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  1. WTB Arri Amira Premium 4K Package Please email sales@broadcastsolutions.com with pricing and details.
  2. Hey All, I just finished shooting a series of yoga workouts on a black background with the Alexa Mini (2 Camera Shoot). About a month after shooting, the editor noticed a number of white specks throughout the footage (both A and B camera). The white specks would randomly appear in a one frame and disappear in the next (no consistency to area of frame). After speaking with Arri, they believe that this is an environmental issue caused by cosmic radiation. We've currently found about 15 specks within 3 episodes of shooting (which were shot on 3 different days). See below for a couple of samples with the specks. Let me know if you've seen anything like this before. We're going to be shooting the next round in a week and are trying to prevent this issue. Best, Chad Mahadevan
  3. Sony F65 Package. Demo w/ 4 hours for sale.. Email sales@broadcastsolutions.com for price. It comes with; - F65RS (rotating shutter) camera head - HDVF-C30W color viewfinder - SR-R4 attached recorder - SRCK-1 control panel - 256GB S55 (highest grade card) - SR-PC4 off-load player/recorder - Power supply, cables plus flightcase
  4. Selling my used Sony Zeiss FE 24-70 f/4. Includes: (1) - Lens Body (1) - Front Cap (1) - Back Cap (1) - Lens Hood (1) - Soft Case $850.00 Los Angeles Local Only
  5. Selling my used Letus Helix JR (Magnesium Edition) Gimbal. Includes: (1) - Helix Body/Motor (Complete) (1) - Handle with joystick (1) - Monitor top plate (3) - Re-chargable Batteries (1) - Helix Charger (1) - Large Camera Plate (1) - Travel Hard Case $900.00
  6. Hi Im about to get a new camera today as a gift, but dont know what to get exactly yet. Can any give me advice and suggestions for digital cameras around $500 and what I should look for in a camera? Thank you
  7. Hi. I am selling my Arri Amira. Its my personal camera and i am the first only owner / operator. I used it only my music video works (www.erginozturk.com) Its in EXCELLENT condition (both technical and cosmetics). Never rented. Used only by me! Total hours of operation: 235h Premium package with UHD 4K Price: 35.000 USD Pıctures of camera and accesories. https://www.dropbox.com/sh/ah3jwc1dc7luo22/AAD4VJTFzCv-sxztBNuVkKyWa?dl=0 List of accesories included. K0.0001092 AMIRA Camera Set with Premium License K1.71700.0 Amira camera body,camera handle,viewfinder mount,viewfinder cables,usb stick K2.75004.0 AMIRA Viewfinder MVF-1 K2.75000.0 Wedge Plate Adapter WPA-1 K2.0001208 CFast 2.0 Card 60 GB (2pcs) CFast 2.0 Card 120 GB (2pcs) K2.0001242 CFast 2.0 Card Reader (2pcs) K2.75005.0 Microphone Holder Bracket MHB-2 K2.75001.0 Gold Mount Battery Adapter K2.75003.0 PL Lens Mount K2.0000399 Quick Release Plate QRP1 K2.75002.0 V Lock Batter adapter Location: Istanbul-Turkey thanks! ergin ozturk erginozturk.com ergin.ozturk@ifs.com.tr
  8. Hello, Does anyone know of a camera technician in Los Angeles who works on 16mm cameras, specifically Eclair NPR and Beaulieu? I need someone to remove the ground glass, mark it (with a pencil is fine), and replace it in an Eclair NPR camera that's already been (partially) modified to super 16mm. The eyepiece has an issue as well, where one side of the frame is cut off, I assume because of the lens re-centering in the super 16 conversion. The image on my test reel looks great, but my framing was off because of the inaccurate ground glass markings and eyepiece problem. Also, I have a Beaulieu 16mm clockwork camera and need to figure out why my focusing has been occasionally off even though I've got the eyepiece diopter calibrated - at least the way I think it needs to be calibrated. I'm looking for a camera technician in Los Angeles who would go over the camera with me and possibly convert it to Ultra 16mm. The Eclair has been to Bernie O'Dougherty who gave it a clean bill of health, but he was too swamped to do mark the ground glass. The cameras and I are in Los Angeles. Thanks for reading and considering this! -Roko (brand new member)
