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Used Modulus 3000 transmitter for sale. You plug your video tap into it via a BNC cable and it transmits to a UHF TV or UHF receiver hooked to a monitor. This is for analog/SD only. Comes with one antenna and power cable. $250. Will ship for free or you can pick up near N. Hollywood.

$900 Or Best Offer. Very rare item, in very good condition. These were only made circa 1982 for the Arri 3C, but are compatible with the 2C as well. 24 or 25 fps crystal switchable. Or, switch to variable mode (non-crystal) for other speeds. I was told the small 4-pin port is for connecting a speed controller for getting crystal sync at other speeds. Powers from 12V 4-pin XLR connector. Can run forwards or reverse - it has a switch for that. It needs a phenolic gear to connect to the drive gear at the bottom of the camera, but that's included with this motor. The motor has captive screws to attach to your 2C or 3C. No power cable included. This item is currently in Los Angeles with a friend. Thanks, Rich

Colleagues, it's probably strange, but I'm looking for new original screws as an attachment. I hope for your help!

Hi all! I'm interested in pairing the Zeiss CP2 lenses with the Arriflex SR1. Will the flange depth on the CP2s be a able to work with the SR? Is it possible to pair these two? Thank you!

I'm looking to buy an Arri 416. Please reach out if you have one for sale. Thanks, J

Im looking for a quick release for an Arri SR2 and I also want rails for it. Not really sure what to get. I cant find anything that is specific for my camera. Any help or pointers of what will work ok with it is appreciated. Thanks

For sale are a set of Zeiss Super Speeds Super 16 consisting of: Zeiss Distagon f1.2 / 9.5mm MKII (does cover Super 16) PL mount (metric and imperial) Zeiss Distagon f1.2 / 12mm MKI PL mount (metric and imperial, has additional markings by focus puller on camera tape.) Zeiss Distagon f1.2 / 16mm MKII PL mount (metric and imperial) Zeiss Distagon f1.2 / 25mm MKIII PL mount (metric) All four Super Speeds have just been checked, lens projected and approved by the lens master at Take 2 Films London. I've shot Super 16 mm film test footage and the glass mixes wonderfully. The 25mm especially produces a lovely cinematic bokeh. This is a great set of affordable classic cine prime lenses, ideal for Super 16mm film cameras and RED owners. Or for shooting high speed with a cropped sensor. Also for Panasonic GH3, GH4, GH5, BMPCC, BMCC. The optics are in perfect condition, no scratches, no fungus. The mechanics work very well. Cosmetically the lenses are very good for their age. The 25mm's front ring has a mark, probably caused by a clamp-on matte box. Please check the photos. All lenses come with PL mount and front and back lens covers. Price: £4200 Sterling Ebay listing is here: http://r.ebay.com/U7AnD0

Hey everyone, I recently purchased a BL4s package in used but decent condition. I'm pretty excited about the camera but so far have not been able to get it to run. The previous owner stated the camera is running and good to go. The motor turns over but then stops right away. I bought the Arriflex 35 book and have been combing through but it doesn't describe this issue. When I plug the battery in (Bescor 12v 14.4ah) I get a quick beep tone. Then when I flip the cam switch the motor kicks but then stops half a second later. More like a quick jolt. The leds come on and I was able to reset the footage counter. I also checked the fuses and none of them appear to be blown. The camera came with a precision speed controller which I tried as well and that does the same thing. If anyone has any advice that would be great. Thanks!

