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Showing results for tags 'arriflex'.
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Trying to track down a few items for the 235: - 235 Side Bracket SBR-1 (K2.55015.0) - 235 Low Mode Handle LMH-1 (K2.55006.0) - 235 Shoulder Pad SP-1 (K2.55005.0) - 235 Camera Handgrip, Right (K2.45886.0) - Arri Universal Mounting Arm, either 120 or 240 If anyone has any of these items, please let me know.
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https://www.ebay.com/itm/293635925639 Purchased last year and never tested it because the cost of testing and potentially fixing at the time would have been too high. I've since purchased a Super 16mm camera. The seller who sold this to me sold it to me as a "IIC", however upon inspection, this looks to be a standard model IIB as the ground glass is not removable and the shutter is not variable. Standard IIC's aren't variable shutter, however all IICs have a removable ground glass, this one does not so it is a IIB. The rotary shutter on this particular model is a "butterfly" shutter as is with every model after the IIA. The mirror is clean including the ground glass, internals look clean as well including the 4-perf gate. The ground glass baffles are still within the glass and unbent. Power cord is not in the best condition and as shown and the 3 pin XLR will often slide out of it's metal covering. The hand grip motor is untested. Upon rotating the shutter by hand, it seems to rotate smoothly and the lens turret rotates normally as well. This model has three Arri Standard mounts, unlike some models which have two standard mounts and a single bayonet mount. The viewfinder compartment door mechanism locks and unlocks as normal, and the mechanism that closes the eyepiece works as intended. The rubber eyecup is unusable as it has dry rotted. The 400ft magazine is again untested, but seems to be in good mechanical condition. The locking mechanism on the magazine locks and unlocks normally. The feed spindles and take-up spindles spin smoothly including the footage counter. The Matte box has signs of heavy use and needs cleaning. Overall the camera body and magazine appears to be in heavily used physical condition. Serial number of this camera is Nr.4221. Price is $999.97 or best offer + $120 shipping. Shipping will include signature confirmation and insurance via USPS Priority mail and will ship one business day after the payment is made. EDIT: Before I even get the question I am going to clear this up, because I've gotten it before. I CANNOT GUARANTEE THAT THIS IS AN ACTUAL IIB AND NOT AN UPGRADED IIA. There were two models of the IIB in 1960. There was the Arriflex 35 IIB which had a 180 degree fixed shutter, and there was the Arriflex II BV which had a 0-165 degree variable shutter. It's very tricky because the serial number starts with Nr. on IIA models and No. on IIC models, but with IIB models, some used No. and some used Nr. It doesn't help that the IIB compartment doors could fit on IIAs and actually many IIAs were upgraded to IIBs by simply using the newer style magazine, compartment door, and handgrip motor. The II series started around 2000 and ended all the way well into the 15000s with the IIC meaning this could be a fairly early model IIB or a late model IIA. Either way it has the new compartment door, magazine, and handgrip motor making it either a IIA upgraded to a IIB or an actual IIB. I will say though, The internals look identical to the IIC at a glance, which the IIB was. The IIA internals were very different in appearance. It's very hard to find information about the IIA or IIB because the IIC dominated the MOS camera industry. I come to the conclusion that it is a IIB, whether upgraded or not, because in almost every instance it appears that way and I don't have an Arri technician to do a serial number lookup. -
$400 OBO. This mount adapter lets you mount an older Arri Standard mount or Arri Bayonet mount lens on a PL mount camera. This is the much more complex type with two spring-loaded push buttons for release, and is compatible with lenses like old Cooke Speed Panchros in Arri Standard mount. Those lenses need the holding tab that this adapter has to let you focus. Very easy to pop lenses in and out by just pressing two the side buttons. Les Bosher was known for making these, although I'm not sure who made this one. I bought this one from Visual Products about 9 years ago. Duclos sells something similar new for $700: https://www.ducloslenses.com/products/arri-standard-pl-adapter Note, this works fine on most film cameras. I used it on my Arri 3C before I sold that last year. It may not be compatible with all PL mount digital cameras like the Alexa - the protruding back can collide with interior baffles. Located in Brooklyn, NY. Thanks for looking.
