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  1. Hey guys, a guy in town is offering to sell this set of (heavily used) vintage primes for $2300. He's not sure what they are, they were given to him. They look to me like maybe old zeiss standard speeds, or something similar. Can anyone tell me what they are? Trying to figure out if it would be a steal to snag these. Specs: 28mm t2.2 35mm t2.2 50mm t2.3 75mm t2.2 (see attached image) Thank you!
  2. Angenieux 12-120mm f2.2 Type 10x12B Cine Lens in Excellent condition. PL adapted. $550 OBO. Also available, wooden camera MFT- PL mount adapter. $200
  3. Hi, I'm not a cinematographer but I own 4 lenses that was use by the Swedish Televison. I'm about to sell the but need to know what mount they have. Anyone who can help out on this for me? Schneider Curtagon 35mm 2.8 Schneider Xenon 50mm 2 Schneider Xenon 75mm 2 Schneider Xenotar 150mm 2.8
  4. Hey, I am a new film student at RMIT in Melbourne Australia. I am looking for resources or tips on finding stock super 8 footage that I can use to put together a music video for a friend. Can anyone point me in the right direction? Any info would be greatly appreciated. Thanks, Ben benjaminstewart90@gmail.com
  5. Edit: Sorry about the repost, the title got mixed up and I don't know how to delete posts. wonderful first impression : ) Edit 2: Ah, duck. The title is still 10-20.000 . It should have been 10-20.000€ vintage PL set for feature film. FIRSTLY Sorry about the title, I am horrible at this. FOREWORD Hello. This is my first posting in this forum and I don’t think it will be my last : ). I’m still young and there are lots of things that I don’t know about cinematography. So if I’m wrong somewhere, please correct me and feel free to tell me your thoughts. I have studied cinematography autodidactively, read the ASC Mag, Painting with Light, Film Lighting and books like that for quite some time now and have a handful of questions as I am currently approaching my first feature film. I can’t really say a lot about it at this moment but it will all come in the future. THE PROJECT The film takes place in the late 60s and the sets will be old european buildings and modernist 50s & 60s architecture (Wright, Rose, Bauhaus, …) My moods are 2001: A Space Odyssey, Dr.Strangelove, Lola Montes, Touch of Evil, Brazil, North by Northwest, Yojimbo and Grand Budapest Hotel. I know it’s a bit colourful and partly entirely different but these are some the films that will inspire the look of this project. I would love to use film, which there is not enough budget and my first digital choice would be an Alexa. Now, there might not be enough budget for that as well and Even though I never wanted to do that, I’m thinking about/kind of pre-decided on a red dragon camera. I am not looking for a digital look, which sounds funny, but you know what I mean. I also won’t shoot 16mm because I want as much lens coverage as I can get. And I don’t want all that film hassle on my first feature, where I’ll have enough hassles already. The plan is too use the entire sensor (only possible in 6K) and tuning it down to 4K DPX Seqs. (Also handy for stabilizing shots). If I’m using vintage lenses and a 1/8 pro mist filter or something like that I’ll be fine. My first idea was to use 1.33x anamorphic lenses and I would really like to do that to get even more space. I didn’t find any 1.33x anam lens wider than 25mm, which is a 19 on FF (stretched to final image). And I want something a bit wider. More like a 14mm or 16mm FF equivalent. I thought about using the Letus Anamorphx Adapter. I don’t know how good it is, or what it can and can’t handle as there are few reviews out there. I would really like to test it though, but there are none in Austria, where I live. I am buying looking into buying lenses for the project and there will be 10-20k euros for that. Why not rent? because you can’t rent any vintage PL glass in Austria and I also really want that glass : ) . I also thought that maybe the set and dressing alone will have enough vintage flair and I could use newer lenses, like the CP.2s. THE DREAM I’m looking for something like this. 14mm - 21mm - 28mm - 35mm - 50mm - 80mm SOME LENS SET OPTIONS _ 2-3 anamorphic lenses + something like a 14mm Arri/Zeiss PL with an anamorphx (or not) I am afraid though, that the 14mm shots would look very different than the anam shots. The Anamorphx Adapter could fix some of that, but who knows. I also thought about the Tokina 11-16 cine rehousing but I’m even more worried about fixing up that look opposed to a 14mm Zeiss. _ An old PL Set + Anam Adapter _ CP.2s + Anam Adapter Maybe the 1/8 Filter + the Anam Adapter could deliver our vintage look? _ An old PL set and shooting 16:9 ACTUAL QUESTIONS I would love to hear your thoughts on it and if you have any other ideas or know any other anamorphic adapter aside the LV7200 and the anamorphx. What other filter I could use for achieving a “vintage look”. Another approach to this entire thing. P.S. Sorry if the post is too long : )
