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Showing results for tags 'film look'.
Found 4 results
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Greetings to all, It's been a number of years since I've visited this forum, and it's been about that long since I've been directly involved in film production... I've had a bit of a Rip Van Winkle experience. Back when I was shooting, HD cameras were still in the five figure range and 35mm was still the workhorse, most theaters showed film prints. Just the other day I acquired a Nikon D3300 DSLR from Best Buy. Today I tested it in 24p mode and my goodness, what a shocker. If someone else had shown me the footage I shot and told me they shot it on 35 I would have believed it! Granted, -
I’m sort of new to cinematography. I’m hoping to achieve a certain look or at the very least come close it. I plan to upload this mainly online for now (like youtube and vimeo). I know what I’d like to have as an outcome, just not sure specifically what I might need to do to get there. I’m looking for more of a style used during the 90’s for music videos. They, I assume, were filmed with film camera and not digital, so I’m aware of one part of that solution. I figured if I shoot digital in 24 fps, somewhere around 720, that I might be able to get close to the look I’m looking for (plus w
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Hi. I am going to shoot a short film on Canon 1D C camera. I love Marvel´s cine style set up on the Canon 5D mark III. Is it possible to use the same Marvel´s cine style for the 1D C camera? Or do you recommend another cine style for that camera? I just want to use the best cine style possible so I can do the best color correction in the end. We´re going for the "Amelie" look:-). Best, Henrik A. Meyer www.henrikameyer.com
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Hi guys, so I'm going to shoot a movie for university, and I want to use 25 fps, in order to give the famous "film-look" to the image... my problem is that in some shots I'd like to obtain a depth of field as shallow as possible. So here's my dilemma: they say when you're shooting in 25 fps, the maximum quality of image results in using 50 shutter speed (fps * 2); but if I use 50 shutter speed, then the aperture would be affected: and as you know, in order to obtain a shallow depth of field you should have the aperture all the way open, which in my case, with 50 shutter speed, could r
