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Used Arri Alexa SxS Classic 16/9 for sale. Camera was purchased in May, 2011. Operating time is about 3800 hours. No technical problems. Outer body has some visual signs of usage: scratches and scuffs. Includes: Camera body Electronic viewfinder Base plate Bridge plate On-camera TV-logic 5,6" monitor Noga arm Arri shoulder pad and handgrip set 2 Support rods 19mm 240mm Lemo Cable 5pin/5pin, and the rest cables needed for power suply, evf, monitor etc. Sony SxS pro memory cards: 32gb - 5 pcs, 64gb - 2 pcs. Firmware version: 10.01 Extras included as a bonus to the camera: Bebop hotswap battery adapter Bebop batteries 140 - 6 pcs TV Logic 24'' Monitor AJA IO HD capture device MacBookPro 17'' Item is located in Russia. Payment in cash and pickup in Moscow or Saint-Petersburg is prefered. Price is 25000 Euros. Feel free to contact for any details, questions, additional photos: merluzzo@ya.ru
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I am selling my Arri Alexa Plus 16x9 High Speed camera package. I am located in Los Angeles. Operating Hours: 2696 Asking Price: $25,000 Link to Photos: https://www.dropbox.com/home/Arri%20Alexa%20Plus%20Photos Email: jhonore31@gmail.com Arri Alexa Plus Camera Body - Serial #2735 High Speed License Arri EVF-1 Electronic Viewfinder Arri VMB-3 Viewfinder Mounting Bracket Arri Viewfinder Cable Short Arri Viewfinder Cable Medium Arri CCH-1 Centre Camera Handle Arri HEB-1 Handle Extension Block Arri WA-1 Wedge Adapter Arri BPA-2 Bridge Plate Adapter Arri SP-4 Shoulder Pad Arri BAB-4 Battery Adapter Back for Gold Mount AC Power Supply 3 x 32GB Sony SxS Memory Card 2 x 64GB Sony SxS Memory Card Sony USB 3.0 Memory Card Reader Lexar 2GB SD Card Swiss Tool - Large & Small Custom Hard Case
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Sean Porter says some really interesting things about 'beating up' the digital image, to sort of pull out that natural grain, and to give it some character. What do you think? Interview here. http://www.cinelinx.com/interviews/item/9323-sean-porter-d-p-of-green-room-on-adapting-for-the-narrative.html
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HI everyone, i want to ask you, who is the best camera for film indystry. Arri Alexa Clasic or Arri Alexa mini. I have second project with arri alexa mini fotage for color grading and i think is not like arri alexa clasic in look. Thanks Bledi
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This is a brand new Alexa Mini coming direct from Germany. The warranty is based out of Arri Germany. This Comes with... -Alexa Mini body -Arri PL mount -EVF w/ cable -Power cable I've waited 7months for this so if anyone wants to avoid a really long backorder! Asking $58,000
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Macbeth Trailer IMDB Link http://www.imdb.com/title/tt2884018/?ref_=nm_flmg_cin_4 "Macbeth, a Thane of Scotland, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself" Director Justin Kurzel Cinematographer Adam Arkapaw I watched Macbeth on the cinema 3 weeks ago and was very reluctant to write about it because I did not know what to say about it as it made me think about cinematography, art, filmmaking, life and everything else. However, I watched it today on the cinema again and I could not help but writing about the movie. There are sometimes when art and filmmaking come together, we have examples from the early cinema (Berlin) to contemporary cinema (Waking Life). In my opinion, the movies which mix art and cinema usually do not have a very good distribution and it is very difficult to see them out of the cinema festivals (Sitges, Sundance, etc). What we have on the screen nowadays is a movie which tries to bring that to the masses and it works perfectly. A couple of years ago we had a very interesting adaptation called "Anna Karenina", directed by Joe Wright, Mr. Wright decided to do something absolutely different and staged everything as if it were a play, it was a very risky movement but it was one of the most fenomenal movies of the year. Although "Macbeth" does not go that far as to staged everything, Justin Kurzel created a universe where he introduces art, paintings, movement, magic realism and plays with the characters' fates as if he were a demiurge, Shakespeare himself but using all the possible imagination to produce a stunning piece of art so it is as risky as "Anna Karenina" was. Imagination and imaginative, those are the words that I would use to describe a movie that should be in the MOMA and the TATE on a permanent exhibition to show people how to create a world through images which create sensations. The very first act and the third act are just marvellous pieces of art by themselves, the central act is a bit less spectacular because it involves Macbeth's madness and it is told in a more narrative - linear way but it is stunning by itself. I think that this movie deserves being seen on a big screen so you can just be immersed in it. Of course, there were people who left the screen room where I was watching it (in both cases) but those who remained got a beautiful reward. Thanks to all the crew who made this movie possible if you ever read this. Have a good day!
