Jump to content

Search the Community

Showing results for tags 'anamorphic'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Occupation


Location


My Gear


Specialties

  1. Hi All, I'm shooting a live music session with a number of cameras in the next couple of weeks, and initially had Alexa Mini's pencilled, along with some rehoused Kowa anamorphic lenses. I've just found out that the rental house I'm dealing with can offer me RED Dragon 6K's as an option instead. I've loved all of the tests I've done with this camera, and really like the size of the sensor (being close to FF). Unfortunately, I've only tested sets of spherical lenses with it so far, and so I'm not sure if the Kowa's that I've got pencilled will cover the Dragon's sensor area. I know you can crop and shoot in a lower resolution, but if possible I'd prefer to make the most of the height of the sensor. Final delivery of the sessions is likely to be HD, and I know you can shoot desqueezed proxies in 2K ProRes, but I'd prefer to work with the RAW for the sake of the grade. If anyone has any experience with this combination, that would be really helpful. Many Thanks, Lewis Jelley Cinematographer T: +44 (0)2920 251 255 M: +44 (0)7929 174 457 13 Mount Stuart Square, Cardiff, CF10 5EE http://stormandshelter.com
  2. Hey guys! Please check out The Ultimate Anamorphic Lens Test where we tested 13 brands, 40 lenses and created over 500 tests and 130 4K videos. You can compare them all in our 4x side-by-side viewer here. Brands tested include: Angenieux Optimo 44-440mm T4.5 AS-2 Anamorphic Zoom ARRI / Zeiss Master Anamorphic Atlas Lens Co. Orion Series Anamorphic 65mm T2.0 Cineovision Anamorphic Cooke Anamorphic /i Special Flare Elite Anamorphic Hawk V-Lite Vintage `74 Anamorphic Iscorama Pre-36 Anamorphic Lens Adapter Kowa Cine Prominar Anamorphic Lomo Round-Front Anamorphic Panavision Auto-Panatar Anamorphic P+S Technik 35-70mm T3.2 Cinemascope Zoom Todd AO High-Speed Anamorphic Hope you enjoy it. Please let me know if any questions!
  3. I'm filming a short comedy musical in about a month using an alexa mini + zeiss ultra primes ....this is for broadcast television and we're shooting 4k ...my director likes the idea of changing aspect ratios in real time...for instance: we are on a close up of some performer in 16:9 and all of a sudden they break into a song and the aspect ratio changes in front of our eyes to 2.39:1 ...here are some questions I have: -has anyone done something like this? if so what are the challenges for pulling this off? -in your opinion how can this blend with camera movements? for example pushing in/ pulling back on a dolly and changing from 16:9 to 2.35:1 ... thanks in advance!
  4. Pictures available on our website or by email request. Contact us with any questions or to place an order. ______________________________________________ PRIMES: - Arri/Zeiss Ultra Prime 20mm = $12,500 - Arri/Zeiss Ultra Prime 65mm = $12,000 - Arri/Zeiss Ultra Prime 100mm = $12,500 - Arri/Zeiss Variable Primes Set of 3 - VP1/VP2/VP3 = $15,000 - Cooke Optics S4/i 16mm = $13,500 - Cooke Optics S4 Set of 8 - 14/18/25/35/50/75/100/135mm = $123,000 - Cooke Optics mini S4/i Set of 10 - 18/21/25/32/40/50/65/75/100/135mm = $60,000 - Leica Summilux-C Set of 10 - 18/21/25/29/35/40/50/65/75/100mm = $320,000 - UniQoptics Set of 6 - 