Please see below the used Arri Film equipment I have available for sale- ARRICAM LT 4 PERF- £7,500 GBP 1 4 perf Movement 1 Glow Mask 1 Gate Mask 1 Ground Glass 1 LT Camera Handle 1 LT Viewfinder Top (Anamorphic) 1 Eyepiece and eyecup 1 Extension Eyepiece ST 1 Frame Glow Module 1 BP8 Bridge Plate 1 Balance Plate 1 19MM/440MM Bar (Pair) 1 Camera to Battery Cable 1 Handgrip with on/off 1 LT To ST Magazine Adapter 1 LT Centre Handle 1 LT IVS (PAL) 1 400'/120M LT Shoulder Magazine 1 400'/120M LT Shoulder Magazine 1 400'/120M LT Shoulder Magazine ARRICAM ST 3 PERF - £8,500 GBP 1 Filter Mask 1 Gate (..UNI...) Format 1 Ground Glass () Format 1 ST Top/Rear Load Adapter 1 ST Top/Rear Load Adapter Cover Handle 1 ST Camera Handle 1 ST Viewfinder Top (SPHERICAL) 1 Eyepiece + Eyecup 1 ST Extension Eyepiece 1 Frame Glow 1 Frame Glow Mask 1 Footage Counter 1 Flexilight 1 BP5 Bridge Plate 1 Balance Plate 1 19mm / 440mm Bar (Long) 1 Camera To Battery Cable 24v 1 ST Rear Load Adapter 1 ARRI ST IVS Video Unit 1 ST IVS Optic 1 400'/120m Studio Magazine 1 400'/120m Studio Magazine 2 Loop Protector 2 Film Core 1 400'/120m Studio Magazine 1 Loop Protector 1 Film Core ARRI 435ES XTREME 4 PERF - £4,250 GBP 1 435 tcm 1 VIEWFINDER - AVF1 1 Filter Mask 1 Gate Mask 1 Ground Glass 1 Glow Module 1 12v On-Board Splitter (Fitted) 1 24v On-Board Splitter (Fitted) 1 Dovetail Shoe (Fitted) 1 435 Carrying Handle 1 435 Wide Angle Eyepiece + Eyecup 1 FE-3 Extension Eyepiece 1 RCU-1 TG Remote Control Unit-Digital 1 RCU-1 Cable (8 Pin - 8 Pin Fischer) 1 FEM-2 1 BP8 Bridge Plate 1 Balance Plate 1 Pair of 440mm Rods (19mm) 1 435 IVS PAL 1 IVS HEAD 1 IVS OPTIC 1 KC-20 POWER CABLE 1 435 400'/ 122m Magazine 1 435 400'/ 122m Magazine 1 435 400'/ 122m Magazine ARRIFLEX 235 4 Perf - £6,500 GBP 1 Ground Glass s185 1 235 Universal Viewfinder 1 235 Eyepiece + eyecup 1 235 Gate 1 235 Carrying Handle 1 Riser Plate 1 Camera To O/B Battery Cable 1 KC-20 POWER CABLE 1 235 - Long Extension Eyepiece 1 Shoulder Pad 1 235 24v On-Board Battery 1 235 24v On-Board Battery 1 235 24v On-Board Battery 1 24v On-Board Battery Charger 1 SBR-1 Side Bracket And Allen Screw 1 Shutter Tool 1 BP8 Bridge Plate 1 Balance Plate 1 Pair of 440mm Rods (19mm) 1 235 Media IVS PAL 1 235 200' Magazines 1 235 200' Magazines 1 235 200' Magazines 1 235 400' Magazines 1 235 400' Magazines MK2 ARRI Wireless Lens Control - £3,750 GBP 1 WMU-2 Transmitter 1 WMU-2 Transmitter 1 WZU-1 Zoom Control 1 WFU-1 Iris / Focus Unit 1 WFU-1 Iris / Focus Unit 1 Straps Fitted To Transmitter 1 Aerial x3 1 Lens Motor - CLM-2 1 Lens Motor - CLM-2 1 Lens Motor - CLM-2 1 URM-1 Receiver 1 UMC-1 Universal Motor Control 1 WAC-1 Battery Charger 1 WBU-1 7.2v Battery 1 WBU-1 7.2v Battery 1 WBU-1 7.2v Battery 1 WBU-1 7.2v Battery 1 Transformer 1 RS 3-Pin Fisher - UMC (UC-CI-S) 1 Focus Disc x2 1 Dovetail Bracket (2 Parts) MK3 ARRI Wireless Lens Control - £6,750 GBP 1 ARRI ZMU-3 Zoom Control 1 ARRI WMU-3 Wireless Main Unit (White Radio) 1 ARRI WMU-3 Wireless Main Unit (White Radio) 1 ARRI WFU-3 Wireless Focus Unit 1 ARRI WFU-3 Wireless Focus Unit 1 ARRI WEB-3 Wireless Expansion Bracket 1 ARRI WZB-3 Wireless Zoom Bracket 1 ARRI KC-105-S Cable ZMU-3A to WRS 1 ARRI CLM-2 Controlled Lens Motor 1 ARRI CLM-2 Controlled Lens Motor 1 ARRI CLM-2 Controlled Lens Motor 1 ARRI UMC-3 Universal Motor Controller (White Radio) 1 ARRI KC-98 Cable UMC-3A to RS Socket (3pin m Fischer) 1 ARRI KC-91-S 1.3m / 5ft Cable for ZMU-3 / CLM-2 Power 1 ARRI WBU-4 Wireless Battery Unit (High Capacity 7.2V/4.6Ah) 1 ARRI WBU-4 Wireless Battery Unit (High Capacity 7.2V/4.6Ah) 1 ARRI WBU-4 Wireless Battery Unit (High Capacity 7.2V/4.6Ah) 1 ARRI WAC-3 Battery Charger for WBU-3/4 1 Fig 8 (C7) to 13a Mains Cable (UK) 1 ARRI Dovetail 3/8" Adaptor for UMC-3A to Alexa 1 ARRI Dovetail 3/8" Adaptor with Lever for UMC-3A to Alexa 2 ARRI Flat Marking Disk for Full Size Focus Knobs 3 ARRI WLCS Aerial 1 ARRI WLCS Hand Strap 1 ARRI Lanyard (Neck Strap) for SXU-1 (2 Parts) Please contact me for pictures or any further information.