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Hi there, I believe that this is probably something that has been discussed before. But I hope there are some new things that can be brought up with this question. I have an upcoming project in the fall, and the director and I have decided that we want to have the anamorphic look for a short we will be making. Now the flares are not the most important thing, but rather the vast image that we are going for. The problem is how to achieve it. First idea would be to use my own S16 Eclair ACL, with an PL adapter, and we were considering renting pure 1.33x anamorphics. But as far as I know, the only ones to rent at the Hawk's, and they would cost us pretty much the complete production budget to get a set. Second idea we had is to use a R16 Arriflex SR and put Kowa 2x on it. The real issue here would just be the wider shots, since we basically loose all the width in the image. Third idea is to invest in a Panasonic AG-LA7200 adapter, with a 0.25 diopter, and use B4 lenses on the ACL to get the image we are going for. I also have a person that can make a M4/3 adapter for the ACL, so any M4/3 solution would work as well, but honestly I am open to any ideas you might have. And yes, both me and director are 100% set on shooting on film stock. C
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Hi I just recently purchased an arriflex 16st, it works amazing. it has a mag with zoom lens. I’m new to using this camera. Does anyone know how to use shutter and aperture. Also is their any places to find accessories.
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I recently bought an Arri 16S and it arrived earlier today. The camera seems to be fine (as far as I can tell) except for the on/off switch. The on switch presses down and clicks into place, however when I press the 'off' switch, the on switch doesn't spring back up. It works only if I hold down the 'off' switch and manually pull the on switch back into place. (Please let me know if I'm not being clear enough) Unfortunately I don't have a motor for the camera yet, so I can't test how it works with power. So does anyone know what the problem is? Does it need some oil for the 'on' switch/pin?
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What filmed the WW II? German Arriflex 35 movie camera VS Soviet camera Eyemo copy KC-50 - review Germany against USSR and USA in WW2... On the occasion of the 75th anniversary of the Victory, we restored two military movie cameras - the German Arriflex 35 and the Soviet KC-50 - a copy of the USA 35 mm Bell & Howell Eyemo movie camera. In the review of the "Panorama Camera" we will evaluate the strengths and weaknesses of our and enemy cinema equipment, and recall the Soviet front-line cameramen and their feat. English subtitle included.
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Selling Price $12K Questions : email sales@broadcastsolutions.com 235 Camera body 4 Perf 235 IVS s/n 9532 S-35 Ground Glass 235 Medium Eyepiece extension s/n 2010 3 200’ 235 Shoulder Mag., s/n 2107, 2108, 2109 4 400’ 235 Shoulder Mag., s/n 2022, 2056, 2062, 2020 Riser Plate, Shoulder Pad 235 Low Mode Support 235 Right and Left side bracket 4 235 On Board Batteries (need recelling) 2 24v dual battery charger
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Hi guys I'm selling of my Super16 lenses (9.5mm, 16mm & 25mm), they are in great shape with both feet/meter on the focus-scale, they are all PL converted the lenses are T1.2 (although it says 1.3 on the iris-ring) No fungus or scratches, only normal sign of use Price: well i tried to find other adds on eBay and other forums, but found only a few and there the lenses was listed for around 2500 Euro each, but I'm up for reasonable offers i also have a clip-on matte box (chrozhiel) and loads of 4x4 filters that i used with this lenses, and a black magic pocket with PL-adapter and cage i planning to sell aswell I'm located in Gothenburg (Sweden) and can ship almost everywhere, but buyer pays the shipping cost
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I'm a student making the transition from digital to film and my next project will be shot entirely on 16mm. I'm interested in purchasing a working ARRI SR I or II. My budget is around $1200. I reside in the U.S. You may email me at willjacobscinephile@gmail.com
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WTB ARRI 416 package. 416, 416 Plus, 416 Plus HS. Ready to purchase. Based in Los Angeles, will travel if necessary. Any leads much appreciated. Thanks, Cale Nichols calenichols@live.com 310-422-3568 www.calenichols.com
