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Monte Zucker Photographic Education Presents the Out of Order tour! In Irvine 10/19 And LA 10/20. Out of Order is a film editing tour that is sponsored by Adobe and Canon and tackles editing from the a non-linear storytelling perspective. It’s taught by Ross Hockrow, an award winning filmmaker, educator and author. The full-day class is split in two parts, a daytime Storytelling Through Editing Workshop, and an evening Editing Techniques seminar. In the workshop Ross will demonstrate the principles of “show don’t tell,” will teach you to properly time cuts, to “play” with time, and will focus on the very important concept of pacing. Ross will then break down the techniques necessary to effectively edit a conversation; in film editing, conversations represent what editing is in its rawest form. Finally, Ross will teach you the importance of creating a constant feeling of anticipation within the viewer via cut selection, timing, and analyzing which shots have the greatest storytelling impact. All of these techniques are used to make your viewer experience your film instead of just passively watching it. The seminar begins with an intensive, step-by-step overview of the complete editing process. Ross shows students how to organize and log footage and introduces the concept of the dump timeline, a workflow technique used to create the Narrative Base. The art of the professional cut is explored in detail, focusing on the techniques of L-cutting, cutting on the action, popcorn cutting, and the use of natural and scene-to-scene transitions. Check out this awesome opportunity to hone your skills or gain a new take on the editing process. -
Monte Zucker Photographic Education Presents the Out of Order tour! In San Jose 10/12 And San Francisco 10/13. Out of Order is a film editing tour that is sponsored by Adobe and Canon and tackles editing from the a non-linear storytelling perspective. It’s taught by Ross Hockrow, an award winning filmmaker, educator and author. The full-day class is split in two parts, a daytime Storytelling Through Editing Workshop, and an evening Editing Techniques seminar. In the workshop Ross will demonstrate the principles of “show don’t tell,” will teach you to properly time cuts, to “play” with time, and will focus on the very important concept of pacing. Ross will then break down the techniques necessary to effectively edit a conversation; in film editing, conversations represent what editing is in its rawest form. Finally, Ross will teach you the importance of creating a constant feeling of anticipation within the viewer via cut selection, timing, and analyzing which shots have the greatest storytelling impact. All of these techniques are used to make your viewer experience your film instead of just passively watching it. The seminar begins with an intensive, step-by-step overview of the complete editing process. Ross shows students how to organize and log footage and introduces the concept of the dump timeline, a workflow technique used to create the Narrative Base. The art of the professional cut is explored in detail, focusing on the techniques of L-cutting, cutting on the action, popcorn cutting, and the use of natural and scene-to-scene transitions. Check out this awesome opportunity to hone your skills or gain a new take on the editing process.
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Please see my link below - http://www.ebay.co.uk/itm/300956657013?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649
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Films I have been director of photography, im slowly getting better so honestly tell me what you think. [video=vimeo;68975273] [video=vimeo;45164728]https://vimeo.com/45164728
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Dear all, I hope this isn't too rookie a question for this site, but I'm trying to make a decision about a project which we will almost certainly want to shoot in black & white on a Canon DSLR, and I realise that it takes me to an essential question about how those cameras record data. I've done tests shooting 10 seconds of footage in the Standard picture profile, the same in Technicolour CineStyle and in Monochrome. All three tests gave me pretty much the same size of file with the same data rate. Here's the question: Does this mean that I'm getting a more detailed image in Monochrome? It's not having to compress any colour information into the h.264 file, so is it filling up the space this leaves with a little bit more lovely detail? Or, because it's CBR, is it including a lot of blank useless colour information, causing the file to be the same size as a colour file? Why do I need to know? Well, if we are actually getting a more detailed picture by dumping colour information at source, then we'll go for that. If however it makes not a blind bit of difference, then we might as well shoot in colour, to leave our options open. Thanks, Guy
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Canon 43mm C-8 wide lens attachment - £50 GB Pounds (310XL, 514XL, 312XL-S, 514XL-S) Canon 67mm C-8 wide lens attachment - £100 GB Pounds (814XL-S, 1014XL-S and is far better than the UWL III with my Nizo 6080) :) -