  9. Selling an Arri Alexa XT in great condition with approximately 1600 hours. Comes with: Arri Alexa XT Camera Package Includes: Arri Alexa XT Camera Body Serial # 6714 Anamorphic 4:3 License & Open Gate Pair of Rods 15mm 12V Power Supply #12VPS Alexa Electronic Viewfinder #AEVF1-5992 Alexa Shoulder Pad #ASP4 Alexa 15mm Bridge Plate #BP-13 Alexa Bridge Plate Adapter #BPA2 Alexa Ethernet RJ45 3M #CBLE-KC153 Alexa Viewfinder .65M #CBLE-KC151 Alexa 12V Accessory XLR4 L2 #CBLE-KC154 Alexa 24V Camera Power F2 XLR3 #CBLE-435P USB3 Cable #CBLE-USB3 Alexa Viewfinder.35m #CBLE-KC1Alexa Center Handle #CCH150 Alexa Center Handle #CCH1 4X Codex 512GB XR Capture Drive #CXCD5 Alexa XT SXS Adapter #CXSA Codex Single Dock USB3 #CXSDK ARRI EL3 Eyepiece Leveler #EL3 Alexa Handle Extension 2 #HEB2 Alexa Leveling Block #LB1 Arri Lens Support 15mm #LS10 Base Plate Arri VEB3 Viewfinder Ext Bracket #VEB3 Alexa VMB3 Viewfinder Bracket #VMB3 Alexa Wedge Adapter #WA1 Asking $29,500 USD OBO Please feel free to message for pictures or more info
  10. Dear friends, I am sorry to part with this camera - but it is necessary! This tool Kingsman. The kit includes a body, an objective (it is capable of 5-), and a motor with 25 FPS The camera needs love, care and work. I checked the motor - it works, but I did not do any footage from this camera. but I do not think that something is wrong with her. I want for her $ 1200, but without a cassette and a bottom handle. Although this is also debatable. http://dom2.tw/ http://dom2.tw/ http://dom2.tw/
  11. Please email sales@broadcastsolutions.com for pricing and pics. 236 Hours PL Module 4K License Sony top handle w/VF Mount Viewfinder L Bracket LCD L350 w/ Cable Sony Base Plate w/ Shoulder Pad 2 x 10” 15mm Aluminum Rods Sony SxS USB2 Card Reader w/Cable Sony BC-l90 Simultaneous Charger w/ AC & 4-pin XLR Cables SKB Custom Shipping case
  12. 2x Alexa Mini packages, identical $64,500 each ArriRaw License 4:3 License PL LDS mount Mini Viewfinder Viewfinder mounting Bracket Adapter Plate MAP-1 CPL Baseplate MAP-2 CPL Side Brackets MSB-1 Bridge Plate Adapter BP-4 Rod mounting bracket RMB-3 15mm reduction insert x2 Center Camera Handle Support rods 340mm (13.4”) 15mm BAP-1 Battery plate Cage Top Handle Camera Shoulder Pad Low bracket for CSP-1 Ethernet/RJ-45 Cable KC 153-S Power Cable Straight KC-50 Mini to MVF-1 cable 0.75m Arri BP-9 12” Dovetail Arri 2x 17” Rods 5x128gb Cfast Cards SanDisk Pro Cfast Reader w/USB cable 4xIDX CUE-D150 on board batteries 1 IDX VL Quad Charger w/ac cord WC D-Box w/IDX plate Rod mounting bracket Mounting Plate w/adjustable rotation Power Cable WC A-Box w/bushing carson.lori61@gmail.com 805-217-3551
  13. Hey folks, been lurking around here for little over a year now. This is my first post looking for insight, not sure if this fits here or should be elsewhere. I'll be shooting on a really low budget (~25k) feature in Mississippi this fall. I'm located and have been working primarily in Arizona, and neighboring states here and there. We are looking for a camera package and naturally, we don't have the money to pay full rate or even half rate. I'm not expecting to shoot on anything high end. I would just like to put together a reliable package that is able to produce the images I'm looking for. Who/Where is around Ms/La for camera rentals? What can I do (as dp) to get a package with the budget restrictions? Also is there any benefit in trying to acquire a g&e package through the same place?
