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  1. Hi, I stopped shooting 4-5 years ago due to a sports injury which lead me to working in another field but now I want to start shooting again and I'm feeling a bit behind in the tech, workflow and rusty in my skills. I'm lucky enough to be visiting LA early next year & I'm looking at the ASC Masterclass. I'm concerned it's not really hands on? Is it? Isn't it? I see they're using the Alexa and going through the most current workflows etc but is it mostly learning through demonstration or are we able to get our hands on the tech, lights & set up some shots? Anyone who's done it got any reviews? What did u get out of it? Can anyone recommend an int-adv Cinematography workshop that's very hands on in or around LA? I don't often get over to the US so I'd really like to grab the opportunity. Thanks.
  2. Email sales@broadcastsolutions.com for pricing and details. For Sale : CAMERAS: Alexa XT Plus w/XR Capture Drive Set 4x 512 GB. Email For Details ARRI Alexa Plus 4:3 Camera Package ARRI Alexa Plus 16:9 Camera Packages ARRI Alexa EV 16:9 Camera Packages ARRI Alexa-M 4:3 XR Camera Package Red Epic Camera Package Red Scarlet Camera Package Red One MX Package Vision Research Miro Package Vision Research Phantom Flex 4K Package Vision Research Phantom Flex 2K 32GB Package Sony PMW-F55 Camera Package Sony PMW-F5 w/4K Upgrade Camera Packages Low Hours Sony NEX-FS700U Camera Package (2 Available) Sony PDW-F800 Camera Sony PDW-700 Camera Sony HDW-750P Camera Sony HDW-650P Camera Sony PMW-EX3 Camera Package Sony PMW-EX1R Camera Package Panasonic Varicam 35 4K Camera Package Panasonic AJ-HPX 3700 Camera Canon C300 EF Mount Camera Package Sony A7S E Mount Camera CAMERAS / 16mm : Arriflex 16SR3 High Speed Advanced & Accessories CINEMA LENSES: Leica Summilux-C Prime Lenses Set of 10 Includes: 18/ 21/ 25/ 29/ 35/ 40/ 50/ 65/ 75/ 100mm T1.4. Mint condition purchased in June. Leica Summicron-C Prime Lenses Set Of 9 Includes: 18/21/25/29/35/50/75/100/135mm (2) Leica Cine MacroLux +1 Diopter Cooke S4i Mini Lens Set 18/25/32/50/75/100mm Cooke Optics Speed Panchro Prime Lens Set 18/25/32/40/50/75mm Re-Housed Super Baltar Prime Lens Set 20/25/35/50/75mm PL Mount 110mm Front Schneider Xenon FF Lens Kit Includes: 25/35/50/75/100mm T2.1 PL Zeiss 14mm Standard Prime T2.1 Lens Zeiss 35mm CP2 Super Speed Lens Zeiss 18mm CP.2 T3.6 CF 12" Prime Lens Angenieux Optimo 28-76mm T2.6 Zoom Lens Angenieux Optimo 16-42mm Zoom Lens Angenieux Optimo 30-80mm Zoom Lens Angenieux Optimo 17-80mm Zoom Lens Angenieux Optimo 24-290mm Zoom Lens Arri Ultra Prime 14mm Lens Arri/Fuji Alura 30-80 Zoom Lens Arri/Fuji Alura 15.5-45mm Zoom Lens Fujinon Cabrio 19-90 Version 1 Zoom Lens Fujinon Cabrio 85-300 Zoom Lens Canon CN-E 30-300mm Lens Cooke Varotal 18-100mm T3 MKII Zoom Lens Cooke Varotal 25-250mm T3.9 MKII Zoom Lens Cooke Varotal 20-100 Zoom T 3.1 16MM LENSES: Optex 5.5mm Super 16 T1.9 Zeiss Variable Lens Set VP-1,VP-2,VP-3 T2.2 2/3” HD ENG LENSES: Canon HJ11ex4.7B IRSE Canon HJ14EX4.3B IRSD PS12 Canon HJ17x7.7B IRSE Canon HJ22ex7.6B IRSE Fujinon HA13x4.5 Fujinon HA18x7.6 w/Servo Zoom Fujinon HA23x7.6 BERM-M58 Fujinon HA25x16.5BERD Fujinon ZA12x4.5BERM-M58 Zeiss Digi Prime 70mm Zeiss Digi Prime Lens Sets Available Zeiss Digizoom 6-24mm B4 Mount HD Lens 2 Available Zeiss Classic ZF.2 Distagons in F Mount (Nikon