Jump to content

Search the Community

Showing results for tags 'lens'.



More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • News & Press Releases
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production
    • On Screen
    • Cine Marketplace
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Website URL


Skype


Location


My Gear


Specialties

Found 289 results

  1. Selling my lovely set of Cooke MiniS4's (7 lens set) Cooke mini S4 set. 18, 25, 32, 50, 75, 100, 135mm with additional uncoated front and rear Elements. for all lenses. 8hole A&J flight Case. Asking Fully overhauled Jan 21st 2018. Clean and in perfect tolerances . Have service records from Cooke lens tech. Can be delivered with Coated or uncoated elements already mounted. I am original owner, purchased new form Abel Cine Burbank Happy to share invoices and any additional pictures or answer any questions. Located in Los Angeles, incase you want to see them and test them. Thank you for taking the time to look. ASKING $42K. Serial number of set 18mm – #: 8018-0313 25mm – #: 8025-0313 32mm – #: 8032-0313 50mm – #: 8050-0313 75mm – #: 8075-0313 100mm – #: 8100-0313 135mm – #: 8135-0124 ernesto lomeli director of photography +1-626-817-3033 mail@ernestolomeli.com
  2. BRAND NEW Atlas Orion Anamorphic Lens Set 40mm, 65mm, 100mm Anamorphic Set Includes 40mm - T2.0 65mm - T2.0 100mm - T2.0 Master Cases 4 Hole Custom Atlas Orion Case 3x 105mm Schneider B+W Clear Glass Filters on each lens which are the highest quality and protection for the large front elements of the Orions. 32K USD $ PM for details. Photos Below https://drive.google.com/open?id=1D2QzBwjUIRNTrNTADIYU7Cdrf2BMbu1c
  3. I’m selling my 5 Veydra Mini Primes in MFT. I purchased these brand new directly from Veydra as a kit and have taken excellent care of them since. I have used these on only a handful of projects, and they are always stored in their case with a silica canister inside. Each lens is in identical great condition, with light markings on the filter threads from normal use. Originally I was going to sell these as a kit, but since I received so many inquiries for individual lenses, I will be separating them and auctioning them off on eBay via the links below. 12mm - http://ebay.us/f89jYZ?cmpnId=5338273189 16mm - http://ebay.us/wrQPCH?cmpnId=5338273189 25mm - http://ebay.us/sf5OiI?cmpnId=5338273189 35mm - http://ebay.us/sMhAY4?cmpnId=5338273189 50mm - http://ebay.us/SGqToo?cmpnId=5338273189 6 Lens Case - http://ebay.us/jMWZlD?cmpnId=5338273189 Please feel free to PM me if you have any questions, or reach out to me on eBay. Thanks!
  4. In great shape, This PL Angenieux Optimo lens is the perfect companion to the 24-290 zoom. Comes with ATA case and rods, recently checked and serviced. $20,900.00 Lens is in LA, shipping on your account
  5. For sale is this beautiful PL, Zeiss 32mm Standard Speed Lens. T2.1, Just picked up from Duclos where it got Overhauled, includes front and back cap. This back cap in brand new, from Duclos. In great condition. Lens is in LA,
  6. FOR SALE: CANON 6.6-66 super 16 ZOOM PL mount lens Excellent condition. Bought it like new on cinematography.com three years ago. Used it for one documentary project (centerscanwith F5 - beautiful results.) No longer using it so it is time for it to find a new home. 5000 euro. Lens is in Amsterdam, the Netherlands. Can ship anywhere as long as you pay for freight costs. contact: petr@lomfilms.com