  14. Looking for an Arri Amira package in a decent shape and with reasonable hours! (Will buy off your extras too!) Shoot me an e-mail if you got one: boson.wang3@gmail.com
  15. Hi Guys, Just looking to confirm some Sony F5 sensor size and lens crop factor. Sony F5 = Super 35mm sensor Super 35mm Crop Factor 1.5 So an 18mm lens on an F5 or any Super 35mm equivalent sensor is more like a 12mm lens? As 18 / 1.5 = 12 Is this correct? Thanks Steve
  16. Hello all, I'm in the market for a super 16mm camera package. I've seen an SR3 highspeed at Visual Products but it is slightly over my budget (it's 8500$) Interested in seeing your super 16 cameras if you have one! Thanks -William
  17. Panavision’s Millennium DXL2 8K camera makes its Cine Gear Expo debut on June 1-2 at The Studios at Paramount in Los Angeles. The premier, large-format camera with a new post-centric firmware upgrade will be showcased at the Panavision booth (#S102) in Stage 17, along with four new large-format lens sets, a DXL-inspired accessories kit for RED DSMC2 cameras, and a preview of custom advancements in filter technology. “Millennium DXL2 is the cornerstone of an ever-evolving ecosystem that is designed to improve creative control across every department,” says Michael Cioni, senior vice president of Innovation at Panavision and Light Iron. “By combining the company’s expertise in optics, filters, color science, and post production with strategic partner integrations, we are able to offer filmmakers an entirely fresh image and workflow that is only available within DXL’s ecosystem.” DXL2 incorporates technological advancements based on professional input from acclaimed cinematographers, camera assistants, and post production groups. The camera offers 16 stops of dynamic range with unmatched shadow detail, a native ISO setting of 1600, and 12-bit ProRes XQ up to 120fps. New to the DXL2 is version 1.0 of a directly editable (D2E) workflow. D2E gives DITs wireless LUT and CDL look control and records all color metadata into camera-generated proxy files for instant and render-free dailies. DXL2, which is available to rent worldwide, also incorporates an updated color profile, Light Iron Color 2 (LiColor2). This latest color science provides cinematographers and DITs with a film-inspired tonal look that makes the DXL2 feel more cinematic and less digital. Panavision, renowned for its full line of top-quality optics, will also showcase the company’s large-format spherical and anamorphic lenses. Four new large-format lens sets will be on display, giving Expo attendees the unique opportunity to preview upcoming, innovative glass options: Primo X is the first cinema lens specially designed for use on drones and gimbals. They are fully sealed, weather proof, and counterbalanced to be aerodynamic, and able to easily maintain a proper center of gravity. Primo X lenses come in two primes – 14mm (T3.1) and 24mm (T1.6) – and one 24-70mm zoom (T2.8). Available in 2019. H Series is a traditionally designed spherical lens set with a glamorous, rounded, soft roll-off, giving a pleasing tonal quality to the skin. Created with true vintage glass and coating, these lenses offer slightly elevated blacks for softer contrast. High speeds separate subject and background with a smooth edge transition, allowing subject to appear naturally placed within the depth of the image. Available now. PanaSpeed is a large-format update of the classic Primo look. At T1.4, PanaSpeed will be the fastest large-format lens option available on the market. Available in Q3 2018. Ultra Vista is a series of large-format anamorphic optics. Using a custom 1.6x squeeze, Ultra Vista covers the full height of the 8K sensor in the DXL and presents an ultra-widescreen 2.76:1 aspect ratio along with a classic elliptical bokeh and Panavision horizontal flare. Available in 2019. Panavision will also be unveiling cinema’s first dynamically adjustable liquid crystal neutral density (LCND) filter. LCND instantly adjusts up to six individual stops with a single click or ramp – a significant departure from traditional approaches to front-of-lens filters, which require carrying a set and manually swapping individual NDs based on changing light. LCND starts at 0.3 and goes through 0.6, 0.9, 1.2, 1.5, to 1.8. Available in 2019. Following up on the success of DXL1 and DXL2, Panavision is launching the latest in its cinema line-up by showcasing the newly created DXL-M accessory kit. Designed to work with RED DSMC2 cameras, DXL-M marries the quality and performance of DXL with the smaller size and weight of the DSMC2. DXL-M brings popular features of DXL to RED MONSTRO, GEMINI, and HELIUM sensors, such as the DXL menu system (via an app for the iPhone), LiColor2, motorized lenses, wireless timecode (ACN), and the Primo HDR viewfinder. Available in Q4 2018. Light Iron and LEE Filters can also be found at the Panavision booth.