MINT condition Canon AUTO FOCUS Super 8 cameras (with perfectly clear lenses and fully functioning) with original accessories, instructions plus original retail box and packaging. £200 GB Pounds each plus shipping. :) http://twitpic.com/d41cf3/full
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Selling my Canon AF 514 XL-S Super 8 AUTO FOCUS cine film camera for just £75 GB Pounds (in perfect working order and with a crystal clear lens) plus shipping. Only for sale as I've a new MINT in box example. http://www.twitpic.com/6arwbn :)
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All fully serviced by a qualified technician and all are carefully film tested by myself. Smooth operation, excellent cosmetic condition and crystal clear lenses. Braun Nizo 6080 Matte Box Kit - £299.99 GB Pounds Minolta Autopak-8 D6 - £79.99 GBP Yashica Electro 8 LD-4 - £59.99 GBP Canon 514XL-S with C-8 Wide Lens - £99.99 GBP Payments accepted via PayPal and shipping prices are not included (charged at actual cost). Please just contact me for all the details. Bill :)
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Hello, I'm going to be shooting my first feature in a few months. It's going to be a low budget project. I'll be wearing multiple hats. Even though I will be working with some great people I like to get 2nd opinions on the best way to approach problems. The first issue is I'll be shooting on epic at 2.35:1. I will also be shooting on the Canon XA20 at 16X9 and 5D at 16X9. The problem is knowing what I'm capturing when shooting 16X9. Obviously when it's in AVID you can apply a 2.35:1 mask, but then it's cutting off your footage. I know END OF WATCH used similar cameras and finished 1.85:1. SNITCH used similar cameras and finished 2.35:1. Even BLACK SWAN finished 2.35:1 and shot scenes with the 7D. I know there is no way they just shot and crossed their fingers that nothing would be cut off when shooting 16X9. There must be some workflow when doing this. I don't want to guess. The bulk of the film will be shot on Epic and then I have found footage with the other 2 cameras. I want the shoot 2.35:1 so what should I do? Also any opinions on the Canon XA20. END OF WATCH used the XA10. I wanted to spend around 2000 for a camera with XLR inputs. Also since its found footage i wanted a fixed lense so I can run and gun and not be pulling focus. Thanks for the help.
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Hello everyone. Has anybody had a chance to try out or test the new Canon CN-E cine lenses, primes and zooms? I'm in pre-production for a short film that I will shoot next month and I am strongly considering a set of these for the job. I will be testing them soon enough, but I would also like to hear if anybody has direct experience with them. Thanks. -
Thinning my collection! All cameras have been used by me, but probably not in the last few years. I usually grab my Bolex's or Beaulieu's. The real gem in this lot is the 512 Cine Zoom with Tele converter. It comes with a lot of neat original items! Please have a look! http://www.ebay.com/sch/analogfilms/m.html?item=330971727932&pt=LH_DefaultDomain_0&hash=item4d0f73c83c&rt=nc&_trksid=p2047675.l2562 -
This is a Canon 150-600mm f/5.6L zoom lens with the mount converted to PL and the aperture ring declicked/geared by Century Optics. The glass has no scratches, haze, fungus, separation or cleaning marks. There is some dust visible under bright light on the middle element group (see picture) but it does not effect image quality. Comes with front/rear caps and flight case. Asking $5000. I'm located on the way-north California coast, but can show up in the bay area or southern Oregon for an in-person transaction with some advanced notice and am happy to let local prospective buyers try it out before buying. General information about the lens can be found here: http://www.mir.com.my/rb/photography...oms/150600.htm -
Just bought a Canon 814 Auto Zoom from a German photography seller. Cleaned, well-maintained, reportedly testing and working with film. Just put the batteries in. Everything runs, but the fold-out hand grip, which contains 4 AA batteries, feels real hot. Is this normal?
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Hey, I would love to know what you guys think about this sketch I shot. We only had a Canon T3i and an arri kit, so we tried to make the best of what we had. I was going for a black and white "noire" type of feel. I have been camera assisting for the past couple of years and now im really trying to beef up my reel. So if you guys find the time to watch the video, please let me know what you like and what you dont like so I can improve on my skill. Any thoughts would be appreciated. Thanks Link below -
A review we made of the Canon Rebel T4i + 18-135mm STM kit lens. Thought this might be helpful for those who want to see the T4i +18-135 AutoFocus in action:
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Hi my friend is thinking of buying a Canon 8-64 S16 lens for his Ikonoskop at a reasonable price. He did some test shots at the seller's premise. We saw chromatic aberration. What do you think of the CA in these, please? Is this to be expected from this lens in general? Or is it this particular lens, perhaps? Any input or advice welcome. Thank-you -
Cool chat about Canon cinema primes. Wanted to share these guys' interviews because they give really good tech. reviews.