Mount) with Duclos Cine-Mod Angenieux 5.6-61mm Cinema B4 Mount Lens 2 Available CAMERA MISC.: Cam Mate T18’ 2000 series with Dutch Head Vision Research 512GB Cinemag II For Flex 2K,Gold & V Series Cameras Sony CA4000 4K Fiber Optic Triax Camera Adapter NEW Sony SR-D1 Card Reader Sony SR-PC4 w/10GigE Card SRMemory Data Transfer Sony RM-B750 w/Cables (2 Available) NewTek Tricaster TCXD850, 22-Channel HD/SD Live Production Switcher, Rack Mount Form Factor, 8 External Sources, 8 Virtual/Mix Ch, Removable Storage,Custom Rack Case On Wheels Chyron - LEX2 WITH HX2 CHASSIS Single-channel CG/graphics system. Email for the details. Looking For To Purchase: Preowned Arri 416 Camera Packages Zeiss Master Primes Arri Ultra Primes 16,24,32,50,85 & 135mm Arri Macro 50 &100mm Lens Arri Alura 45-250 Lens Canon HJ14ex4.3 Lenses SDI Teradek Bolt Wireless Video System Teradek Bolt 2000
  3. I'll be shooting a short soon and we're planning on using a Red Dragon at 6K with a set of Hawk C-Series anamorphics. I'm aware that, due to the aspect of the Dragon sensor, the resulting field of view using any given lens will be narrower than if it were shot with a 4:3 sensor such as on the Alexa. The widest focal length in the C-Series is 40mm, which on the Alexa would produce an image with a roughly equivalent FOV that a 20mm spherical might on Super 35. My question is, roughly how wide would the 40mm anamorphic appear when using the Dragon? I'm trying to work out if the 40mm will be wide enough for my needs. The reasons for choosing Dragon is for maximum resolution, given that it's a vfx heavy sci-fi. Would it be better to shoot on Alexa for maximum FOV? Or try using a set of diopters?!
  4. Used Arri Alexa SxS Classic 16/9 for sale. Camera was purchased in May, 2011. Operating time is about 3800 hours. No technical problems. Outer body has some visual signs of usage: scratches and scuffs. Includes: Camera body Electronic viewfinder Base plate Bridge plate On-camera TV-logic 5,6" monitor Noga arm Arri shoulder pad and handgrip set 2 Support rods 19mm 240mm Lemo Cable 5pin/5pin, and the rest cables needed for power suply, evf, monitor etc. Sony SxS pro memory cards: 32gb - 5 pcs, 64gb - 2 pcs. Firmware version: 10.01 Extras included as a bonus to the camera: Bebop hotswap battery adapter Bebop batteries 140 - 6 pcs TV Logic 24'' Monitor AJA IO HD capture device MacBookPro 17'' Item is located in Russia. Payment in cash and pickup in Moscow or Saint-Petersburg is prefered. Price is 25000 Euros. Feel free to contact for any details, questions, additional photos: merluzzo@ya.ru
  5. Hi guys! After some research, I made a little chart one every rich man's favorite camera, the Alexa, which digs into how it really works. So I thought I might as well share it. The content holds true for every Alexa I believe, since they all have pretty much the same sensors and algorithms (even the Alexa 65 I assume, who consists of three Alexa sensors merged). On the right of the table are the only available curves to my knowledge, the LogC ones. Every other curves isn't, but should be available, so here they are. Where did I find this stuff ? A combination of gathering bits of informations here and there, and the ability to think like an Arri R&D guy I guess (they always seem to make the most logical choices in sensor architecture). CLICK and enjoy for zoomable chart.
