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Hi, Does anyone knows how to expose this film in the two configuration mentionned ? is it possible to have good result in low light by pushing in development ? (any experience with that ?) I am opened to any tips regarding reversal film treatment as a 1st AC (conservation, use and elese ...) For upcoming projects, i am wondering how it would look like. The first one is a low light / hangar / industrial environment with light coming from a dancefloor with 5 people on it (the aim would be to have color effect / aberration and dynamism like in the 'domino' movie, the dancefloor lights would help accomplishing this nighclub ambiance) The second one is more of a natural ambiance in bright daylight with characters in the frame running on a road and other narratives sequences in the city ... Thanks in advance ! cheers
Kodak Ektachrome 100D Double Super-8 DS-8 122 meter / 400 feet Kodak Ektachrome 100D Double Super-8 16/8 2R 122 meter / 400 feet Kodak 7285 CAT 186 1681 One metal can, never opened, from cooled storage. NOT homebrew DIY. Kodak original perforation in Kodak packaging. Bought it for a project from USA, self imported. It is now in Europe. Save on duties while it is here. This can never made it into the project and I don't expect any use in the short or long term. Nice to expose in DS-8 camera like Elmo Filmatic of Canon Scoopic for maximum sharpness or slit it into two strands and use these to fill 16 pieces of loadable Super-8 cartridges. Over 50 minutes of running time at 18fps! You can have it easily have it processes at any ciné lab which does E-6 Now selling it at USD $790 or EURO equivalent I have images of the offered can, the website is very limited on storage. IBAN banking preferred Paypal available at +3% I have an over 700 eBay positive feedback Rolls of 400ft of single strand meterware Super-8 was offered at Euro 400 http://www.filmvorfu...ektachrome +400 And sold out quickly... No to forget the USA based 20 cartridge cases at $1900 or 2 cartridges at $170 Excerpts from Kodak Datasheet https://www.super8.nl/file/7285.pdf TECHNICAL DATA / COLOR REVERSAL FILM KODAK EKTACHROME 100D Color Reversal Film 5285 / 7285 is a 100-speed, high-color reversal motion picture camera film intended for photography under daylight illumination (5500K). It offers strikingly saturated color performance while maintaining a neutral gray scale and accurate flesh reproduction. 5285/7285 Film has exceptional sharpness that is unsurpassed by any other 100-sp eed reversal film, and its grain performance is excellent. This film also offers very strong reciprocity uniformity and keeping stability. This film offers outstanding results in outdoor and studio applications where strong color saturation is desired. It is excellent for advertising, nature cinematography, documentaries, music videos, and is especially good for telecine transfers and television filming. BASE Acetate safety base. EXPOSURE INDEXES Daylight (5500K): 100 Tu n g s t e n ( 3 2 0 0 K ) : 25 (with 80A filter) Use these indexes with incident- or reflected-light exposure meters and cameras marked for ISO or ASA speeds or exposure indexes. These indexes apply for meter readings of average subjects made from the camera position or for readings ma de from a gray card of 18-percent reflectance held close to and in front of the subject. For unusually light- or dark-colored subjects, decrease or increase the exposure indicated by the meter accordingly.
Hi, I am new to the forum! I recently bought a tested and fully working Bolex 350 Macro compact. I am new to super 8. The thing is I am planning an adventure with a friend: we are going to go up a volcano in the Andes. My idea is to document the ascent with the camera so I got some Kodak Ektachrome 100D. Apparently this model doesn't detect this type of film automatically. From what I've been reading so far it looks like (since the camera is post 1970) it will shoot as if the film was 160 ISO so this is going to underexpose my film by about 1/2 stop. My question is, is this bearable? I suppose so but also since I will have ice and snow in the background most part of the ascent, perhaps I should use the overexposure (1 stop) all of the time. Also, should I do anything else? Put any filters, use the diaphragm lock, etc? I guess I can also shoot at 9 fps which would expose the film more, right? I would hate if the film wasn't properly exposed. Also, apparently its a possibility that the camera detects 40 iso instead and overexposes by 1 1/4. But this seems unlikely. Please give me your views and if anyone of you has experience with this camera or one that is similar I would be much obliged if you shared it with me. Thank you very much!!!