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Showing results for tags 'lens'.
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For Sale : LENSES: Arri Master Prime 27mm T1.3 Lens Metric Scale Zeiss 35mm CP2 Super Speed Lens Zeiss 18mm CP2 Super Speed Lens Zeiss LWZ.2 15.5-45mm T2.6 Lens Zeiss Digizoom 6-24mm B4 Mount HD Lens 2 Available Zeiss Classic ZF.2 Distagons in F Mount (Nikon Mount) with Duclos Cine-Mod Zeiss CP2 Super Speed 35/50/85mm T1.5 Lens Set Includes Case Angenieux Optimo 28-76mm T2.6 Zoom Lens Angenieux Optimo 16-42mm Zoom Lens Angenieux Optimo 30-80mm Zoom Lens Angenieux Optimo 17-80mm Zoom Lens Angenieux Optimo 24-290mm Zoom Lens Angenieux 5.6-61mm Cinema B4 Mount Lens 2 Available Fujinon Cabrio 19-90 Zoom Lens Fujinon Cabrio 85-300 Zoom Lens Arri/Fuji Alura 30-80 Zoom Lens Red 18-50mm T3 Zoom Lens Excellent Condition Arri/Fuji Alura 18-80 Zoom lens Includes: 2-18" New Stainless Steel Rails,15 &19mm Lens Supports,Arri LMB 4 Clamp On Matte Box Adapter For Alura & 2x New 6.6 to PSR Filter Trays,Arri LMB 5 Clamp On Matte Box Back Adapter For Alura, Alu/Stainless Double Shock Resistant Flight Case 2/3" Lenses Canon HJ14EX4.3B IRSD PS12 Canon HJ22ex7.6B Fujinon HA22x7.3BERM Fujinon HA23x7.6 BERM-M58 Fujinon HA25x16.5BERD Fujinon ZA12x4.5BERM-M58 Zeiss Digi Prime 70mm Zeiss Digi Prime Lens Sets Available CAMERAS: Vision Research Miro Package Vision Research Phantom Flex 2K 32 GB Package Vision Research Phantom Gold 32GB Package ARRI Alexa XT Camera Package ARRI Alexa-M 4:3 XR Camera Package ARRI Alexa Studio 4:3 Camera Package Reduced ARRI Alexa Plus 16:9 Camera Packages ARRI Alexa EV 16:9 Camera Packages Red Epic Camera Package Red Epic Dragon Package Red One MX Package Sony F5 Camera Package Sony F65 Camera Package Sony HDC-1500 HD Video Camera w/HDCU 1500 CCU Sony NEX-FS700U Camera Package (2 Available) Sony F800 Camera Sony HDW-750P Panasonic AJ-HPX 3700 Camera Panasonic AJ-HPX2700 Camera Package Canon C500 PL Mount Camera Packages (2 Available) Available With The C500 Cameras CD Odyssey 7Q Monitor/Recorder Canon C300 Camera Package Panasonic AG-HPX370 Complete Camera Package Includes:Sachtler Tripod, Lectrosonics,Marshall Monitor & Misc. Email For Complete List. Fly Pack System : Email For Complete List Of Equipment Included CAMERA MISC.: Cam Mate T18’ 2000 series with Dutch Head Vision Research 512GB Cinemag II For Flex 2K,Gold & V Series Cameras Sony CA4000 4K Fiber Optic Triax Camera Adapter NEW Sony SR-D1 Card Reader Sony SR-PC4 w/10GigE Card SRMemory Data Transfer Sony RM-B750 w/Cables (2 Available) Sony HDVF 35W Viewfinder NewTek Tricaster TCXD850, 22-Channel HD/SD Live Production Switcher, Rack Mount Form Factor, 8 External Sources, 8 Virtual/Mix Ch, Removable Storage,Custom Rack Case On Wheels GRIP TRUCK : 1999 Freightliner FC-70 3 Ton Grip Truck, 70K miles, 26,000 GVW, Walco Liftgate. Comes With Complete Grip Package. Email For Pics & Grip List. Looking For : Preowned Arri 416 Camera Packages Vision Research Flex 4K Camera Package Zeiss Master Primes Arri Ultra Primes 16,24,32,50,85 & 135mm Cooke S4i Lens Set Canon 30-300 Lens Sony RCP750 Remote Control Panel
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Don't know if this question belongs in Lenses or CP 16 category. The good news is I just got a CP-16R for dirt cheap, it has at least one good battery and charger, seems to have been serviced recently, and the seller even included aa array b and arri s adapter. Pretty thrilled. The bad news is I have no lens right now, can't even seem to "fit" the adapters into the CP mount just to see them in there (guess I'll need some tiny grub screws too), and I see how dismal the selection of affordable lens choices are out there (I know why, BMPCC buyers got to them first) A little spooked by all the info re: backs of Arri lenses hitting mirrors, lenses not