  6. Hello everybody ! I wrote a table comparing most of our favorite cameras and their technical specifications (Sensor info, recording info, weight, Mount, Power Consumption, Price ...). I was bored searching in the manuals and documentations, so this should make it a bit easier ! DIGITAL CAMERA COMPARISON Next time, I'd like to make it dynamic with an auto ranking when we click on a particular category. Cheers, Romain
  7. Hello all, For sale is an Alexa Classic with the high speed license and anamorphic de-squeeze. The package is in excellent technical and optical condition, not new but will work perfectly. 14 day warranty included, returns at the shipper's expense. The camera has 4181 hours. $22,000 Included: Alexa EV-1 DTE- Module CCH-1 Center Camera Handle WA-1 Wedge Adapter EVF-1 Electronic Viewfinder VMB-1 Viewfinder Mounting Bracket Findercable 350mm V-Mount Battery Adapter 5 Sony SxS Cards 32Gb High Speed License Anamorphic De-squeeze License
  8. Alexa EV Classic Package For Sale: $22,500 OBO Alexa EV Classic Body #2379, 3375hrs High Speed License Anton Bauer Battery Mount Electronic Viewfinder (EVF-1) Viewfinder Mounting Bracket (VMB-2) Camera Handle (CCH-1) Handle Extension Bracket (HEB-2) Wedge Adapter (WA-1) Leveling Block (LB-1) Shoulder Pad Viewfinder Extension Bracket (VEB-1) Eye Piece Leveler (EL 3) BP-13 15mm Bridgeplate OR BP-12 15mm Bridgeplate (Choice) 12” Arri Dovetail Plate (2) Viewfinder Cable (2) XLR 3 Pin 24V Power Cable Lemo to Ethernet Cable Dual 3 Pin XLR to 5 Pin XLR Audio Cable A&J Custom Foamed Hard Case SxS cards available as needed.
  9. In SYSTEM , Test Signal On, only shows it in MON OUT and REC OUT. And on the side of the EVF the menu settings show no options of showing color bars. Sup 11.0 Is it not possible?
  10. For sale is my personal Lomo anamorphic round front set: 35mm Lomo Anamorphic T2.4, PL-mount 50mm Lomo Anamorphic T2.4, PL-mount 75mm Lomo Anamorphic T2.4, PL-mount All lenses are optically and mechanically in perfect condition with smooth aperture and focus operation. All have stainless PL-mounts, and focus gear rings. No scratches, no fungus, The lenses are ready for shooting. Also included: 2 Cases, front and rear caps. New York City checkout can be arranged. Price: $25,000.00 Contact woftam@erols.com
  11. Arri Alexa Plus for sale. High speed licence and lots of accessories included. PM for more details. $26,000.
  12. Items included with each package. 1x Arri EVF-1 Colour Viewfinder 1x Arri Alex V/F Rod Mount + Rod Cap 1x Arri Extension V/F Arm 1x Arri Alexa CCH-1 Top Carry Handle 1x Arri Alexa HEB-2 Carry Handle Extension 2x 24v 3 pin to 2 pin Fischer Power Cables 1x 2 pin Lemo to 4 pin XLR 12v Monitor Power Cable 1x Short V/F Cable 1x Long V/F Cable 3x XR CODEX CDX-3730 Mags 512GB 1x XR CODEX USB 3 XR Mag Reader 1x Travel Case Email : sales@broadcastsolutions.com for pricing and details.
  13. Hi! I'm shooting a film handheld with the arri alexa plus 4:3 and the focus puller is going to use WCU-4. I have a lightweight matte box that fits 15' rods. When we put the wireless motor on the rods it is out of reach for the lens, being that the rods are too close to the lens for the motor to reach on to it. I'm wondering how we can fit this on without using rods at all. Is this possible? If I clamp the matte box right to the lens.