ARRIFLEX BL-4 CAMERA SYSTEM - PL MOUNT STUNNING ARRIGLOW! 35MM + SUPER 35MM twist the PL MOUNT JERGEN VIDEO TAP 3x1000ft magazines 2x400ft magazines long viewfinder extension handgrip XLR wires Excalibur Travel Cases for: Arriflex BL-4 body/video tap/xlr wires/handgrip/extension for long viewfinder 1000ft magazines 400ft magazines $6500.00 Free shipping and handling Local Pick Up NYC

For sale is my beautiful 2-perf (Techniscope) Arri 3C (IIIC) camera package. This camera was never a rental and it looks like it's hardly ever been used, it's in such beautiful condition. I've owned it since 2009 and during that time I found and bought an original Arri factory 2-perf conversion kit, which was installed by the technicians at Clairmont Camera in North Hollywood. I'm guessing everyone here knows why 2-perf is so great. But just in case... basically you get twice the run time from the same amount of film. A 400' roll of 35mm film running at 24 fps lasts about 8 minutes instead of the usual 4 minutes. A 200' short end is suddenly not a pain to work with since it lasts about 4 minutes. So that means you spend half as much money on film stock and processing since that's paid by the foot, too. The aspect ratio is naturally 2.40:1 at the gate so it's well suited to that cinemascope look, but much less expensive than anamorphic on film stock/processing (not to mention lens rental costs). If you wanted to shoot 1.85:1 on this camera, you could have the ground glass pencilled with two vertical lines to create 1.85 within the 2.40, and you'd still have roughly twice as much negative area than if you shot 1.85 on Super 16. I know of a feature film that just wrapped which did exactly that. Some recent and beautifully-shot 2-perf films: "Hunger", "Shame", "The Place Beyond the Pines", "American Hustle", "The Fighter", "Silver Linings Playbook", to name a few. Includes: - Arri 3C Camera body with PL mount port cap, body (magazine) port cap, in custom shipping case - Custom-made by Shurco 2-perf 2.40:1 Arri-3 style ground glass, with clear plastic case - Panavision (PV) Mount (PL mount currently installed, centered on Academy, not Super) with some shims - Cinematography Electronics Crystal Motor Base (could also be used with an Arri 2C, best motor you can get for these cameras) - Arriflex 3C Crystal Handgrip Motor (12V) with screws and gear (could also be used with an Arri 2C, a very rare item) - Italian Flatbase Motor Adapter Plate for above handgrip motor (ECE - ROME), untested - Custom Samcine Hand Held Support Brackets for IIC/IIIC in small hard shipping case - 2x 400' Arri 3 mags in a 2-hole mag case - 4x 200' Arri 3 mags in a 4-hole mag case. Note, two of the mags need some minor servicing. One looks like it's never been used - 2x 400' Fromm Shoulder Mags with spare rubber belt drives and 1x adjustable shoulder bracket (no case) - Jurgen's Orientable Video Door for 3C with Sony Color CCD camera - Arri Hand Held Door for 3C - Arri Orientable Door for 3C - Arri Straight Door for 3C with 2x Anamorphic desqueeze lever - Flat cover for above Straight Door if anamorphic dequeeze module is to be removed - Wide Angle Deniz Eyepiece with rubber eyecup that has shutter that can close - Spare Arri Eyepiece with rubber eyecup -push eye against eyecup to open shutter type, helps prevent light leaks - 1x Jurgen's Extension Eyepiece - 1x Arri Extension Eyepiece - 1x Arri Right Handgrip (no on/off switch) Arri Rosette style attachment - 1x Rosette to Rosette extension arm (adapter bracket needed/not included to use with above handgrip). Bracket pictured in hand held mode is not included) - 1x Unknown Brand Balance Plate Top A35/S35 switchable, like BP-9 (for 15mm rods) - 1x Van Diemen Balance Plate Bottom (Dovetail) ~12" - 2x 12V 4-pin XLR to 4-pin XLR power cables, one with a pigtail - 3x Power Cables for Jurgen's Video Door - 2x Medium Carbon Fiber rods (15mm) - 2x Medium rods (15mm) - 2x Short rods (15mm) - 1x SR2/SR3 type LWS 15mm bracket with 2x screw-in extension rods (for attaching to front of CE Flat Crystal Motor Base - Arri grease The inching knob (shutter/frame advance knob) has three holes drilled in it which was done to attach a hand-crank module from Clairmont Camera for a commercial (shot before the 2-perf conversion). Due to the 2-perf conversion, the Cinematography Electronics Crystal motor base does not count footage correctly. Simply divide the readout by half for an accurate footage count. I've created an album on Flickr with quite a few photos. On the wide photo with everything, you may notice two smudges. I've erased two items which I realized after the fact have no relevance or use with this package. I've also included some frame grabs from a music video I made with this camera after the 2-perf conversion. It was a joy to shoot with, performing flawlessly with not one instance of a hair in the gate. It was almost entirely shot with short ends of 200' or less. If you're not familiar with the 3C, you could think of it as the final refinement of the 2C before the Arri 35-3 came out, mostly designed as a result of engineering Arri did to the 2C for the German WW2 film "Das Boot". It has an orientable door which keeps the horizon level as you reposition the eyepiece up or down (on the 2 doors here that let you swivel the eyepiece up/down). It has a more sturdy hinged door (not interchangeable with the Arri 35-3 door), unlike the metal prongs which hold the 2C door to the body. That design was never intended for the weight of a Jurgen's video door and I've seen a few 2C bodies that are wearing out where these prongs grip, making it risky that the door could fall off. The 3C came from the factory with a PL mount, and it has a very nice crystal handgrip motor which is often sought after since it works just as well on the 2C. Something else I like about the 3C, they have a variable shutter, something that's hard to find on a 2C. The 3C also has a rosette for mounting accessories, right by the inching knob. The 2C doesn't have that. This is a beautiful example of the very rare Arri IIIC. The 3C movement is the same as the 2C movement and motors, mags and of course ground glasses are interchangeable. It took me many years to assemble this package so at least initially, I won't consider splitting off pieces of it. That said, feel free to get in touch if you're interested in something, and I'll keep you in mind. Available for $6,500 Or Best Offer. Available to see in NYC or Los Angeles, if you cover shipping costs to LA. For convenience, preference will be given if there is a buyer in the NYC (1st) or Los Angeles (2nd) area who will pick up in person and pay cash. I live in NYC but have friends/family in LA who can coordinate a sale in LA for me. Please check out the pictures and shoot me a private message if you're interested or if you have any questions. Thanks for looking! Rich https://flic.kr/s/aHskwM83a3

Tango/Swing Head in excellent condition. This is the preferred "Version 1" and was only used in a studio environment. Price: 4900.00

Greetings, Selling my trusty Arri SR3 package. A++ Excellent, with recent service records. Both camera and mags overhauled at TCS (tcsfilm) in NY in July 2013. Ready to go. Camera body (3) mags (3) batts charger long and short finders 1:78 GG long rods 2 handles handgrip XC-75 video tap (b&w), with prism Transvideo Rainbow 5" monitor (2) barneys Single frame remote Asking $3500. PM me if you're interested. Thank you, Martin