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- MacbethAdam Arkapaw
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Hi guys, i'm going to shoot music video, the big part of it is in House, my camera settings should be 800asa 2.0 f 120 fps with 1/240 shutter speed and 800asa 4.0 f 24 fps with 1/48 shutter, it will be handheld. My question is: Can i pre light it for both settings, so i can just change settings of the camera in the middle of shooting from 120fps to 24fps and back? Flickering for me is fine but not so much. This is the reference for flickr and lighting https://www.youtube.com/watch?v=j0DvjgagJko https://youtu.be/lXYq9ImJIN8?t=1m22s https://youtu.be/ZXBcwyMUrcU?t=1m24s
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Arri Alexa Classic in great condition. The item has some small signs of cosmetic wear, but is fully operational and functions as intended. The original ALEXA is compact and affordable and designed for broadcast, motion picture and commercial applications. Using the ALEV III Super-35 sized CMOS Bayer-pattern sensor, the ALEXA is capable of 1920x1080 HD outputs as well as 3.5K Uncompressed RAW. ALEXA shoots 1-120fps with a base sensitivity of 800 ISO and can record in ProRes via internal hot-swap SxS cards, or output Uncompressed HD-SDI or ARRIRAW. Sale Includes: Travel case Electronic Viewfinder EVF-1 Viewfinder Mounting Bracket VMB-3 2 x EVF Cables Center Camera Handle (CCH-1) Wedge Adaptor (WA-1) ALEXA High Speed License Key ALEXA Anamorphic De-squeeze License Key ALEXA DNxHD License Key 3x 32GB SxS card SD card ALEXA Ethernet/RJ-45 Cable (3.00/9.8ft) KC153-S ALEXA 12V Accessory Cable KC 154-SP-S Handle Extension Block (HEB-2) Shoulder Pad (SP-4) Viewfinder Extension Bracket VEB-3 Viewfinder Cable Medium Bridge Plate Adapter (BPA-12) Leveling Block (LB-1) Battery Adapter Back for Gold Mount (BAB-G) NOTES: It does not come with the Leitax PL mount as shown in the picture, it comes with a standard ARRI PL mount. Also it does not come with the dovetail plate as shown in the pictures. Specifications: Super-35 ALEV III CMOS sensor 800 ISO base sensitivity 14 stops Dynamic Range of exposure .75-120fps (adjustable to .001 second intervals) 1920x1080 HD output utilizes 1.5x over-sample from 2880x1620 sensor area Low noise and accurate color for a clean, organic image Compatible with existing popular workflows Hours: 1686 Price: €37,000 PM me if you have any questions and for pictures
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This is from a project of mine about Australian films called AnyCameraWillDo.com I though you Guys n Gals might be interested and I'm keen to spread a positive message about film making :) DOP Bonnie Elliott on These Final Hours: The heavy sun beats down, the sky burns a deep orange and the heat sears the landscape. So bright is the hot light that the only reprieve is the dark sweaty shadows of indoors. This is what Bonnie Elliott’s apocalypse looks like, a harsh beautiful end to the world in Australian feature film These Final Hours. AnyCameraWillDo sat down with DOP Bonnie Elliott to talk about constructing the look of the apocalypse in Australian feature film These Final Hours. Bonnie sites her start at UTS where she had the opportunity to experiment on many short films with a Bolex film camera as the beginning of the look used in the film. The Bolex she used at UTS had a filter slot, which allowed her to cut out small gel filters from a swatch book and put them behind the lens. It was this process along with working with the very unforgiving work print that led to the range of mistakes, pleasant surprises and plethora of learning experience that built her knowledge that she brought to bear on These Final Hour. These Final Hours Trailer: Director Zak Hilditch had a clear vision for the film He wanted to start the film yellow and move through orange and finally finish with a red hue. This visual direction led Bonnie to do a lot of experimentation with glass filters in front of the lens including filters with names such as ‘Apricot’, ‘Tabaco’ and ‘Antique Suede’. These days with the option to do so much in the grading suite it’s unusual to shoot so much of the film with such an effect in camera. But if the film is going to be pushed in that direction in the grade why not do it in camera and save time? Not only does it save