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For Sale : ARRIFLEX 235 Package LIKE NEW CONDITION. Email sales@broadcastsolutions.com for pricing and details. Package includes: (1x) Camera ARRIFLEX 235 Body (1x) Integrated Video Assist System IVS (PAL) (2x) Shoulder Magazines 120m (1x) Ground Glass (TV S35 Safe) (1x) Medium Extension Eyepiece
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Hey there looking to buy a complete Arriflex 16mm package, have been looking at the Arriflex 16SR1-3 series. Must be willing to ship to Sydney, Australia. Cheers Sam
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Hi friends. I have an Arriflex 16BL with tobin TXM-15 sync that I tried to use today. Its worked many a times before in the past. Today I hit the button to shoot; and nothing happens. What the hell? I take the mag off to see if it was jammed or something; and more smoke than cheech and Chongs car came wafting out of the gear area. Gosh darn it. I take the motor housing off and I see this- 5amp blown fuse. Okay but where was the smoke coming from?? My inching knob is broken as well. Any suggestions? I have all the pieces. The motor still turns by hand, have yet to get the replacement DC fuse. Questions now 1. The motor shows 9,5V motor. I have a 12v 7.5mah battery. Direct leads to a power cable, to Tobin system. Am I over-powering the camera with this battery? Or does the tobin system have some sort of conversion from 12v to 9.5v for the motor? 2. What do you think was the cause of the smoking? Upon inspection of what I could disassemble, I see no melted resistors or plastic or wires, etc. see pictures. 3. Suggestions on replacement of the inching knob? **** pictures to come****
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For Sale : Zoom Carl Zeiss 12-120 mm, T/2.4, PL mount As I don't shoot in Super 16 format anymore, I let my little treasures go. And it breaks my heart. From a Zeiss 10-100 mm zoom lens for film camera Arri SR 1 & SR2. Upgraded in 12-120mm zoom by Optex UK company for Super 16 format. PL mount, Macro focus, Chroziel "Fluid zoom" gear. Pristine condition. No scratches on lenses, no cleaning marks, no fungus, no lenses separation, absolutely great ! Just look at the pictures. Suitable on digital cameras as Panasonic ( GH4, GH5, GH5s), BlackMagic ( Pocket & Pcket 4k), Digital Bolex... The "must have" for any Super 16 film camera as Arriflex ( Arri SR1, SR2, SR3, Arri 416), Aaton cameras... Never rented, only for my personal use on documentary films. Full super 16 coverage. No vignette. Payment : bank transfer only. No paypal. More pictures on request. Ask for shipping taxes... Price : 2200 Euros.
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Selling an Arriflex 24 FPS sync motor. I recently purchased the motor for my Arri 16S, only to learn it was for the Arri 16BL once it arrived. Like most vintage Arri products it's made mostly of metal and pretty much feels indestructible. I have no way of testing it but it looks to be in decent shape on the outside. All of the pins are accounted for on the power input and the plastic teeth on the motor wheel are intact. https://www.ebay.com/itm/362444487455?ul_noapp=true
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Selling an Arri Alexa XT in great condition with approximately 1600 hours. Comes with: Arri Alexa XT Camera Package Includes: Arri Alexa XT Camera Body Serial # 6714 Anamorphic 4:3 License & Open Gate Pair of Rods 15mm 12V Power Supply #12VPS Alexa Electronic Viewfinder #AEVF1-5992 Alexa Shoulder Pad #ASP4 Alexa 15mm Bridge Plate #BP-13 Alexa Bridge Plate Adapter #BPA2 Alexa Ethernet RJ45 3M #CBLE-KC153 Alexa Viewfinder .65M #CBLE-KC151 Alexa 12V Accessory XLR4 L2 #CBLE-KC154 Alexa 24V Camera Power F2 XLR3 #CBLE-435P USB3 Cable #CBLE-USB3 Alexa Viewfinder.35m #CBLE-KC1Alexa Center Handle #CCH150 Alexa Center Handle #CCH1 4X Codex 512GB XR Capture Drive #CXCD5 Alexa XT SXS Adapter #CXSA Codex Single Dock USB3 #CXSDK ARRI EL3 Eyepiece Leveler #EL3 Alexa Handle Extension 2 #HEB2 Alexa Leveling Block #LB1 Arri Lens Support 15mm #LS10 Base Plate Arri VEB3 Viewfinder Ext Bracket #VEB3 Alexa VMB3 Viewfinder Bracket #VMB3 Alexa Wedge Adapter #WA1 Asking $29,500 USD OBO Please feel free to message for pictures or more info
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Hi, Looking into purchasing a damaged 35mm camera body. I come from a mechanical engineering background and would love get my hands on something that i can try fixing as a project. Thanks.