  14. Hi We have and Arri Alexa Classic Camera for Sale located in Mumbai, india. Great working condition. Alexa Classic Camera Body High Speed License Arri View Finder Extension Bracket Arri View Finder Mounting Bracket Arri Centre Handle Arri View Finder EVF 1 with Cable (2 Nos) TV Logic Onboard Monitor with Cable SBS Pro 64GB cards SBS Pro 32GB Cards 2 Onboard Batteries with Charger Arri Bridge Plate Adaptor Accessories Box Alexa Handle Extension Block Arri V-Lok Plate EVF Leveller rod Bridge Plate 19mm Big & Small Rods Follow Focus Arri Sliding Plate Arri Camera Handle(Top Mount) Onboard Monitor Bracket Noga Arm Clip On Matte Box Rings ( Ultra Prime, Master, And Zoom Lens) Arri Camera Power Cables Extra Follow Focus Power Extension Cables Arri Shoulder Pad Arri Right Hand Grip Arri Matte Box 14MB Flight Case Arri Flaps And Masks Filter Box IR ND 6 IR ND 1.2 IR ND 1.8 ND 0.3 (6.6 x 6.6 Size) ND 0.6 (6.6 x 6.6 Size) ND 0.9 (6.6 x 6.6 Size) ND 1.2 (138mm) Diopters (1/2, 1, 2) Clear Glass (Normal) Polarizer Camera Batteries (30V & 24V) Camera Battery Charger (30v & 24v) Card Reader - Sony UPS For Laptop and Monitor Cable Bag SDI Cables : 20 Meters 1 Meter Rain Cover Price: $23,000 Pl contact me on binaykpradhan@gmail.com
  15. Arri Alexa XT Camera Package For Sale (Pre-Owned) Serial # 66XX Hours 1050 1x Arri EVF-1 Colour Viewfinder 1x Arri Alex V/F Rod Mount + Rod Cap 1x Arri Extension V/F Arm 1x Arri Alexa CCH-1 Top Carry Handle 1x Arri Alexa HEB-2 Carry Handle Extension 2x 24v 3 pin to 2 pin Fischer Power Cables 1x 2 pin Lemo to 4 pin XLR 12v Monitor Power Cable 1x Short V/F Cable 1x Long V/F Cable 3x XR CODEX CDX-3730 Mags 512GB 1x XR CODEX USB 3 XR Mag Reader 1x Travel Case email sales@broadcastsolutions.com for pricing and details.
  16. I have the opportunity to purchase a used Arri D-21 from a local rental shop for $6000. I have heard that the D-21 footage has a unique film like quality that surpasses most cameras, even the Alexa. Although it's dynamic range is limited to 11 stops and low lightcapabilities seem to be quite poor. Can those of you who have used the D-21 please share your experiences.
  17. Hello friends and fellow cinematographers, Not sure if anyone have posted about this topic but here it goes... Other than being able to shoot RAW from the Alexa, practically and to-the-eyes and after all the proper post correction and all, is there a huge difference between raw from Alexa and the proress 4444 XQ from the Amira? I'm sure there is a difference, but is the difference too great or are most people just being an unconscious pixel-peepers? I feel much of the discussion have put too much attention and emphasize on this issues and on the argument of which is 'truely' cinematic or fitting for cinematic use and I just want to get a simple answer once and for all. Thanks! Dave
  18. ARRIFLEX D-21 £2,250 GBP (ex VAT) Condition: Used Warranty: 3 Months ARRI D-21 Camera Body D-21 Viewfinder Ground Glass (.1.78 / 1.33.) Format Glow Mask (.1.78.) Format D-21 Super Wide Eyepiece Rubber Eyecup 24v On-Board Splitter (Fitted) FE-3 Extension Eyepiece D-21 Carry Handle Please email me if you require any further information. Casey@esbroadcast.com
  19. Hey guys, I've loved The Leftovers since season 1, but season 2 has just aired its second episode and I remain stunned by the cinematography, which is now done by Michael Grady (Todd McMullen for most of season 1). It's shot on the Alexa, but it looks SO distinct from everything and anything else I've seen shot on the Alexa, it feels like there's some kind of film grain added because there's a very real and vivid texture to the image, a real patina, the colors pop, but not in a harsh digital way, it doesn't look overly digital, it just really stands out, the lighting also looks beautiful, very colorful. I know they use Primos on this, but I wonder what anyone else think about this, any idea on the film grain or the look they're getting? I'm a film guy mainly, and the only stuff that impressed me on digital so far has been Skyfall, Prisoners, Sicario, A Most Violent Year (yet to see Selma, shot by Bradford Young as well), Drive, Elysium, The Social Network, Gone Girl, Her, Nightcrawler, The Revenant and The Leftovers.
