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Found 5 results

  1. Might be somewhat of a long-shot, but I'm hoping maybe someone here has one of these sitting around. I am looking for Cooke DuoPanchros (the ones made for 65/70mm, not the Double-Speeds which were made for VistaVision...although the 75mm Double-Speed would interest me.) I have the 55mm DuoPanchro, and I'd like to try and find the 30mm and the 40mm to complete the set. I am not really interested in selling the 55, but I would *maybe* consider trades for vintage anamorphics (anything other than Lomo Squarefront). That's if I have no luck finding the 30 and 40, of course. Here's the
  2. CAMERA IS NEW IT HAS ONLY 15HRS OF OPERATING TIME, IT COMES WITH ADDITIONAL ACCESSORIES. CAMERA 1 ARRI Alexa LF Camera Body with LPL Lens Mount & Cap 1 ARRI Top Camera Center Handle CCH-4 1 EVF Electronic Viewfinder for Alexa 1 EVF Mounting Bracket 1 EVF Extension Bracket 1 ARRI BP-13 Bridge Plate 15mm Sliding Baseplate 1 ARRI Dovetail For Sliding Baseplate 12" Inch 2 15mm rods 10 Inch
  3. I am looking into large format these days. The question came from the director I'm working with at the moment - and is the following: is there anything gained from using lenses with larger image circles then your sensor? I was suggesting to shoot on the Leica R lenses for various reasons - he asked about the hasselblad whitepoint lenses - presuming they are better cause they cover a 65mm imager. When thinking about this I realized two different bits of information came to mind: my instinct is; the more the lens' image circle exceeds the imager's size, the less quality will be lost towa
  4. G'day everyone, So, I compared some stuff and wrote a thing: http://dreamsmiths.com.au/blog/why-bigger-is-better-but-not-much-else If you're interested in the objective differences of large format cinematography to regular S35mm images, you might find it worthwhile. It's a quick test comparing regular S35mm Alexa, matched for both field of view and depth of field against the shiny new Vistavision-sized sensor of the Alexa LF, using spherical lenses. If you click through to the vimeo link, you can download the full 4.4k ProResHQ file in all its glory, which I'd highly recommend pulling in
  5. Continuing 25 years of support, Panavision once again celebrates the art and craft of moving pictures with filmmakers at the Camerimage International Film Festival of Cinematography, which runs November 11 - 18 in Bydgoszcz, Poland. This year, Panavision hosts a masterclass with Oscar®-winner John Toll, ASC, and a workshop on large-format filmmaking. http://www.panavision.com/panavision-brings-millennium-dxl-camera-and-large-format-lenses-camerimage-2017 On Nov. 14 in the MCK, Panavision Day begins with the workshop, "The Beauty of 8K Large-Format" from 11:00 – 13:00. Peter Deming,
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