  6. FIRSTLY Sorry about the title, I am horrible at this. FOREWORD Hello. This is my first posting in this forum and I don’t think it will be my last : ). I’m still young and there are lots of things that I don’t know about cinematography. So if I’m wrong somewhere, please correct me and feel free to tell me your thoughts. I have studied cinematography autodidactively, read the ASC Mag, Painting with Light, Film Lighting and books like that for quite some time now and have a handful of questions as I am currently approaching my first feature film. I can’t really say a lot about it at this moment but it will all come in the future. THE PROJECT The film takes place in the late 60s and the sets will be old european buildings and modernist 50s & 60s architecture (Wright, Rose, Bauhaus, …) My moods are 2001: A Space Odyssey, Dr.Strangelove, Lola Montes, Touch of Evil, Brazil, North by Northwest, Yojimbo and Grand Budapest Hotel. I know it’s a bit colourful and partly entirely different but these are some the films that will inspire the look of this project. I would love to use film, which there is not enough budget and my first digital choice would be an Alexa. Now, there might not be enough budget for that as well and Even though I never wanted to do that, I’m thinking about/kind of pre-decided on a red dragon camera. I am not looking for a digital look, which sounds funny, but you know what I mean. I also won’t shoot 16mm because I want as much lens coverage as I can get. And I don’t want all that film hassle on my first feature, where I’ll have enough hassles already. The plan is too use the entire sensor (only possible in 6K) and tuning it down to 4K DPX Seqs. (Also handy for stabilizing shots). If I’m using vintage lenses and a 1/8 pro mist filter or something like that I’ll be fine. My first idea was to use 1.33x anamorphic lenses and I would really like to do that to get even more space. I didn’t find any 1.33x anam lens wider than 25mm, which is a 19 on FF (stretched to final image). And I want something a bit wider. More like a 14mm or 16mm FF equivalent. I thought about using the Letus Anamorphx Adapter. I don’t know how good it is, or what it can and can’t handle as there are few reviews out there. I would really like to test it though, but there are none in Austria, where I live. I am buying looking into buying lenses for the project and there will be 10-20k euros for that. Why not rent? because you can’t rent any vintage PL glass in Austria and I also really want that glass : ) . I also thought that maybe the set and dressing alone will have enough vintage flair and I could use newer lenses, like the CP.2s. THE DREAM I’m looking for something like this. 14mm - 21mm - 28mm - 35mm - 50mm - 80mm SOME LENS SET OPTIONS _ 2-3 anamorphic lenses + something like a 14mm Arri/Zeiss PL with an anamorphx (or not) I am afraid though, that the 14mm shots would look very different than the anam shots. The Anamorphx Adapter could fix some of that, but who knows. I also thought about the Tokina 11-16 cine rehousing but I’m even more worried about fixing up that look opposed to a 14mm Zeiss. _ An old PL Set + Anam Adapter _ CP.2s + Anam Adapter Maybe the 1/8 Filter + the Anam Adapter could deliver our vintage look? _ An old PL set and shooting 16:9 ACTUAL QUESTIONS I would love to hear your thoughts on it and if you have any other ideas or know any other anamorphic adapter aside the LV7200 and the anamorphx. What other filter I could use for achieving a “vintage look”. Another approach to this entire thing. P.S. Sorry if the post is too long : )
  7. For sale is my personal Lomo anamorphic round front set: 35mm Lomo Anamorphic T2.4, PL-mount 50mm Lomo Anamorphic T2.4, PL-mount 75mm Lomo Anamorphic T2.4, PL-mount All lenses are optically and mechanically in perfect condition, no scratches, no fungus, have stainless PL-mounts and focus gear rings ARRI standard 32 pitch. The lenses were recently serviced and are ready for shooting. Also included: Peli case, ARRI Lens Support LS-7, front and rear caps. Price: $35,000 Contact: c.lang@langfilms.de
  8. I'm looking to take some video shot in the 90's on a VHS camcorder of the era and I want to make it look like it was shot on one of the first single tube home video camera/VHS deck combos, circa 1978-80.
  9. Hi, I'm a film student based in London. As part of a project, we've been asked to shoot a 5 minute movie using traditional methods (i.e. film - no digital). I've never shot anything using film before so this should be quite an experience; if not a little daunting. I'd like to try to emulate the style and quality of films from the 1960s. This is what I have in mind: Does anyone know which cameras and stock were likely used in this filming? I'm sure finding a camera from that era shouldn't be too difficult, but I have no idea where to find the stock. Are there sellers of old Kodachrome stock? Many Thanks, Ed
  10. Hi everyone, I am looking for an old-fashioned lens to shoot a romantic scene. I am looking at a Angenieux 25-250 T3,7 zoom lens and was wondering if anyone already used this lens and what it looks like in terms of flare, aberrations, sharpness, color, and overall "swag" :D Thanks!! G.
  11. I am selling off a large part of my 16mm collection. I've got 2 REX-5 bodies, in perfect working condition and super cosmetic condition. Comes with rewind knob and eyecup. $700 OBO. Am also selling off these lenses, also usable on 4/3 (Four-Thirds) sensor digital cameras. Listed are prices for each. May be open to negotiating. Switar Kern-Paillard H16 RX 10mm f/1.6 - $200 Wollensak Cine Raptar 50mm f/1.5 w/ hood - $200 (3x) Switar Kern-Paillard H16 RX 50mm f/1.4 - $500 Switar Kern-Paillard AR 50mm f/1.4 - $500 Yvar Kern-Paillard AR 75mm f/2.5 - $250 Yvar Kern-Paillard AR 75mm f/2.8 - $200 Inquire about the pieces you're interested in. Will sell separately. Can give discounts for buying a bunch of stuff. **I've also got these few lenses that are quite rare, I'm not really looking to sell them but will consider if the price is really right: *Switar MC 10mm f/1.6 Macro *Bell & Howell/Angenieux 25mm f/.95 *Macro Switar H16 RX 50mm f/1.4 *Angenieux Type S5 50mm f/1.5 *Schneider-Kreuznach makro-tele-xenar 75mm f/2.8 If you're in NYC area, we can meet up, otherwise, Paypal (must have verified address). Let me know if you're interested in anything! I have photos of each piece.
  12. Hi! I'm selling my Bolex EL. Maybe you find it interesting. Please check my ebay auction. Hope you like it guys! http://www.ebay.es/itm/160960954842 Cheers!
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