time, but creating the look in camera has a very different effect and a very different feel Bonnie says. The DOP describes the way the light is affected by the Apricot filter with the color, the light and the smoke as something that you just cant achieve with a grade. Bonnie Elliott on These Final Hours: Vimeo: Perth proved to be a harsh place to shoot with very little cloud cover. This provided the These Final Hours crew with a consistent light situation but required the DOP to embracing the Australian sun and use the harsh, sharp midday light to help form the look of the film and tell the story. To extend this look to the indoors Bonnie used large light sources, lighting the indoors from outside giving a strong sense of heat permeating the darker space. These Final Hours was shot over 5 weeks, making use of extensive preplanning and preparation. Although there was certainly a space for adlibbing the film was executed closely to the original planned look. The film is about the end of the world through the humanity of the people involved not about special effects. It is a complicated film about how people react to their own mortality. To this end the visual decisions, though unusual, really were right choice for the story. Bonnie Elliot certainly live up to her own advice “Don’t be afaird to be bold”. Link to the article: http://anycamerawilldo.com/bonnie_elliott/ Feel free to let me know if this is posted in the wrong place or is not really the right stuff to be posting on this forum. I'm new here, just wanting to share our wee project and thought you Guys n Gals migh like it. Nat J
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Information: Arri Alexa Classic in great condition. The item has some small signs of cosmetic wear, but is fully operational and functions as intended. The original ALEXA is compact and affordable and designed for broadcast, motion picture and commercial applications. Using the ALEV III Super-35 sized CMOS Bayer-pattern sensor, the ALEXA is capable of 1920x1080 HD outputs as well as 3.5K Uncompressed RAW. ALEXA shoots 1-120fps with a base sensitivity of 800 ISO and can record in ProRes via internal hot-swap SxS cards, or output Uncompressed HD-SDI or ARRIRAW. Sale Includes: Travel case Electronic Viewfinder EVF-1 Viewfinder Mounting Bracket VMB-3 2 x EVF Cables Center Camera Handle (CCH-1) Wedge Adaptor (WA-1) ALEXA High Speed License Key ALEXA Anamorphic De-squeeze License Key ALEXA DNxHD License Key 3x 32GB SxS card SD card ALEXA Ethernet/RJ-45 Cable (3.00/9.8ft) KC153-S ALEXA 12V Accessory Cable KC 154-SP-S Handle Extension Block (HEB-2) Shoulder Pad (SP-4) Viewfinder Extension Bracket VEB-3 Viewfinder Cable Medium Bridge Plate Adapter (BPA-12) Leveling Block (LB-1) Battery Adapter Back for Gold Mount (BAB-G) NOTES: It does not come with the Leitax PL mount as shown in the picture, it comes with a standard ARRI PL mount. Also it does not come with the dovetail plate as shown in the pictures. Specifications: Super-35 ALEV III CMOS sensor 800 ISO base sensitivity 14 stops Dynamic Range of exposure .75-120fps (adjustable to .001 second intervals) 1920x1080 HD output utilizes 1.5x over-sample from 2880x1620 sensor area Low noise and accurate color for a clean, organic image Compatible with existing popular workflows Hours: 1686 Price: €37,000 PM me if you have any questions and for pictures
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Asking price: $55,000. Arri Alexa-M 4:3 XR Camera Pkg. (S/N: K1.71000.0-3604) Arri Alexa-M 4:3 Camera Head With XR Upgrade Arri Alexa-M Camera Body with XR Module incl. High Speed License, Pro Res option, Anamorphic option Lens Adapter PL Mount w/o LDS Turret Plug for Alexa Camera Body SD Card Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup Arri Alexa Viewfinder Cable Short (.35m/1.2ft) Arri Alexa A-EV Viewfinder Mounting Bracket (VMB-1) Alexa-M Handle, CCH-2 (K2.73002.0) Arri Alexa A-EV Center Camera Handle (CCH-1) Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G) Alexa-M Cage Plate ACP-2 (AMC-1, K2.73003.0) Alexa-M Bridge Plate Adapter AMB-2 (AMC-1, K2.73005.0) Side Bracket ASB-1 (AMC-1, K2.72086.0) (1) 24v Power Cable - 2p Fischer - 3p XLR A&J Custom Alexa M Shipping Case Images available upon request. Please PM for any details or email sales@tcsfilm.com or call 212-247-2517 and ask for Matt Schwalb or John Ryan.