18/25/35/50/85/100mm = $14,000 - Zeiss Standard Prime 10mm = $14,000 - Zeiss Standard Prime 12mm = $5,000 - Zeiss Standard Prime 14mm = $8,000 - Zeiss Standard Prime 16mm = $6,000 - Zeiss Standard Prime 20mm = $6,000 - Zeiss Standard Prime 28mm = $6,000 - Zeiss Standard Prime 40mm = $5,000 - Zeiss Standard Prime 100mm = $6,000 - Zeiss Standard Prime 135mm = $6,000 - Zeiss Standard Prime 180mm = $7,000 - Zeiss Standard Prime Set of 9 - 16/20/24/28/32/40/50/85/135mm = $45,000 - Zeiss CP.2 Compact Prime Set of 9 - 15/21/25/28/35/50/85/100/135mm = $32,000 - Zeiss T1.4 Speed Prime Set of 5 - 18/25/35/50/85mm = $30,000 - Zeiss Mk2 Super Speed Set of 5 - 18/25/35/50/85mm = $58,000 - Zeiss Mk2/Mk1 Super Speed Set of 6 - 18/25/35/50/65/85mm = $65,000 - Zeiss Mk3 Super Speed Set of 5 - 18/25/35/50/85mm = $85,000 ZOOMS: - Angenieux HP 25-250mm = $9,000 - Angenieux HR 25-250mm = $14,000 - Angenieux Optimo DP 16-42mm = $10,000 - Angenieux Optimo DP 30-80mm = $10,000 - Angenieux Optimo Style 16-40mm (Brand New) = $16,750 (0% financing available) - Angenieux Optimo Style 30-76mm (Brand New) = $16,750 (0% financing available) - Angenieux Optimo Style 48-130mm (Brand New) = $22,750 (0% financing available) - Angenieux Optimo Style 25-250mm (Brand New) = $38,000 (0% financing available) - Angenieux Optimo 15-40mm = $32,000 - Angenieux Optimo 15-40mm (Brand New) = $39,750 (0% financing available) - Angenieux Optimo 28-76mm = $32,000 - Angenieux Optimo 28-76mm (Brand New) = $39,750 (0% financing available) - Angenieux Optimo 45-120mm (Brand New) = $39,750 (0% financing available) - Angenieux Optimo 17-80mm = $38,000 - Angenieux Optimo 19.5-94mm (Brand New) = $54,000 (0% financing available) - Angenieux Optimo 24-290mm = $58,000 - Angenieux Optimo 24-290mm (Brand New) = $73,000 (0% financing available) - Angenieux Optimo 28-340mm (Brand New) = $76,000 (0% financing available) - Cooke Optics 14-70mm = $12,000 - Cooke Optics/TechnoVision 18-90mm = $14,000 - Cooke Optics 18-100mm = $9,000 - Cooke Optics 20-60mm = $11,000 - Cooke Optics 20-100mm = $9,000 - Cooke Optics/TechnoVision 25-250mm = $14,000 - Cooke Optics 25-250mm (Mk2) = $5,000 - Cooke Optics 25-250mm (Mk3) = $7,000 - Fujinon Cabrio 14-35mm (Brand New) = $29,400 - Fujinon Cabrio 19-90mm (Brand New) = $27,860 - Fujinon Cabrio 20-120mm (Brand New) = $16,400 - Fujinon Cabrio 25-300mm (Brand New) = $30,800 - Fujinon Cabrio 85-300mm (Brand New) = $29,400 - Fujinon Premier 14.5-45mm (Brand New) = $79,750 - Fujinon Premier 18-85mm (Brand New) = $69,850 - Fujinon Premier 24-180mm (Brand New) = $69,850 - Fujinon Premier 75-400mm (Brand New) = $76,800 VINTAGE & ANAMORPHIC: - Angenieux Optimo Anamorphic 30-72mm (Brand New) = $63,500 (0% financing available) - Angenieux Optimo Anamorphic 56-152mm (Brand New) = $48,000 - 1x LENS AT THIS PRICE (0% financing available) - Angenieux Optimo Anamorphic 56-152mm (Brand New) = $63,500 (0% financing available) - Angenieux Optimo Anamorphic 44-440mm (Brand New) = $74,500 (0% financing available) - Angenieux HR Anamorphic 50-500mm = $32,000 - Bausch & Lomb Super Baltar 25mm = $10,000 - Bausch & Lomb Super Baltar Set of 5 - 25/35/50/75/100mm = $48,000 - Bausch & Lomb Super Baltar Set of 6 - 20/25/35/50/75/100mm = $60,000 - Canon K35 Macro 25-120mm = $25,000 - Cooke Optics/TLS Panchro Set of 7 - 18/25/32/40/50/75/100mm = $62,000 - Cooke