  18. RED Digital Cinema is advancing its product portfolio of high-quality cameras and sensors with a focus on simplicity, price and quality for customers. Beginning today, RED’s camera line-up will be modified to include one DSMC2 camera BRAIN with three sensor options - MONSTRO 8K VV, HELIUM 8K S35 and GEMINI 5K S35. The single DSMC2 camera BRAIN includes high-end frame rates and data rates regardless of the sensor chosen and, in addition to this new value, the streamlined approach will result in a price reduction compared to RED’s previous camera line-up. “RED was founded with the desire to democratize the digital cinema camera industry by making trailblazing technology accessible to shooters everywhere,” said Jarred Land, President of RED Digital Cinema. “And that mission has never changed. With that in mind, we have been working tirelessly to become more efficient, as well as align with strategic manufacturing partners to optimize our supply chain. As a result, today I am happy to announce a simplification of our lineup with a single DSMC2 brain with multiple sensor options, as well as an overall reduction on our pricing.” RED’s DSMC2 camera BRAIN is a modular system that allows a shooter to configure a fully operational camera setup to meet their individual needs. RED offers a range of accessories including display and control functionality, Input/Output modules, mounting equipment, and methods of powering the camera. The DSMC2 camera BRAIN is capable of up to 60 frames per second at 8K, offers 300 MB/s data transfer speeds and simultaneous recording of REDCODE® RAW and Apple ProRes or Avid DNxHD/HR. The RED DSMC2 camera BRAIN paired with each of RED’s sensor options provides the ultimate blend of flexibility and performance. · DSMC2 with MONSTRO 8K VV offers cinematic full frame lens coverage, produces ultra-detailed 35.4 megapixel stills, and delivers 17+ stops of dynamic range for $54,500. · DSMC2 with HELIUM 8K S35 is the recipient of the highest DxO score ever, delivers 16.5+ stops of dynamic range in a Super 35 frame, and is available now for $24,500. · DSMC2 with GEMINI 5K S35 leverages dual sensitivity modes to provide creators with greater flexibility using standard mode for well-lit conditions or low light mode for darker environments priced at $19,500. RED will begin to phase out offering new sales of its EPIC-W and WEAPON camera BRAINs immediately. In addition to the changes to the camera line-up, RED will also begin offering new upgrade paths for customers looking to move from older RED camera systems or from one sensor to another. The full range of upgrade options can be found here. “We would not be where we are today without the continued support of our customers,” continues Land. “And after having many conversations with a wide range of those customers, now is also the perfect time to announce our latest loyalty programs to give them the opportunity to upgrade to the latest RED technology."
  19. Selling my Blackmagic Ursa 4.6K EF bought 15 months ago in Prague official dealer Syntex.cz package which includes: Blackmagic Design Ursa Mini 4.6K EF original Blackmagic Shoulder Kit original Blackmagic Viewfinder original Blackmagic VLock Battery Plate 2x Transcend CFX650 128GB CFast 2.0 Lexar CFast memory card reader 2x Rolux 160Wh battery Rolux battery charger Sony VTC-14 style camera plate - unbranded SmallRig rossete cheeseplate 2x carbon rods 1620 Pelicase I ask 6500,- USD Dropbox file with pictures: https://www.dropbox.com/sh/rtxgypjmk9a3uhg/AACxc9iwzFiLVFmdM5_l2y0la?dl=0 Camera is currenty sitting in Prague Czech republic and I am willing to sell it woldwide. Ask me for more information or Dng from camera
  20. Hi all, I'm looking to shoot a short film on 16mm in the near future, and was hoping for some recommendations of cameras to look into. Bearing in mind that I have to consider other aspects of the shoot, including lenses, I'm willing to pay around £1000. Some features I'm looking for are: Consistency in registration - one thing I've learned from watching various tests is that the results of a given film stock can range from professional to unusable depending on the precision of camera movements. Sync sound - I'm not worried about the volume of the camera itself, since I'll most likely dub dialogue after filming, but I was hoping to use a simple field recorder on set to make the dubbing process easier. Obviously this won't work if there is too much frame rate deviation. Ability to hand hold/shoulder mount. Ease of maintenance - considering that I'll be investing quite a bit of time and money into this project, I'd like to have any second hand gear checked over by a technician without too much cost/hassle. So far, the Eclair NPR is looking like the best bet, but I'd appreciate any other suggestions.
  21. Not to be confused with a ‘stylized look' LUT – I created the BozBMDFilm_to_Rec709 Utility LUT to bring out the organic contrast and color values captured by the BMCC / BMPCC in Film LOG or RAW modes. In addition, the LUT strives to preserve highlight and shadow detail [with emphasis on softer highlight roll off] while safeguarding image quality and integrity. [RAW video by John Brawley] Though it's not free, It's still cheaper than a Golden Arches Meal and definitely worth a look even if it's just to see more examples of how the LUT works. Download Page: https://bulentozdemirfilms.wordpress.com/downloads/bmcc-bmpcc-bozbmdfilm-to-rec709-lut/
  22. Hi all, I'm going to be shooting a short film in the very near future on the Sony FS5. The Camera only comes with a kit lens, so I was wondering whether it was worth sourcing another lens to work with. I know friend's have pretty pricey Canon lenses, but I'm unsure whether these would be better or worse. The film is going to be shot mostly outside on location, shots of buildings and streets etc. If anyone has ideas, let me know. Thanks.