  7. Up for grabs is an excellent super 16 or micro 4/3 prime lens: The zeiss super speed 25mm t1.3, in PL mount Hate to part ways with it, it really is an amazing lens. No scratches, great overall condition. Bought from Visual Products this summer, looking at 1250 US$ for it, plus shipping. Images: https://drive.google.com/open?id=1kE0DScl5SHIVqnI3HYi58Sqgc3hvZHJN Also have a super wide kinoptik 5.7mm in PL mount, taking offers on this one. https://drive.google.com/open?id=1e4WUZfFNWzAnBGbXM_ZNR7tuMWDS1OCz
  8. $400 OBO. This mount adapter lets you mount an older Arri Standard mount or Arri Bayonet mount lens on a PL mount camera. This is the much more complex type with two spring-loaded push buttons for release, and is compatible with lenses like old Cooke Speed Panchros in Arri Standard mount. Those lenses need the holding tab that this adapter has to let you focus. Very easy to pop lenses in and out by just pressing two the side buttons. Les Bosher was known for making these, although I'm not sure who made this one. I bought this one from Visual Products about 9 years ago. Duclos sells something similar new for $700: https://www.ducloslenses.com/products/arri-standard-pl-adapter Note, this works fine on most film cameras. I used it on my Arri 3C before I sold that last year. It may not be compatible with all PL mount digital cameras like the Alexa - the protruding back can collide with interior baffles. Located in Brooklyn, NY. Thanks for looking.
  9. Please email sales@broadcastsolutions.com for pricing and details. For Sale: CINEMA LENSES: Elite MK IV & V Anamorphic Lens Set Includes: 24.5/32/40/50/75/100/135mm Leica Summicron-C Set Includes: 18/21/25/29/35/50/75/100/135mm PREOWNED Leica Summicron-C Set Includes: 18/21/25/29/35/50/75/100/135mm NEW Angenieux Anamorphic 30-72mm Zoom Lens Angenieux Anamorphic 56-152mm Zoom Lens Angenieux Optimo 24-290mm Zoom Lens Angenieux Optimo 28-76mm Zoom Lens Angenieux Optimo DP 30-80mm Zoom Lens Angenieux Optimo DP 16-42mm Zoom Lens Arri/Zeiss Ultra Prime LDS Lens Set Includes: 16/20/24/28/32/40/50/65/85/100/135mm Arri/Zeiss Ultra Prime Lens Set: 16/24/32/50/85mm Arri Ultra Prime 10mm Lens Arri Alura 45-250mm Feet Arri Alura 18-80mm Lens Feet Cooke S5/i Set Includes: 18/25/32/40/50/65/75/100mm Cooke S4/i Set Includes: 18/25/32/40/50/75/100/135mm Cooke S4/i Set Includes: 18/24/32/50/75/100mm Cooke S4 14mm Lens Cooke S4/i 27mm Lens Cooke S4 40mm Lens Cooke S4/i 135mm Lens Cooke Speed Panchro Set Includes: 18/25/32/40/50/75/100mm TLS Cooke Speed Panchro Set Includes: 18/25/32/40/50mm Cooke Speed Panchro 18mm Arri Flex Mount Cooke Varotal 18-100mm T3 Zoom Lens B&S Super Baltar 75mm Mechanics Repair Needed Before Rehousing B&S Super Baltar 50mm Cell Only For Rehousing B&S Super Baltar 35mm Original Mount Canon EF Prime Lens Set Includes: 14/24/35/50/85/135mm NEW Zeiss Master Anamorphic 75mm Lens NEW Zeiss Master Anamorphic 100mm Lens NEW Flare Set For Zeiss Master Anamorphic 28mm Zeiss Master Zoom 16.5-110mm Lens Zeiss CZ-2 28-80mm T2.9 Compact Zoom Lens Zeiss CZ-2 70-200mm T2.9 Compact Zoom Lens Zeiss CP2 Lens Set Includes: 18/25/35/50/85mm PL & EF Mounts & Case DSO Trump Prime Set Includes: 38/58/88mm PL Mount Red Pro 300mm T2.9 Lens Red Pro 18-50mm T2.9 Lens Red Pro 50-150mm T2.9 Lens Red Pro 17-50mm T2.9 Lens CAMERAS: Arri LF Includes: Full Pro Kit, 4x1TB Mags, Full Filter KIt,3x CLM Motors Hours-0 Arri Amira Camera Package Arri Alexa XT Camera Package Arri Alexa Studio Camera Package Arri Alexa Plus 4:3 Camera Package Arri Alexa EV Camera Package Red Epic X Dragon Packages Red-W Helium 8K Package Sony F65 Camera Package Sony F55 Camera Package Sony PMW-F5 w/4K upgrade Low Hours Sony HSC 100 Camera Chains Qty.