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Found 10 results

  1. Tribe7 Blackwing Set X6 T tuned Custom T tuned 20.7mm, 27mm, 37mm, 57mm, 77mm, 107mm $125,000 omar@raw-entertainment.com This set are all T tuned. Custom T tuned. They are very special set. when the lenses were made the owner had some adjustments made to the standard tunings. The edge fall off is slightly different And the contrast and flares too But they are very similar to T tuning with a special upgrade. That’s why this set is one of a kind. Here are more details of the set. 20.7mm - Boutique lens manufacturer Tribe 7 has added a brand new 20.7mm prime lens to their current Blackwing line of primes. The 20.7mm is now the widest lens in the set. It remains T1.9 like the rest of the set which is respectably fast. 27mm - 1960’s Retrofocus construction Sigma WIDEMAX Asahi Super TAKUMAR 37mm- 1950’s retrofocus construction R1 Angenieux 35mm f/2.5 “I used the 37 for a flashback memory sequence on the upcoming Brave New World show; I found the lens at T1.8 to be so magical, so painterly, so evocative and unique. BLACKWING7 lenses allow for total artistic expression in cinema.” ANDRIJ PAREKH, ASC. Cinematographer/Director 57mm-1940’s Biotar construction Asahi TAKUMAR 55mm f/1.8 77mm-1950’s Double-Gauss construction Schneider XENOTAR Carl Zeiss BIOTAR 107mm-1970’s BIOTAR / PETZVAL construction Hasselblad 110mm f/2 PLANAR
  2. Arri Mini LF 2,000 Hours $76,500 NEW PRICE HURRY BEFORE ITS GONE omar@raw-entertainment.com Omar Alarian COO / Film Producer IMDB: www.imdb.com/name/nm7440967/ Raw Entertainment www.raw-entertainment.com Email: omar@raw-entertainment.com Youtube Channel: youtube.com/c/RAWegypt Instagram: instagram.com/rawegypt?igshid=YmMyMTA2M2Y= Latest Feature Film Trailer Welad Rizk: youtu.be/KbuuzxTxhP4 Camera Package: Power Cable Straight KC-50 2m (K2.75007.0) Bottom Plate 12" (300mm) (K2.0015896) V Mount Power Splitting Box Mk II 15mm Reduction Insert (K2.66255.0) Rod Mounting Bracket RMB-3 (K2.0006186) RAB-1 Clamp 2 (K2.0023406) Rear Accessory Bracket RAB-1 (K2.0013937) Compact Bridge Plate CBP-1 (K2.0014894) Mini Side Bracket MSB-2 (K2.0014957) Mini Side Bracket MSB-3 (K2.0023546) Center Camera Handle CCH-2 (K2.73002.0) Mini Viewfinder Bracket MVB-1 (K2.0006140) Mini Adapter Plate MAP-2A (K2.0023839) Viewfinder Cable VF 1.5ft (0.5m) (K2.0023943) Viewfinder Cable VF 1.15ft (0.35m) (K2.0023915) ALEXA Mini LF Multi Viewfinder MVF-2 (K2.0020916) 2 x Codex Compact Drive 1TB CA08-1024 (K2.0024130) ARRI PL-to-LPL-Adapter (K2.0016936) ARRI LPL Lens Mount ALEXA Mini/AMIRA (K2.0018983) ALEXA Mini LF Camera Body (K1.0024074
  3. Zeiss Supreme Primes 6 Lens Set $133k Zeiss Supreme Primes T1.5 Set of 6 Large Format 25mm 29mm 35mm 50mm 85mm 100mm Available in the US Omar Alarian COO / Film Producer IMDB: www.imdb.com/name/nm7440967/ Raw Entertainment www.raw-entertainment.com Email: omar@raw-entertainment.com Youtube Channel: youtube.com/c/RAWegypt Instagram: instagram.com/rawegypt?igshid=YmMyMTA2M2Y= Latest Feature Film Trailer Welad Rizk: youtu.be/KbuuzxTxhP4
  4. Cooke S7/i Full-Frame Plus Set X6 Price: $142,500 The set is located in Dubai Escrow Service is available omar@raw-entertainment.com
  5. Cooke S8i FF Set X7 omar@raw-entertainment.com Escrow service is available Price: $219,000 We have pre-booked 3 set of Cooke S8i lenses. The delievry is July - August 2022. You must do the Advance payment of 50% to reserve the set for you.