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Selling a Arri 416 Plus. Here is a list of what is included. Please email me for pictures and more information on pricing. evancmwest@gmail.com - 416 Plus Body w/ PAL IVS - 3x 416 400' mags w/ covers - body cover - Extended magnifying eyepiece - 19mm baseplate - euro quick release plate - left side rod holder - covers for eyepiece and ivs - 416 shutter tool - 1x body case - 1x mag case
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For sale an Arri Quick Release Plate (QRP-1 / K2.0000399). It has been used only a couple of times. Works perfectly. The paint has some minimal wear. Price: 756$ Item is located in Zürich, Switzerland. Ebay link: https://www.ebay.com/itm/173381457410?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 Check the ebay link for more pictures. For any questions, feel free to contact me at vanja.tognola (at) gmail (dot) com Wish you all a wonderful day Vanja Tognola -
Looking for a 2 perf Arricam LT if anyone has one for sale. I have a 416 Plus that I could trade also. All the best, Evan
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$150 Very convenient item to have if you own an Arri 2C or 3C or 16S or 16M or 16BL or 16SR. The rubber eyecup (in v. good condition) has a spring so when you take your eye away from it, two doors inside the eyepiece close, blocking light and preventing you from accidentally flashing your film while rolling. Diopter adjusts and locks normally. Cosmetics are ok for the age. Glass is pretty clean - a couple of schmutz marks on the inside of the "rear" element as you can see in one of the pictures. Not visible when looking at an image. Located in Brooklyn, NY. Thanks for looking.
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This is a rare Cinematography Electronics film/video sync. system. Complete kit from a major Hollywood camera house, ready to go. This was another extra item from an auction lot. These are over $5000 new from C.E.. Sell for $350. Ships in hard case for $25 From the CE spec page: Works with: Aaton 7 LTR, 54 LTR, LTR-X, XC, XTR, XTR+, XTR, Prod, XO+, X Prod, 35 mm Type (1, 2, 3) Arriflex 16SR (1,2,3), 16 SRHS (1, 2, 3), 35-3, 35-2A*, 35-2B*, 35-2C*, 35-3C*, 435, 535, 535B, 35 BL (1,2,3,4,4S) Panavision 16MM, Gold (1,2), Millennium, Panaflex, Panaflex X, Platinum, Panastar (1,2), PSR Moviecam Compact*** Mitchell Fries** Showscan Showscan ILM Vistaflex MSM Vistavision Wilcam Vistavision * With Cinematography Electronics 2C CRYSTAL MOTOR BASE ** With Cinematography Electronics FRIES/ARRI MODIFICATION *** With Cinematography Electronics COMPACT PRECISION SPEED PLUS
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Hey all! Shooting a small music video on S16 soon, and wondering what everyone's thoughts are on the Aaton XTR vs. SR3 vs. 416. What are the advantages and disadvantages of each when compared against eachother? I'm seeing XTR packages are almost half the price of the SR3, and our budget is tiny so I'm trying to see what I'm giving up for the cheaper price.
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Used Modulus 3000 transmitter for sale. You plug your video tap into it via a BNC cable and it transmits to a UHF TV or UHF receiver hooked to a monitor. This is for analog/SD only. Comes with one antenna and power cable. $250. Will ship for free or you can pick up near N. Hollywood.
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