Optics/TLS Panchro Set of 9 - 18/25/32/40/50/75/100/152/203mm = $85,000 - Elite Anamorphic Primes Set of 5 - 25/40/50/75/100mm = $100,000 - Elite Anamorphic Primes Set of 6 - 25/32/40/50/75/100mm = $135,000 - Kowa Anamorphic 40mm = $28,000 - Kowa Anamorphic 50mm = $26,000 - Kowa Anamorphic 75mm = $26,000 - Kowa Anamorphic 800mm = $20,000 - Kowa Anamorphic Set of 3 - 40/50/75mm = $75,000 - Kowa/TLS Cine Prominar Set of 8 - 15/20/25/32/40/50/75/100mm = $140,000 - Lomo Anamorphic Set of 4 - 35/50/75/100mm = $68,000 - Zeiss Ultra Scope Anamorphic 85mm = $9,000 TELEPHOTOS: - Canon FD “Series 2000” 400mm = $5,000 - Canon FD 600mm = $4,000 - Canon FD 800mm = $4,000 - Nikkor ED 200mm = $5,000 - Nikkor ED 300mm = $7,000 - Nikkor ED 300mm T2 = $10,000 - Nikkor ED 400mm = $7,000 - Nikkor ED 600mm = $7,000 - Zeiss Tele-Apotessar 300mm = $8,000 SPECIALTY OPTICS: - Angenieux Optimo 1.4x (Brand New) = $3,000 - ARRI-Macro “Auto-Exposure Compensation” 100mm = $16,000 - Century Low Angle Prism = $12,000 - Century/Clairmont Swing Shift Set = $20,000 - Cine Magic Revolution Probe Relay System = $65,000 - Kardan Shift & Tilt Set = $16,000 - P+S Technik Skater Scope = $29,000 - Veydra 1.2x Expander (Brand New) = $2,500 - Zeiss “Aspheron” 5666 Wide Angle Front = $2,500 - Zeiss CP.2 Compact Prime Makro-Planar 50mm = $3,750 - Zeiss Makro-Planar 60mm = $10,000 CAMERAS: - Arriflex Alexa = $17,000 - Arriflex Alexa 4:3 Plus = $22,000 - Arriflex Alexa XT Plus = $50,000 - Arriflex Alexa STX = $60,000 - Arriflex Alexa STX Plus = $75,000 - Vision Research Phantom Flex HS2K = $30,000 - Vision Research Phantom Miro LC320S = $45,000 SUPPORT: - Arrihead Geared Head = $15,000 - Arrihead Reduction Gears = $5,500 - Cartoni C40 & Dutch Head Package = $8,000 - Cartoni Lambda 25 Nodal Head (Brand New) = $8,750 - Cartoni Lambda 50 Nodal Head (Brand New) = $14,450 - Oconnor 50D Fluid Head (Refurbished) = $1,200 - Oconnor 100 Fluid Head (Refurbished) = $2,000 - Oconnor Ultimate 2575B Fluid Head = $8,000 - Oconnor Ultimate 2575D Fluid Head (Brand New) = $12,000 - Oconnor Ultimate 1030Ds Fluid Head (Brand New) = $5,000 - Ronford-Baker Standard Tripod (Brand New) = $1,875 - Ronford-Baker Baby Tripod (Brand New) = $1,875 - Ronford-Baker Ground Spreader (Brand New) = $600 - Ronford-Baker Off-Ground Spreader (Brand New) = $700 - Ronford-Baker Rolling Spreader (Brand New) = $1,300 - Sachtler 7+7 Studio II Fluid Head = $7,000 - Sachtler Dutch Head = $1,200 - Tango Swing Head (Brand New) = $6,000 - Weaver Steadman 3-Axis Model Head = $6,500 ______________________________________________ Jeff Roberts West Coast Cine Video, Inc. 5739 Kanan Road #307 Agoura Hills, CA 91301 818-742-8090 sales@westcoastcinevideo.com westcoastcinevideo.com
  5. Hi Everyone, I'm thinking of buying a Kowa 16H lens for my Bolex H16 REX5 in the aim of making cinemascope. If I have fully understand this lens is adaptable directly on my proper lens, like for example a switar, with a clamp. I guess that I can find several models of clamps in fonction of the diametre of the lenses I want to use. The thing is that I want after that to be able to project my film with an Eiki NT2, and I wonder if I could use the same lens, as it is apparently made for both, camera and projector. How can I adapt the Kowa on the projector? With an other clamp? Here are I am with my supposition...
