. Please let me know if you have any questions. You can PM me. Or you can use gnlkrmz@gmail.com address to get in touch. Thanks, .... .... .... .... .... .... LENS NOT INCLUDED !!! (IMAGE SHOWN FOR THE OVERALL SETUP, INCLUDED IN PACKAGE - EXCEPT THE LENS !! .... LENS NOT INCLUDED ( IMAGE SHOWN FOR FOLLOW FOCUS AND OTHER ACCESSORIES) .... -
hello interested in buying SUPER16 FILM CAMERA AND ACESSORIES: Arri SR3 or Arriflex 416 Zeiss MK2 or MK3 Super Speed S16 lens set (9.5, 12, 16, 25, 50mm) or similar located in EU/Czech republic and partialy LA or OREGON. You can text/call me at +420777174155 (imessage, whatsapp), text me on facebook "Martin vonkuttenberg Klimpar" or mail me at klimpar@vonkuttenberg.com. Thanks! -
Hi, looking for an Eclair ACL package, preferably in Europe. 16 or s16 converted is fine, no ultra 16 thought thanks. On a bit of a budget so so don’t need a massive package, enough to start shooting though preferably. Feel free to message here or email me at jackcurtisdop@gmail.com. thanks
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Hey, Looking to pick up an aaton a-minima top handle and or trans video monitor for the camera. Thanks, J
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Sells a perfect ANGENIEUX ZOOM 15-150MM with PL mount. Covers Super 16. No scratches, haze or fungus in the glass. Works perfectly. Selling for 7200USD Message if you are interested Will add some photos later.
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I have got for sale Canon 7-63mm T2.6 zoom lens for Super16 features: - PL mount - covers Super16 - 95mm front diameter - close focus 0,6m - sharp even wide open - weight 2.0 kg included: 100% condition Chrosziel zoom damper lens support ring metal shipping case Lens is located in Bratislava, Slovakia, Europe PRICE: 2800 € GALLERY: https://goo.gl/photos/j9baS4to55we48TY9
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Sell my faithful Bolex rex 3 Super 16. It is serviced and converted to super 16 in January 2018 at Bolex in Switzerland. It is only used for two personal movies after that. With you get pistol grip, C-PL mount adapter, 3 rolls of Kodak Vision 3 250d and 3 rolls with Fujifilm Eterna 250t. (100ft) Not interested in selling anything separately. Sells everything for 3500$ Will Ship worldwide for the buyers bill. It will be shipt from Norway. If you are interested send me a email skildeh@hotmail.com will post some pics later