Filmmakers! I am clearing out some gear I used this spring/early summer on project that has wrapped. Up for grabs is an ARRIFLEX IIC with a BNCR mount and a video tap from Precision Camera that easily screws onto any ARRIFLEX style viewfinder. (works with 16mm and 35mm) I am also offering a spare door, a vintage Arriflex shoulder mount, 600ft of film ( recans ) 3 spare gates ( 1:66 / 1:37 / and 1:85 ) on top of the gate installed in the camera. I will be offering TWO motors for the camera both of which are constant speed motors. I will offering up TWO 400ft magazines. I will also include some power cords and a CINE 60 belt. I can provide pictures and can schedule a video conference if your inclined. I also have other spare gates for ARRIFLEX IIC cameras such as 1:37 / 1:85 / 1:66 I am will be listing various film gear as I purge. If your interested please PM #shootfilm p.s I can ship worldwide

ARRIFLEX 16SR 3A £2,500 GBP (ex VAT) Condition: Used Warranty: 3 Months Op hours- Various ARRI SR3A Camera Body Ground Glass SR MB17 ( B) 4" Matte Box + 4x4 trays French Flag Support Set of Mattes MB17 Top Flag SR LWS-2 Lightweight Support Donut 87mm 80mm insert ring Extension Viewfinder (Standard) SR3 Camera Battery Adaptor 24v/12v On-Board Adaptor Shutter Key (Fitted) Sr3 IVS PAL SR3 400'/122m Magazine x3 If you require any further information, please email me at Casey@esbroadcast.com.

Hello, I'm slightly confused about the door on my Arri 3. It has a spot for a video tap but I don't know what CCD cameras will fit it. It sort of looks like a bayonet style. I've found some online but I have no way of knowing if they'll mount. Anyone know where I could get one?

Hello everyone, I would love to hear your opinions on the following.... I'm waiting for a Russian K3 16mm camera to arrive which I bought recently and ordered some Kodak 16mm stock for it.... .....in the meantime (as one does in this day and age) I've been thinking about 'upgrading' to an Arriflex SR +....then I started thinking....why? which is where you all come in I hope to offer advice, knowledge.... An aside.....I used to shoot stills with a Hasselblad 503CW back in the day and now I have a standard 500CM but using the same excellent Hasselblad zeiss lenses = same quality of images.....the lenses give me the quality NOT the model of the Hasselblad I am using....thats a fact with me..... So i was thinking of how this relates to the K3 or Arriflex SR (whatever) scenario.... If the K3 gives me the 24fps without variation (it is a winding mechanism after all) using my beloved zeiss glass on it via the M42 mount..e.g. my superb 50mm aus jena f1.8.....or even using a Hasselblad V mount to M42 adapter (also in the post).....surely I will get the same results as using the same glass on an Arriflex.... my question really is, as long as the film is moved in front of the gate properly and at the correct speed does it matter what camera body I use (variable) given the quality of the lens???? or even simpler....would I get the same quality of image if I use the same lens on a K3 and an Arriflex SR3? There is a lot of garbage shot on 16mm which probably degrades the 'image' of the medium, sure this has to do more with the fact people do not know how to shoot film as opposed to cheaper cameras....cos the film is the same quality as long as a great lens is in front of it but sensors on digital cameras...well, we all know how different those all are.... (obviously the above is assuming I don't want internal light metre, video monitoring, audio capabilities, timecode, and any other advanced features that have nothing to do with image quality) Thank you for your time I look forward to replies....

Looking to find parts for my Arri SR1. right hand grip base plate mounting adapter for the hot shoe (not sure the correct name, but to connect rails) mag covers

Up for sale is my personal set of Zeiss/Opton Super-speed lenses. Ready to shoot. There are Five (5) Zeiss/Opton Super-speed, super 35mm full frame lenses. They are MkI/MkII glass. All PL mounts. All in near outstanding shape. With 80mm fronts, and follow focus. Recently thoroughly serviced in New York, and available for a check out. They are as follows; 25mm - T1.2 - 11, 35mm - T1.2 - 11, 50mm - T1.3 - 11, 85mm - T1.4 - 11, 135mm - T2.0 - 16 Plus 18mm Lomo wide T1.5 - 22 The last one is a Lomo lens, of very high standard glass. It was bought and added to the Zeiss/Opton set, because the glass was comparable. (The only drawback to this set is that the 18mm Lomo has a 110mm front as opposed to the 80mm fronts of the Zeiss/Opton. Thus an additional matte box.) This make it a six lens set. Front & rear caps and carry case included. $29,500.00 US$ woftam@erols.com email for service report, greater details, and more photos.