  6. Hi everybody. I have a doubt concerning shooting anamorphic on digital cameras. I know the different camera menus (I'm talking from my Epic and Alexa experience) give me the option to chose between 1.3x, 2.0x and 2.0mag (this last one I have no idea of what it is) anamorphic desqueeze factor but I have no idea of what the rule of tumb is and which one to chose according to what. Feel absolutely free to add anything else that you thing might make things clearer. Thanks a lot, Davide
  7. One-of-a-kind Anamorphic or Spherical Angenieux 25-250 Zoom Lens with compact zoom motor, hand held zoom-speed controller, cables, bracket, and custom case. Excellent condition. $6950 Dan Sasaki at Panavision rebuilt and rehoused this Angenieux 25-250 HP. He added a special low dispersion front element coated with Panavision's anti-reflection coating, and a 119mm Front Filter thread. He improved the mechanics with smoother movement of the barrel and standard focus gearing at the rear of the lens. He fitted the lens with a compact Panavision Zoom motor, which can be removed, and a Panavision/Shiga glass rear 2x Anamorphic capsule that can be added with five hex bolts so the lens can be used as either anamorphic or spherical. The Anamorphic capsule alone is worth more than the entire package. This package is priced to sell fast at $6950. The lens is fitted with a removable PV mount, but a stainless steel PL flange from Zeiss, Century, or MTF Services can easily bolt on. The Anamorphic capsule; however, has a fixed PV mount and would require an adapter or remounted. I have a stainless steel PV to Canon mount that Ken Stone made which can be included in the package for an extra $450. *If purchased before May 8th 2017, I can hand deliver this to Panavision in Woodland Hills for pick-up. If purchased after May 8th, the lens will be shipped from Europe and the buyer covers shipping, insurance, and customs clearance. for images: https://drive.google.com/file/d/0B0NSXBkbH4f2OXpwYjBOTXp3Q28/view?usp=sharing https://drive.google.com/file/d/0B0NSXBkbH4f2Y2EzWkVRNzEwRjg/view?usp=sharing https://drive.google.com/file/d/0B0NSXBkbH4f2VV9jOTk4OTZadlk/view?usp=sharing
  8. $750 Or Best Offer. If you own an Arri 3C and want to shoot anamorphic, this is something you'll want. You can shoot spherical, or flip a switch and the optics will desqueeze the anamorphic image so you don't have to frame up your image with everyone looking skinny. A very rare door, unique to the 3C, so certainly nice to have if you ever want to shoot anamorphic on this camera. Thanks, Rich
  9. interested in buying 35mm, 75 and 100mmm round front anamorphic lenses. prefer EUrope but any offers welcome. with any mount, clean lens. klimpar@vonkuttenberg.com or +420777174155 (imessage works as well)
  10. looking for anamorphic KOWA 35BS Lens --- full set including 40mm or 50mm, 75mm and 100mm singles. preferably EUrope, but those rares are worth to travel around globe :) klimpar@vonkuttenberg.com or PM, +420777174155 (imessage as well)
  11. Kinor 35H (9KCH-M2) - Russian Professional 35mm Movie Camera Set Most of you probably know the story of the Kinor. This unit is in perfect working order. It has been well maintained and upgraded. The upgrades electric rewiring to work with standard XLR plugs, rewiring of the interior electronics, adding a video tap, adding a BNCR mount. The camera has been and is regularly serviced by a qualified technician. The buyer will receive a fully working, colimated kit that will be serviced by the technician prior to the sale. The camera has worked on quite a few gigs recently, but as we own another 35mm kit, the time has come to sell as we can't justify two kits. So this isn't your typical Russian "I don't know if it works kit", but a much loved and well maintained unit. PM me with any questions. Here is a link to the ebay auction: http://www.ebay.com/itm/Kinor-35H-35mm-Movie-Camera-/182497662948?hash=item2a7db557e4:g:pygAAOSw2gxY0QPB During the '84 Los Angeles Olympics the Soviets were boycotting the games, but they sent camera crews. Moviecam Super America cameras were being used there by American crews. It was the first time those cameras had ever been seen by the public. Right in the middle of the games one of them vanished. They were $200,000 cameras. The missing camera was never found. A couple of years later the Soviets introduced the Kinor 35H, which certainly seemed to be inspired by the Moviecam. Though they never admitted to the theft, most people suspect that the Soviet crew stole the Super America and reverse-engineered it. This particular unit was bought from Cannon Films and the word is that it was used on various movies produced by them in the Menahem Golan and Yoram Globus era, including Delta Force 2: The Colombian Connection, Ninja Trilogy and Cyborg amongst others. The camera comes fully kitted and