  20. Hi everyone, can you help me? I want to find to bay plastic lcd cover for arri alexa, see in the pictures..
  21. Used ARRI Alexa M 4:3 in stock. Excellent condition. £19,500 GBP (ex VAT) Condition: Used Warranty: 6 Months Op hours- 1000 Case Containing: ARRI Alexa M Camera Head ARRI Alexa M Body BAB-G (Gold Mount Battery Adapter) Bundle Accs Set for Alexa M Center Camera Handle (CCH-1) Handle Extension Bracket (HEB-2) CCH-2 Alexa M (Head) Camera Handle AMC-1 Alexa M Cage -Consisting Of: Side Bracket Bottom Plate 15mm LW Bar Bracket MEDIA M Handle Syst. - Consisting Of: Side Handle (15mm Bars Fitted) Top Plate - Small Bottom Plate SD Card (ASD-1) 12v 2pin Lemo - 4pin XLR BP8 Bridge Plate ( Short ) Balance Plate 19mm / 440mm Bar (Long) 19mm / 240mm Bar (Short) 15mm Lightweight Bar - Short 240mm 24v Camera / Battery Cable 2m Lightweight SMPTE Fibre Cable Sony 64gb SxS Card Sony 64gb SxS Card Sony 64gb SxS Card 20m SMPTE Fibre Cable (9mm Dia.) Please contact me at Casey@esbroadcast.com if you require any further information.
  22. Codex CDX-3010 Kit £3,000 GBP (ex VAT) Condition: Used Warranty: 3 Months Case Containing: Codex Onboard Recorder CDX-3010 Onboard Control Panel CDX-P065 Codex Recorder Handle CDX-P064 Control Panel Fixing Plate 6-6pin Panel Control Cable Long 5p Lemo - 3p RS Power Cable Dual Mini BNC Loom 4p XLR - 5p LEMO Battery Power Cable 4 x Codex M Flash Pack (256gb) CDX-P300 Please contact me on Casey@esbroadcast.com if you require any further information.
  23. · F-65 Camera Body. (excellent Condition) · SR-R4 Digital Recorder. · Dual Bettery Adapter V-Mount. · SRK-CP1 Control Panel. · Sony HDVF-C30RW Color Viewfinder. · SR-D1 Reader. · SRmemory Card.(2X512GB-1X256GB). · Conveter V-mount Cable. · power cable limo 8-pin. · Bridge Plate. · Rod(2X12'' - 2X9''). · Camera Case. Price:- 35,000 USD
  24. Hi, I have a music video shoot and we're currently deciding cameras. I prefer the look of the Alexa and want to push the Mini as we're mostly on steadicam. However we have a lot of strobe lighting during a performance sequence, making the Dragon with motion mount seem like the right way to go. Is the Studio the only option for choosing Alexa when dealing with strobes? We're shooting a range of speeds, ramping from 24 to 60fps. Thanks, Chris
  25. Hi everyone. Since I'm planning on advertising for freelance cinematography in the very near future, I'm looking to get some basic familiarity with the Alexa. I was wondering if anyone has an e-mail contact at CSC NY (none are listed on the website) so I could introduce myself. Thanks in advance for any help.
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