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Check out our interview/article with cinematographer Rachel Morrison and her experience shooting Jennifer Aniston for the film "Cake"! http://www.cinematographydb.com/2015/01/the-cinematography-of-cake-dp-rachel-morrison/ We'd love to hear your feedback and please go see the film in theaters. Cheers! Matt
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AnamorphX and Alexa Open Gate a great combo?
Freya Black posted a topic in Lenses & Lens Accessories
Really interesting possibility for the AnamorphX with Alexa Open Gate mode. Wish I could try it out: http://www.redsharknews.com/technology/item/1779-letus-anamorphx-adaptor-could-be-the-perfect-match-for-the-alexa Freya- 3 replies
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We are now offering our Alexa package in NYC at discounted rates. $1200/day + tax with our lenses, $1000/day + tax without. Standard weekend and weekly deals apply. We also have other cameras so see the site for more information. Ajarrentals.com And contact us when you need info@ajarrentals.com (347) 674-8254 Here's the breakdown of everything you get for these rates: Arri ALEXA EV 16:9 w/EVF-1 & hi-speed license Viewfinder bracket +Extension (5) 32 Gb SxS cards Card reader TV logic 5.6 LCD W/ Noga and Hoodman O’Connor Mitchell 2060 Ultimate HD O’Connor Heavy duty Standards O’Connor Heavy duty Babys Hi-Hat Dovetail and Europlate quick release Arri FF5 Cine Pro Kit (Left and Right Knobs, Crank, Whip) Arri MMB-1 Set top-load (Clamp on, Bellows, Top Flag, 19mm adapter) 8”15mm Rods 19mm rods BP-12 Shoulder Pad Redrock handgrips Setup (LWS) Zeiss Compact Prime CP.2 5-Lens Set w. Case -21,28,35,50,85 Tiffen 4x5.65 -ND3, ND6, ND9, IRND12, IRND15 -ND6 SE GRAD Tiffen 138mm WW Circular Ultra Pol Filter Schneider Classic Soft 1/8,1/4 (6) AB Dionic HC battery Anton Bauer Quad 2702 PowerCharger AB P-tap sandwich plate All Necessary Cables, AC adapters, etc Thanks for looking and Happy shooting!
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I was wondering what equipment I should buy or rent for people paying for my services? For example if I am shooting a commercial for a mural being made do I rent the necessary equipment so I can get reimbursed? Or should I buy a camera and rent the lenses that is necessary for the shoot? I really like the Arri Alexa right now. Also what equipment I should have on me at all times if I just filming a shoot with me and one other person? Should I have the best boy kit on me like having gaffer tape? Here is a list of things I think I should buy. CTB Gels- The most common uses are to convert the color temperature of tungsten light toward daylight. Correcting tungsten to match daylight. CTO Gels- Match the color of the Tungsten Lights to the Color of the Environment(Daylight) Correcting daylight to match tungsten. Natural Density Gels- Cutting Light Levels Without Diffusing The Light or changing the light tempature. To Fight Over Exposure without sacrificing light. Diffusion (Frost) Gels- Diffusion Gel is available in various densities from nearly clear to a dense milky white that diffuses the light without changing the color temperature. There is a loss of output as the density (thickness) increases. Adding diffusion makes the light softer as it makes the size of the light source larger. Diffusion= softening light. Lowel Tota-Flector - 8 x 12"- ReFlecting off shiny objects. Litepanels Traveler Trio Package - contains: (2) 1X1 MONO Flood Daylight; (1) 1X1 MONO Spot Daylight; (3) 3-Riser Fold up Stand; (1) 4-Lite Rolling Case
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Hi. I shooting a little narrative film on the Arri Alexa camera. We don´t have the time to shoot a test before we start shooting and I watched some test online about how high you can go with the ISO in the camera in low light locations. Do anyone in here have good experience with the Alexa camera? And how high can I put the cameras ISO with out seeing to much noise in the blacks? Thanks, Henrik www.henrikameyer.com
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Hi. Most of my narrative films are shot on RED camera´s. I have a job where we might shoot on Arri Alexa camera. I heart that post production and color correction is easier with Alexa. Any in here with great experience with the Alexa workflow:-)? Best, Henrik A. Meyer. www.henrikameyer.com
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