modified to modern standards. It has two lens mounts - BNCR & OCT-19, is manufactured of sync sound (-32db), comes with a B&W CCD video assist has updated power inputs for XLR use and updated reg pins for use with Kodak Negative. It is fully working, tested, and in excellent condition. The camera has been well maintained and serviced throughout the years. It comes with everything that you may need for setting up for hand held and studio work. The set includes an Anton Bauer charger and one XLR battery. Everything in the photos is included. The camera comes in 5 original metal cases. The camera is a great model to adapt to two perf for shooting Techniscope 2.35 with spherical lenses. SPECIFICATIONS LENS MOUNT: BNCR & OCT-19 SHUTTER: Rotating Mirror - 180 degrees FRAME RATES: 8-32 fps in .1 fps increments w/speed control; crystal 24 & 25fps MOVEMENT: Single pulldown claw and single registration pin FORMAT: 35mm; 1.66, 1.33 ground glasses; modified 1.78 SOUND LEVEL: 24-32db depending on speed WEIGHT: Hand-held: 28lbs w/500ft. magazine and prime lens MAGAZINES: 2 x 500' (150m) and 2 x 1000' (300m) w/built-in torque takeup motor system MAGAZINE MOUNTING: Rear of camera; lowered/raised positions, depending on mode Camera comes with a magazine wedge MAG DRIVE: All electronic via multipin interface FINDER: Short for handheld - fully orientable; projection from camera side is adjustable Long for tripod mount fully orientable; projection from camera side is adjustable FOLLOW FOCUS: Single knob on camera for handheld Double knob on base plate rods for tripod mount BASE PLATE + RODS: Fully sliding dovetail; quick release SIDE RODS: On camera mounting; swing away MATTEBOX: The matte box is the only piece on the camera that could be considered dated. However it does serve it’s purpose and comes with sunshades for lenses from 28 to 100. It is a swing-away model with filter trays accommodating 4x4” and 4x5.65" filters HAND HELD: Handle with remote control cable POWER: 14-21 volts dc Anton Bauer charger with battery CASE: 5 original metal cases
  12. LOMO Anamorphic Round Front 50 & 75 Just fully serviced by Focus Optics $23,000 for the pair or $11,500 each Lori Carson carson.lori61@gmail.com
  13. RED WEAPON WITH HAWK C-SERIES: THE NEW MEETS THE VINTAGE. This week I would like to share one of my last experiences on set where I got the chance to use a cinema camera and a set of lenses for the first time. On one side, and I don’t exactly know why, it was an incredible long time since I used for the last time a RED camera and I didn’t had tried yet the “new” (even though there is already a newer model out there called Raven) 6K Weapon; plus, I did had seen the Hawk C-Series, but just in rental houses promotional meetings, and we all know that an actual set is a totally different environment. THE CAMERA Truth is that from quiet a few points of view I was gratefully surprised by the camera, since comparing to the RED Dragon it features severals tools that, if you want my two cents, are a consistent improvement, both in the operation of the camera as a 1AC and the performance of the camera itself. First of all... More information: http://www.camaleonrental.com/gb/blog/red-weapon-with-hawk-c-series-the-new-meets-the-vintage-n14
  14. Hello. I am shooting with a sony vx1000 prosumer camcorder in it's native 4:3 aspect ratio and I was wondering what my options we're for using an anamorphic lens (producing a 16:9 image). The filter diameter is 52mm. Appreciate any insight! Thank you! - Hunter
  15. Hi Everyone, I am a beginner Director of Photography and I'm still learning the camera side to things as a DOP. I'm much stronger on the lighting side than the camera side and need a little advise. I'm shooting a science-fiction story in the near future and I've done some research on lens and how to sell the Sci-fi look, and the thing that keeps popping up is Anamorphic lens. I have little understanding of how Anamorphic lenses work and will be shooting this project on the Sony F3 - From what I've gathered the chip sensor can't do Anamorphic with out a converter lens, but I heard those lessen the quality and aren't the same as the real deal. I've been watching a ton of interviews of cinematographers and they say to go with a wide Anamorphic lens and shoot everything crisp - even my professors say the same. So my question is, what is a great alternative option to a Anamorphic lens for the Sony F3? P.s. The lenses that come with the Camera from the school's rental house is a set of prime lenes (35mm, 50mm, 85mm) and Zeiss CP.2 Lenes (18mm, 25mm, 35mm, 50mm, 85mm). We are allowed to go to other rental houses but the budget is limited to around $1500 (not confirmed yet, but roughly around that). P.s.s. Also - last note - any additional tips on shooting and lighting Science-Fiction would be much appreciated. All the best.