$750 Or Best Offer. If you own an Arri 3C and want to shoot anamorphic, this is something you'll want. You can shoot spherical, or flip a switch and the optics will desqueeze the anamorphic image so you don't have to frame up your image with everyone looking skinny. A very rare door, unique to the 3C, so certainly nice to have if you ever want to shoot anamorphic on this camera. Thanks, Rich

For sale is my Arri 435es Free shipping anywhere in the world you'd like. I took a Job in England and can't take the camera with me. Very complete package in outstanding condition. Camera was recently completely overhauled with new electronics and circuits. It was just recently serviced by factory trained technicians and has not been used since. Included with the package are two 24v batteries which I just had completely re celled. It includes: (2) 24v Batteries Arri BP-8 Baseplate w rods Arri Dovetail IVS Color Video Tap NTSC Ground Glass & Glow Mask Extension Eyepiece Eyepiece Heater Cup Remote Control Unit 1 Finder Block 24v Power Cable RCU Cable - Long RCU Cable - Short Carrying Handle Short Eyepiece Eyepiece Heater Cable Lens Port Cap RS Block 24v RS Block 12v Silent Lens/IVSRS Mag Port Cover (1) 435 1000' Magazine (4) 435 400' Magazines Price $4000 USD

Hi, I've got for sale my trusted Super16 camera kit. I've bought it in fall of 2010 from Mr. David Odd. as his personal camera. He had it converted to Super16 by P+S Technik in 2008 and had installed color video tap by Visual Products, inc. Since 2010 I've shot with this camera about 10x 400 ft of film. Here is footage What's in kit: Arri SR1 Super16 camera, 180 degree fixed shutter - HDTV 1:1,78 gate (brighter, from SR3) - Visual Products color video tap PAL - PL mount - wideangle PS Technik eyepiece (made by Voigtlander) 3x super16 magazine 1x spare magazine (not converted to super16) 1x SR3 magazine (with TC) LWS 15mm support rods (2x) Arri BP-7 base plate (for 15mm studio) CE - Precision Speed Control 2 (for other frame rates than 24 fps) Arri VSU - variable speed unit (not as exact as CE) 2x 12V old batteries (as spare, needs recelling) 12V NiCd charger 12V discharger handle, incl. remote switch --------- I live in Bratislava, Slovak Republic. Shipping only in EU. Price is 1700 € + 150 € for shipping --------- PHOTOS

$1,000 Or Best Offer. This item is currently located with a friend in North Hollywood, CA. I'm based in Brooklyn, NY. For sale is this very rare Arri 3C Crystal Pistolgrip Motor. It's in very good condition for it's age. These were only made circa 1982 for the Arri 3C, but are compatible with the 2C as well. 24 or 25 fps crystal switchable. Or, switch to variable mode (non-crystal) for other speeds. I was told the 4-pin port is for connecting a speed controller for getting crystal sync at other speeds. Runs forwards or reverse (via switch). Powers from 12V 4-pin XLR connector. No power cable included. The motor has captive screws for attaching to your 2C or 3C. Needed phenolic gear is also included. Photos: https://flic.kr/s/aHskUsmaU7 Thanks, Rich

$500, Or Best Offer. A set of two very rare 400' Fromm Shoulder Mags. For Arri 35mm 2C or 3C. Previously owned by Ron Dexter (see pics). I didn't buy them from Ron, but from an Operator in Los Angeles in 2009 as part of a 3C kit which has just sold. Tested/checked out by a technician when I bought them but have not been used. Comes with two spare drive belts and one shoulder bracket that attaches under the mag. NO CASE included. Will not sell one, only selling as a set of two. These are currently in Secaucus, NJ. May be able to meet a buyer with them in Brooklyn or Manhattan to exchange for cash if you don't want to go to Jersey.

Hello, I have 3 Cooke lenses in the Arriflex Standard mount. The lenses are all in good shape with nice optics and smooth movement on focus and aperture rings. Cooke Kinetal 9mm - $600usd + Shipping Cooke Kinetal 25mm - $700usd + Shipping Cooke Speed Panchro Series II 50mm - $3100usd + Shipping The 9mm and 25mm include front caps only, the 50mm includes only a rear cap. I am open to an offer on all 3 together.