really working with cheaper adapters, etc. and wondering if I should just play it safe and wait for the right CP mount lens to show up on eBay, etc. I know I can carefully test an array s lens by using the inching nob. Guess I'm wondering if there's something I'm missing? I'll get an adapter part way in and then the other part won't go in. These were tested by Duall in NY so supposedly they're good. If anyone has an idea what I'm doing wrong.... Also, any opinion on the Canon C 16 12-120 Fluorite (CP mount) lens? Seems kind of a bargain and doesn't look bad on video tests. Peter G.
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Hello! I'm selling a Canon CN-E Lens that has only been used once. It is in mint condition, single owner, and it has been certified by AbelCine in New York. I am working with David Blaine Productions, we are currently in Los Angeles. List price on Adorama is $23,875.00 Asking price is only $16,000.00
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Excellent Condition Arri/Fuji Alura 18-80 Zoom lens Includes: 2-18" New Stainless Steel Rails,15 &19mm Lens Supports,Arri LMB 4 Clamp On Matte Box Adapter For Alura & 2x New 6.6 to PSR Filter Trays,Arri LMB 5 Clamp On Matte Box Back Adapter For Alura, Alu/Stainless Double Shock Resistant Flight Case Email : sales@broadcastsolutions.com for pricing and details.
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Hi, I'm looking for a Arri Ultra 16 lens (for Super 16). I would prefer the 35mm but I'm also interested in the 25mm. Scale in meter would be great… but Feet ok also. I might be willing to trade for my 6mm Ultra 16. Hope to hear from you! /Kalle
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Hi Guys I have a Angenieux 12-120 that i picked up for pretty cheap Cosmetics are good and so are the zoom and focus. But she is suffering from some fungus that looks like it could be on multiple elements. Is she worth getting cleaned or not with the time? Can anyone give me a price on what this would cost or make a recommendation on who I should go to. Thanks Cody
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Hey guys! I'm selling my awesome Leica Super Angulon 21mm f4/22 with a 300€ Cinevised modification from TLS in the UK (like Duclos in LA) I'm willing to let it go for 700€ for Forum members :) This is a lens that goes for 700$ to 1200$ on eBay WITHOUT the 300€ Cinestyle modification! You won't find a better wide angle lens on the market! It is a gorgeous vintage Leica lens - Serial #2318464 (1969) This is the best wide angle on the market for DSLR cinematography and will fit on any camera fitted with a Canon™ EF (like 5D and other) RED EPIC™, Black Magic™, etc. It covers every sensor, even 6K camera sensors like the Epic Dragon. (I used it myself on my Red Epic Dragon™ 6K). The lens had a 300€ modification for a cine style usage (called "Cinemod" or "Cinevised") made by TLS (True Lens Services, British equivalent of Duclos in Los Angeles) in the UK so it can be used in "cinema shooting" mode with a follow focus. It bears the following characteristics: Canon™ EF hard mount (aluminium machined made to mesure by Leitax) Aperture declicked Standard pitch.32 gear focus ring for your favorite Follow Focus Arri™ standard 80mm front ring (ideal for a clip-on Mattebox) 80mm lens hood Canon™ EF mount cap It is also sold with its original Leica hood, R-cap, and sun hood (not on the photos). This lens is in perfect condition, extremely fluid and sturdy and the legendary Leica quality gives images largely superior in quality and definition to any other lens on the market (Canon, Nikon, Sigma, etc...). A true lens for filmmaking! Perfect for indie filmmakers who want true film quality images! I will ship anywhere in the world! It's a gorgeous 1969 lens (serial N° 2318464) guaranteed to cover 6K sensors. I've shot numerous