  6. Might be somewhat of a long-shot, but I'm hoping maybe someone here has one of these sitting around. I am looking for Cooke DuoPanchros (the ones made for 65/70mm, not the Double-Speeds which were made for VistaVision...although the 75mm Double-Speed would interest me.) I have the 55mm DuoPanchro, and I'd like to try and find the 30mm and the 40mm to complete the set. I am not really interested in selling the 55, but I would *maybe* consider trades for vintage anamorphics (anything other than Lomo Squarefront). That's if I have no luck finding the 30 and 40, of course. Here's the 55:
  7. CAMERA IS NEW IT HAS ONLY 15HRS OF OPERATING TIME, IT COMES WITH ADDITIONAL ACCESSORIES. CAMERA 1 ARRI Alexa LF Camera Body with LPL Lens Mount & Cap 1 ARRI Top Camera Center Handle CCH-4 1 EVF Electronic Viewfinder for Alexa 1 EVF Mounting Bracket 1 EVF Extension Bracket 1 ARRI BP-13 Bridge Plate 15mm Sliding Baseplate 1 ARRI Dovetail For Sliding Baseplate 12" Inch 2 15mm rods 10 Inch MEDIA 1 SxR Adapter for Alexa 1 SxS Adapter for Alexa 2 SxR Capture Drives 2TB w/ Cases 1 SXR Card Reader Codex 1 Cable: Thunderbolt 1 Cable: Card Reader to AC Power 1 SanDisk 64GB SD Card CABLES 1 EVF Cable (KC 150-S) 1 ARRI 4-PIN XLR to 2-PIN LEMO 12V Cable -3ft 1 24V 3-PIN XLR to @ PIN FISCHER Cable - 10ft AC POWER 1 XLR 3pin to AC Power Box Cameo 24V/220W LENS ADAPTER 1 Lens Adapter LPL to PL Mount ARRI WIRELESS RECEIVER SET 1 Arri WVR-1 1 Arri MIA-1 Bracket 1 Cable: USB to Micro USB 1 Cable: Power Box to 3pin female 1 Cable: 2pin to Edison
10 Antenna Rx TX for Alexa LF & Receiver BATTERY ADAPTERS Wooden Camera 24V Sharkfin battery bracket for Alexa LF (V-Mount) ARRI LF CASE Case for ARRI ALEXA LF FILTERS ARRI Alexa SFND Filters full set with case. PURCHASE PRICE OF ARRI ALEXA LF PACKAGE IS $135,510.00 OUR ASKING PRICE IS $113,255.00. BEST OFFERS ARE ACCEPTED PLEASE CONTACT US IF YOU HAVE ANY QUESTIONS. Email- seebeyondusa@gmail.com NOTE: THE LENS IN THE PICTURES IS NOT INCLUDED IN THE BUNDLE
  8. I am looking into large format these days. The question came from the director I'm working with at the moment - and is the following: is there anything gained from using lenses with larger image circles then your sensor? I was suggesting to shoot on the Leica R lenses for various reasons - he asked about the hasselblad whitepoint lenses - presuming they are better cause they cover a 65mm imager. When thinking about this I realized two different bits of information came to mind: my instinct is; the more the lens' image circle exceeds the imager's size, the less quality will be lost towards the edges of the image - lenses perform better in their center and then gradually degrade as you move away from the center. I have also heard people express their believe that you should match Image Circle with imager size - the argument being that this way you get to see the lens' full image, full range (from sharp center to softer edges) "nothing is lost". Is there anyone out there that has tested different IS lenses on LF/FF formats? Did you see any pattern in terms of the relation between IS and size of the imager? Is it just a matter of taste; if you want inperfections 1=1, if you want very consistent images on which the lens is consistent from edge to edge then go 2 vs 1 or even 3 vs 1 (like a 65mm lens on a 16mm sensor?) Many thank! Seppe
  9. G'day everyone, So, I compared some stuff and wrote a thing: http://dreamsmiths.com.au/blog/why-bigger-is-better-but-not-much-else If you're interested in the objective differences of large format cinematography to regular S35mm images, you might find it worthwhile. It's a quick test comparing regular S35mm Alexa, matched for both field of view and depth of field against the shiny new Vistavision-sized sensor of the Alexa LF, using spherical lenses. If you click through to the vimeo link, you can download the full 4.4k ProResHQ file in all its glory, which I'd highly recommend pulling into a piece of grading software to look at up close. The test certainly helped clarify a few things for me. Cheers, Mark
  10. Continuing 25 years of support, Panavision once again celebrates the art and craft of moving pictures with filmmakers at the Camerimage International Film Festival of Cinematography, which runs November 11 - 18 in Bydgoszcz, Poland. This year, Panavision hosts a masterclass with Oscar®-winner John Toll, ASC, and a workshop on large-format filmmaking. http://www.panavision.com/panavision-brings-millennium-dxl-camera-and-large-format-lenses-camerimage-2017 On Nov. 14 in the MCK, Panavision Day begins with the workshop, "The Beauty of 8K Large-Format" from 11:00 – 13:00. Peter Deming, ASC recently wrapped production on The New Mutants, utilizing the Panavision Millennium DXL 8K camera and lenses to create stunning visuals for the next X-Men installment. A screening of The New Mutants trailer be will explored by Panavision’s VP of Optical Engineering Dan Sasaki, Senior VP of Innovation Michael Cioni, and Light Iron supervising colorist Ian Vertovec. They will discuss the unique advantages of 8K capture, high-resolution creative control, and how ultra-high resolution is one of the best-kept secrets for producing even better imagery. Toll, who is this year’s Camerimage Lifetime Achievement Award recipient, will participate in a moderated conversation from 14:00 – 16:30. The two-time Oscar®-winner (Legends of the Fall, Braveheart) will discuss excerpts from his films, share anecdotes from the set, and answer questions from the audience. At the Camerimage exhibition area in the Opera Nova, Panavision will have Millennium DXLs on display for festival attendees to get hands-on with the camera. The new HDR OLED Primo Viewfinder, the advanced PX-Pro color spectrum filter, and a selection of innovative large-format and anamorphic Panavision lenses also will be showcased alongside the Panavision System 65mm film camera used to shoot Murder on the Orient Express. The iconic tale of mystery aboard the legendary train, directed by Kenneth Branagh and shot by Haris Zambarloukos, ASC, GSC, will screen on the opening night of Camerimage. Adjacent to the Panavision exhibit, the Light Iron Theater will screen DXL footage in HDR format; Panalux will demonstrate their new underwater light, the AmphiTube product range, which features a bi-color LED solution designed for both wet and dry environments; and LEE Filters, celebrating 50 years in business, will showcase their next-generation neutral density PanaND filters.
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