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Really handy piece of kit, in near mint condition. £80 GB Pounds plus shipping. :)
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Hello, Here i would like to clear some questions raised before starting a new project.. as i shared my equipment i have and the question how to use them for better result.. I am now doing a job for the first time on DSLR and have so many questions and need all the help you all can provide. The gear available to me: 5d3, 1dx Zeiss 14, Zeiss 35, Zeiss 135 (on its way) Fluid head tripod. Lexar 1000x 32gb UDMA 7 card A three year old Imac for editing. Nature of job and crew: I will be going to small villages and shoot lifestyles of people as artistically as I can. I will shoot lots of interviews with audio. I have a focus puller and lighting assistant. I want efficient frill free equipment set up that does the job. However, keeping gear light is not the first requirement, getting professional output is. The edited videos will be viewed mostly on internet and at times projected on a mid size screen. My questions: 1. Do I need another monitor besides the LCD on the camera to check focus etc? 2. Which is the best slider for price for DSLR? 3. Which is the best way to record audio? Do I record on camera or external recorder and sync using a slate? I have a BeachTek DXA-SLR available for free. Is it any good? 4. Should I use Magic Lantern software or original Canon RAW? If magic lantern, then which version? 5. What is the ideal ISO for video? And if not ideal, what is the acceptable range for noise free work. 6. Is 1/50 the only shutter speed to work at or it does not matter? 7. Will my Imac be ok for the edit? I will not buy an Imac now until it is refreshed, but just want to prepare myself on the speed of edit. Thank you!
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Hi Everybody, I'm shooting some of Pro8mm's Ektachrome 100D on my Canon 514 XL-S. My question is about the daylight/tungsten filter. I've heard from almost all people that I need to have the filter switched to the lightbulb tungsten setting. As counterinuitive as it seems, I've heard that it actually correectly exposes the Ektachrome that way. I just want to be positive about this, and would really appreciate any personal experience shooting on Pro8's stock on this camera. Thank you!
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Film tested and fully functioning with a crystal clear lens: Canon 1014 XL-S £250 GB Pounds Payment by PayPal plus actual shipping cost will be added (please ask for quote).
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Recently stopped by B&H and checked out a nice display set up from Shape...I purchased a DSLR baseplate/cage for my 5D Mark III from them and am really happy with it...It's lightweight and can be purchased in a kit/bundle with follow focus, mattebox, and their push-button handles (good price considering the quality and lifetime warranty). The cage also has a top handle with that push button technology that I haven't seen anywhere else. I guess it might be patented? Anyway, they posted some videos of their DSLR line at the NAB show: http://www.shapewlb.com/en/videos-en.aspx. Here's the cage I bought: http://www.shapewlb.com/en/product/products/shape-support/dslr-to-go/dslr-cage-kirk-neff-edition_209.aspx?id_page_parent=282&prevnext=typemodule%3d1017%26globalitemindex%3d8%26aidcategorie%3d44%26sort%3dNumeroASC Here's their follow focus which is a pretty perfect fit: http://www.shapewlb.com/en/product/products/accessories/follow-focus/follow-focus-friction--gear-clic_60.aspx?id_page_parent=134&prevnext=typemodule%3d1017%26globalitemindex%3d1%26aidcategorie%3d21%26sort%3dNumeroASC
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Excellent camera crammed full of features, in perfect working order (tested with Tri-X), with a crystal clear lens and C8 wide lens attachment! Specifications: Model: Canon 514 XL-S Year: 1976-1983 Weight: 1500 g Lens: Canon zoom 1.4 / 9 - 45 mm Macro focusing Split Image Focusing Auto / Manual Zoom Frame rates: 18, 24 + single frame (SINGLE FRAME ONLY VIA CABLE RELEASE OR REMOTE) Shutter degree: 220 Auto Exposure - accepts ISO 25D, 40T, 100D, 160T, 160D and 250T film Aperture Lock EE Control for Backlight etc Remote control socket Auto / Manual Recording Level Control 6 X AA batteries + No separate battery for light meter Made in Japan £100 GB Pounds plus shipping from the UK. :)
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All film tested and fully functioning with crystal clear lenses: Canon 814 XL-S £150 GB Pounds Eumig Nautica £100 GB Pounds Bolex 680 £100 GB Pounds Canon 514 XL-S £60 GB Pounds Payment by PayPal plus actual shipping cost will be added (please ask for quote).