-3 Available Phantom Flex 2K Package Phantom Miro 320 Camera Package Panasonic Varicam LT Package Panasonic Varicam 35 Camera Packages Panasonic HPX 3700 Packages S16/35mm FILM CAMERAS: ArriFlex 16SR3 High Speed Advanced Film Kit Arri 435 4 Perf Kit Arri 535 4 Perf Kit Arri 235 4 Perf Kit S16 FILM LENSES: Cooke SK4 S16 Lens 6mm Cooke SK4 S16 Lens 9.5mm Cooke SK4 S16 Lens 12mm Zeiss S16 High Speed 9.5 T1.3 MKIII Zeiss 10-100mm T2 Zoom Lens CAMERA SUPPORT: Vinten Quartz 2 Stage Pedestals Qty. -2 Available Vinten Vector 900 Heads Qty.-3 Available O'Connor 2065 w/Mitchell Mt. & Ronford Baker Sticks & Spreader & Cases O'Connor 2565 Head & Ronford Baker Standard & Baby Sticks Motion Impossible Mantis 360 VR Rover Includes: EVO Arm Connex HD Wireless TX/RX Retrofit Gold Mount KenLabs 6x6 Gryo modified to take 12v Power from Battery Plate Can purchase with or without Gyro CAMERA ACCESSORIES: 2-Telecast Fiber Systems, Includes: 2-Telecast Copperhead G 3400 Base Stations, 2- Telecast Copperhead G3400 Camera Backs, (Note:MX Connectors) 2-Telecast Power Plus 3000 Power Supply's. Telecast Smpte Hybrid Elimination Device Shed-C Qty. 10 Available Telecast Smpte Hybrid Elimination Device Shed-BS Qty. 9 Available Digital Bartech Kit (Email For Full Details) Arri Follow Focus FF3 2 Speed Follow Focus w/15 &19mm Sliders,Short & Long Tails,Case Arri Lens Focus Control Kit Model ZMU-1 Heden M26 & M21VE Motors 2-RedVolt XL Batteries & RedVolt XL Module 3- 512GB RedMags 1.8 SSD 3- RedMotes LIGHTING : Arri 18K HMI Fresnel Lights With Electronic Ballast Qty. 5 Available POST: Quantel Pablo Neo 4K Includes: Neo Panel & 80TB of Storage on Dillon Drives Additional Neo Panel Available Looking For : (Preowned) To Purchase P&S Skater Scope Kit Zeiss High Speed 65mm T1.3 Arri Amira Packages Arri Alexa Mini Packages Arri 416 Film Kits Arricam LT Film Kits Aaton Minima Kits Aaton XTR Prod Kits RTS Zeus 32 or 16 Intercom Units
  10. Please email sales@broadcastsolutions.com for pricing and details. For Sale: Cooke SK4 S16 Lenes 6mm & 12mm
  11. Please email sales@broadcastsolutions.com for pricing and details. For Sale : Arri/Zeiss Ultra S16 T1.3 Lens Set Includes: 8,9.5,14,25,50mm Imperial scale. Mint Condition
  12. For Sale : Zoom Carl Zeiss 12-120 mm, T/2.4, PL mount As I don't shoot in Super 16 format anymore, I let my little treasures go. And it breaks my heart. From a Zeiss 10-100 mm zoom lens for film camera Arri SR 1 & SR2. Upgraded in 12-120mm zoom by Optex UK company for Super 16 format. PL mount, Macro focus, Chroziel "Fluid zoom" gear. Pristine condition. No scratches on lenses, no cleaning marks, no fungus, no lenses separation, absolutely great ! Just look at the pictures. Suitable on digital cameras as Panasonic ( GH4, GH5, GH5s), BlackMagic ( Pocket & Pcket 4k), Digital Bolex... The "must have" for any Super 16 film camera as Arriflex ( Arri SR1, SR2, SR3, Arri 416), Aaton cameras... Never rented, only for my personal use on documentary films. Full super 16 coverage. No vignette. Payment : bank transfer only. No paypal. More pictures on request. Ask for shipping taxes... Price : 2200 Euros.