features, commercials and music videos with this lens but I just got a 19mm and don't need both. This lens will be with you for the rest of your life! I'm willing to let it go for 700€ for Forum members :) This is a lens that goes for 700$ to 1200$ on eBay WITHOUT the 300€ Cinestyle modification! Payment with Paypal only. Here's the eBay listing: http://www.ebay.fr/itm/Leica-R-Super-Angulon-21mm-f-4-Cinemod-EF-Canon-Mount-/301849545796? and here's a music video and some graded stills from Red Epic Dragon™ 6K footage shot with the 21mm Leica Super Angulon: [video=vimeo;133956718] https://scontent-cdg2-1.xx.fbcdn.net/hphotos-xta1/t31.0-8/11080356_816105078480525_7327592247605669752_o.jpg https://scontent-cdg2-1.xx.fbcdn.net/hphotos-xaf1/t31.0-8/11074830_816105095147190_3447972711251407162_o.jpg -
18,21,25,35,40,50,75&100mm. Case included. Email sales@broadcastsolutions for pricing & details.
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Arri Master Prime 16mm T1.3 Lens Feet Scale Arri Master Prime 27mm T1.3 Lens Metric Scale For info and pics email : sales@broadcastsolutions.com
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Hello all, I use a BMPCC with an Angenieux 12-120mm f/2.5 lens; to attach the lens, I use an Arri-pl mount. Now, I have an issue with this lens, and I'm not sure if it can even be solved: I get an out of focus picture when the zoom distance is below 20mm while at an aperture below f/5.6. No matter how much I adjust the focus ring, the picture is entirely out of focus. Is this natural for which the lens does not work with the Blackmagic's sensor, or am I just a special case and there's something wrong with my lens? Thanks, John -
Arri Ultra Prime 20mm (New) Email sales@broadcastsolutions for pricing and details.
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Arri Master Prime Lens Set Includes : 14,18,25,35,50,75,100&150mm Includes 3 Shipping Case's. Email-sales@broadcastsolutions.com for pricing and details.
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Includes: 18,21,25,35,40,50,75&100mm Pre-Ownwed 3years old W/case 255K For pics and details contact : sales@broadcastsolutions.com
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Cooke S4/i Mini Lenses 18,25,32,50,75 & 100mm Need to Purchase 2 Sets
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With the advent of the 4/3 mount system a wide variety of lenses are now availble for use in HD and 4K acquisition. Lenses produced prior to the digital era may provide a specific look but for general production may not provide adequate resolution for HD or 4K production. Is there a standard suggested minimum resolution for lenses used for 4K acquisition? Are lower end lenses such as the Bower series and still lenses such as the Canon EF series of significant resolution to meet the requirements of 4K?
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Hey Guys, I'm looking to increase the visual quality of my work by upgrading glass. Right now, I'm primarily working with Canon stills glass (24mm, 50mm, 85mm, 70-200mm), but i want to get a new lens set to take me to the next level. Just for discussions sake, my budget for each lens would be anywhere from $2-5,000. Do you guys have any suggestions? I'm open to either primes or zooms. Thanks, Sam
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With the advent of the 4/3 mount system a wide variety of lenses are now availble for use in HD and 4K acquisition. Lenses produced prior to the digital era may provide a specific look but for general production may not provide adequate resolution for HD or 4K production. Is there a standard suggested minimum resolution for lenses used for 4K acquisition? Are lower end lenses such as the Bower series and still lenses such as the Canon EF series of significant resolution to meet the requirements of 4K?