  23. WTB ARRI 416 Package Please reach out with any leads. Thanks in advance! Cale Nichols calenichols@live.com 310-422-3568 www.calenichols.com
  24. Panavision, the motion picture industry’s most respected designer, manufacturer and provider of state-of-the-art cinema lenses, high-precision camera systems and innovative post production technologies, will showcase its Millennium DXL2 8K camera at the National Association of Broadcasters (NAB) Show, which runs April 7-12 in Las Vegas. Technology leaders from Panavision and its subsidiary Light Iron will also share their vision and expertise during panel discussions throughout the conference. The DXL2 is the evolution of a unique camera ecosystem, built by Panavision based on the input of cinematographers whose feedback contributed to the DXL2’s many significant advances. Introduced in February, the DXL2 features a RED MONSTRO 8K VV sensor with 16-plus stops of dynamic range, improvements in image quality and shadow detail, a native ISO setting of 1600, and ProRes 4K up to 60 fps. Images are presented on the camera in log format using new Light Iron Color 2 science (LiColor2), which streamlines the 8K pipeline and provides quick access to high-quality RAW images. Additional features to the DXL2 include a custom-made, integrated PX-Pro color spectrum filter offering a significant increase in color separation and dramatically higher color precision to the image; a built-in Preston MDR; 24v power; and expanded direct-to-edit features. Hands-on demonstrations of the DXL2 will take place at the Vitec booth (C6025) and at Vitec Creative Solutions (C9544). NAB attendees also have a chance to hear directly from the experts and designers behind Panavision’s cameras and lenses, and post production innovator Light Iron. Several discussions will take place at the Las Vegas Convention Center (unless otherwise noted), including: Avid Customer Association Technology Open Forum Light Iron Panel Participant Jeff Sengpiehl, VP of Engineering Friday, April 6, 4:45-5:30pm Location: Avid Connect (pre-NAB conference) Wynn Las Vegas Conference Center 3131 South Las Vegas Boulevard HDR Varicam Workflow for Netflix’s The Week Of Light Iron Panel Participant Katie Fellion, Head of Business Development & Workflow Strategy Monday, April 9, 12:30-1pm Location: Panasonic booth (C3607) Made in Georgia: Shaking up the Film and Digital Media Production Landscape Panel moderated by Clark Cofer, Director of Business Development, Light Iron Monday, April 9, 3:30-4:30pm Location: S222-S223 Venice HDR Creative and Workflow for #PictureDay Music Video Panavision/Light Iron Panel Participant Michael Cioni, Sr. VP of Innovation Tuesday, April 10, 1-1:30pm Location: Sony booth (C11001) The Media Archivist vs. Entropy, or, Why On-Set Data Verification is Really Important Presented by Keenan Mock, Senior Media Archivist, Light Iron Tuesday, April 10, 3-3:20pm Location: LumaForge’s “Faster, Together” Stage (S112LMR) The Future of 8K Presented by Michael Cioni, Sr. VP of Innovation Panavision and Light Iron Wednesday, April 11, 10-10:20am Location: LumaForge’s “Faster, Together” Stage (S112LMR) Understanding Full Frame Cameras & Lenses Panavision Panel Participant Guy McVicker, Manager, Technical Marketing & Optics Wednesday, April 11, 2:00-3:15pm Location: Post Production World session (N231) For more information about the Panavision Millennium DXL2, visit www.panavision.com/dxl. For more information about Light Iron, visit www.lightiron.com
  25. Arri Amira Premium 4K $33,950 Certified by Arri Hours:1488 Certified by Arri MVF-1 Viewfinder PL Mount EF mount Vmount adaptor Gold Mount Adapter Wedge plate adapter 4x 120gb Cfast Card Cfast Card Reader x2 Mic adapter bracket Shoulder belt adapter Power Cable Bridge plate adapter Cineplate set Quick Release plate USB Stick Hirose Lens cable short VF cable short Viewfinder cable adapter Case Vmount adapter BP-9 brigeplate set 15mm carson.lori61@gmail.com
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