  16. Have to admit I'm interested in how this is coming along, even though I'm not a Star Wars fan. Greig Fraser is supposed to shoot this with the 1.25x Ultra Panavision 70 anamorphics rebuilt for The Hateful Eight. He's also shooting on film, and the Alexa 65. So are the lenses being used on 65mm, or on the Alexa 65? Will the ratio be 2.75:1? Is he shooting anything on 35 (like Episode 8 is)? Anybody heard more about it?
  17. The Neon Demon "When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will take any means necessary to get what she has." Trailer Imdb Link http://www.imdb.com/title/tt1974419/ Director Nicolas Winding Refn Cinematographer Natasha Braier Probably the most beautiful looking and imaginative movie that Nicolas Winding Refn has shot ever. Go and see it whenever is available on your local cinema because it really is a sensorial experience. That's all I can say until somebody watches it! :) Have a good day.
  18. Hey everyone, I'm looking to rent an anamorphic viewfinder for my Moviecam Compact MKII. I've been asking around but can't seem to find one! I believe the Arricam viewfinder extensions work with the Compact MKII as well. If you have access to one or know where to rent one, I would love to know. Thanks!
  19. Cooke Anamorphic Lens Set 25-32-40-50-75-100&135mm Mint Condition Just Serviced Email sales@broadcastsolutions for pricing and details. SALE PENDING
  20. Coming out in March 2017, directed by Jordan Vogt-Roberts (The Kings Of Summer) and shot by Larry Fong, Kong: Skull Island is NOT a remake, it takes place during the 70's, and involves a scientific expedition to an uncharted island awakening titanic forces of nature, a mission of discovery becomes an explosive war between monster & man. A-list cast on board, including John Goodman, Samuel L. Jackson, Brie Larson, Tom Hiddleston, Shea Wigham, Corey Hawkins, John C. Reilly, John Ortiz, etc, etc. First trailer from Comic Con, a few months back: QT 1080p link: http://pdl.warnerbros.com/wbol/ww/movies/kongsdcc/KONG_TRAILER_1-1080.mov Second trailer out today, with a slightly different tone: QT 1080p link: https://dl.dropboxusercontent.com/u/64705418/k2/KONG_SKULL_ISLAND_TRAILER_3-1080.mov Shot on the Alexa anamorphically, looks like Panavision lenses to me, C-series or E I'd say. Gotta say, Fong always does great work on film, but I've never seen the Alexa look this good, the texture is quite nice, I wonder if they added some grain, it's also really vibrant & beautiful.
  21. Selling two of my lens sets, Im owner, not broker. please PM if interested, we can deal by a broker if need. cooke s4/i 14/18/21/25/27/32/40/50/65/75/100/135/180 USD 198k or a little more using broker hawk C 40/50/75/100 USD 92.5k or a little more using broker thats it =) best Gabriel
  22. Check out this video on Matthew Duclos and why vintage lenses are so popular in today's modern cinematography era.
  23. We are selling our personal sets of LOMO Anamorphic Lenses 35,50,75,100,150 LOMO Anamorphic Round Front, just fully serviced by Focus Optics Burbank $56,000 50 & 75 LOMO Anamorphic Round Front, just fully serviced by Focus Optics Burbank $18,000 for the pair email me carson.lori61@gmail.com
  24. Hello Had queried about use of spherical as well as anamorphic lenses for a diploma film project in a different forum. Now I have decided to shoot the film in both the formats - flat as well as scope. If I shoot 1.33 spherically and 2.35 on anamorphic, then the negative will be scanned to 2048 x 1536 (10bit dpx) in both cases, if i am using the universal gate on Arri 535B (4perf). Now how will the project be finished to final 2K DCP post grade if the film contains both the flat as well the scope material. Also due to Kowa Prominars not being in perfect condition, we might be sourcing Hawk C Series lenses from the rental. Can the members reflect on the look and image qualities regarding the same lenses. Will be shooting the spherical portion on Zeiss High Speed Lenses. Thank You Regards Shashank Walia Class of 2011 Film and Television Institute of India
  25. Hi all I was wondering is it possible to use a lens doubler on anamorphic lenses? If so is it the same kind used for spherical lenses or are there specific doublers for anamorphics? Thanks
×
×
  • Create New...