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Hello guys. Need help finding a focus ring to adapt into my Schneider 16mm lenses. The problem is the circumference of the focus ring on the lens is 165mm. Redrock Micro has the type "A" ring with the minimum of 180mm. Years ago I've bought from Shoot35 in UK a model that fits perfectly, but they dont' have it anymore. I need 3 more. I know there are the universal 'malleable' rings, but I need the ones that have a larger diameter outside, to reach the follow focus gear. I've been looking around all the web, not even on eBay I could find, new or used. Any help much appreciated. Regards, Flavio -
Hi all. This is my first post as a member. I'm thinking that this is the place to get some answers to a new project. I recently purchased a Baltar 75mm f2.3 lens. I'm attaching a photo, that will show you the mount. I got it at a deeply discounted price, so I thought that there are two possible options for it: 1. re-sell 2. find a way to convert/adapt the lens to be used on my Canon 5DMkII *** this is preferred, I'm a still photographer, but love old lenses I have been searching online for companies that work with old lenses, and most will clean lenses, but do not offer conversion service. But I'm assuming that I'm looking in the wrong places. So here are my questions so far, for which I have no answers: 1. what lens mount does this lens have? 2.Is there an adapter to EOS, or to another mount (M42?) that could be adapted to fit? 3. Doe this lens have the ability to focus, or is it in the camera mount? 4. I have seen this lens mounted into what looks like a Nikon 50mm f1.8 deconstructed lens. This might be interesting, but I can't find the person who is doing it, or any technical info on how to do the conversion. Any other information about would also be greatly appreciated. Thanks, -John -
Hello, I've been searching for a while now on how to achieve this effect. Here's a perfect example: It's the beautiful ghosting effect when the light hits the lens at particular times. It looks as though some kind of classic soft filter and they're letting light leak behind it? Or is this a separate piece of glass? Thanks! Chris
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So I'm pretty new to 16mm stuff, I've gradually been making the switch from digital. It's been pretty fun. Right now I'm using a Bolex as my A-Cam and two old Keystones as my crash cams. Yeah, I'm working on filling the gap between those two, but that's not the point. One thing that I've given up since making the switch was my anamorphic lenses. I love them to pieces, they're just awesome. However, I've had trouble finding a conclusive solution for a c mount anamorphic lens. It's kind of frustrating, and I was wondering what my options realistically are. I've heard several different ideas on this forum, one of which is using projector lenses. I've never really had to do that, so would that be a good option? I don't know that I've encountered much projection glass well-suited for shooting, but maybe I just haven't seen enough. I would really like to stay away from anamorphic adapters. I guess if that's the best option then I can use them, but I've always stuck to the real thing. Last thing, cost is a big factor here. I'm a big fan of quality glass, but I don't use these cameras enough to drop a lot of money on one lens. So if that means I should just get a lens adapter and use some cheap anamorphic glass for a different mount, I can do that. I just want to know what my options are for an adapter-less setup, if that's even possible. Thanks much!
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Hello, I am capturing high-speed videos of water droplets using a PhotonFocus TrackCam (C-mount), capable of 1000+ fps. The lens I was using was a Computar 18-108mm/f2.5-16, that was lying around. I was able to have decent focus for one droplet (diameter of ~1 mm), but was having trouble getting a DOF for multiple droplets close together, shot from a little over a foot away. What lens would you recommend to use in order to have ~5mm DOF with a magnification of 1-2X? The lenses I have found so far online are either capable of doing one or the other (DOF/magnification), but not both. {I am already lighting the scene for 1000+ fps} Any help would be appreciated, Josh
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all professional pro
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18,25,35,50,75&100mm Contact sales@broadcastsolutions.com for pricing and info.
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Hey Guys, I have been recently hired to shoot a short feature and have been asked for my preference in lens selection. The director wants to shoot on Arri/Zeiss Master Primes (T1.3) on a Sony F5 camera system. Would you have any recommendations on focal lengths? In regard to the production, there will be mostly interiors with a few exterior moments, the story is very personal among the few characters involved, and the director is using Emmanel Lubezki as a primary visual influence. I was personally thinking of just a 35, 50 and 85mm set... Thanks! Sam