  13. F.S. Leica Summicron-C Lens Set (NEW) $110,000.00 18,21,25,29,35,50,75,100,135mm Feet New in original boxes. Email sales@broadcastsolutions.com
  14. F.S. Cooke S5/i Lens Set : 18,25,32,40,50,65,75,100mm T 1.4 Email sales@broadcastsolutions.com for pricing and details.
  15. Zeiss CP.2 Primes (18mm/T3.6, 25mm/T2.9, 85mm/T1.5) + Schneider Cine Xenar 50mm/T2.0 All Lenses in Pristine Condition. Use my zooms mostly, so don't really need these. I've babied this set. - No visible scratches, no dust, no fungus, no cleaning marks. - Includes Pelican 1620 Roll-around case & Cleaning Acs. $9,500 for All - Will NOT split set for now. Maybe later. PayPal OK - Buyer pays fees. PM me for more pics.
  16. Cooke Technovision zoom 40-200 f4.5 with SHIGA rear 2x Anamorphic in PL mount in excellent condition. The image is very Sharp on the adapter. Has very minimal breathing with a close focus of 2,4”. Swapable PL Mount, lens can be used as Anamorphic lens 40-200 and as spherical 20-100 ( spherical PL mount not included ). Comes with 2 pair of long rods, lens bridge, Vp Lens Support Ring and flight case. $13.000 usd + shipping Lens test - https://vimeo.com/285408318 High-quality Shiga rear anamorphic adapter conditioned by Technovision Lenses. The image quality is excellent and this adapter works perfectly throughout the range. Lens based in LA after been serviced by optix1 in LA. Feel free to ask about service documents and more pictures.
  17. Selling my used Sony Zeiss FE 24-70 f/4. Includes: (1) - Lens Body (1) - Front Cap (1) - Back Cap (1) - Lens Hood (1) - Soft Case $850.00 Los Angeles Local Only
  18. I just purchased a large lot of cine lenses. Most are pretty straightforward - either old PL or C mounts; but there are a couple of head scratchers. I have a Kinoptic Anamorphic F:2 Focale 75mm lens. The odd thing is that is doesn't have a focusing mechanism. Below the aperture ring is a screw on 1.5" (approximately) barrel followed by another short ring (see attached photos. The threaded section measures slightly under 35mm. Does anyone know what's up with this lens? Is it some sort of universal mount that screws into the focusing helical of one's choice? Thanks! John
  19. For sale a very rare B&L Cinemescope Front Camera Attachment Lens Recently overhauled at Duclos Details here: https://www.ebay.com/itm/123419952180
  20. Can anybody tell me what lens was used at 00:45 in this video? Lens baby, Lomography Petzval or something third? (Am having trouble uploading the still so have to post the whole video)
  21. Hi peeps, I just posted this lens on eBay, so if you are looking for a C-mount lens that will cover the S16 frame here is one. I only ship to the lower 48 United States. https://www.ebay.com/itm/153231296621 Thanks for looking
  22. I have TWO brand new, unused Arri CLM-5 motors for sale. I'm asking $2200 each. Here is a link to Ebay https://www.ebay.com/itm/323493525303
  23. Good afternoon everyone, I have a run & gun gig coming up in the foreseeable future for which I'd like to give the new BMPCC 4K a shot (I don't technically own one yet, but hopefully will reasonably soon). Due to the job's specific nature, I will require an extremely lightweight and portable setup. I've done similar work in the past and always suffered from having to work with primes (both in terms of weight and overall practicality), so this time I decided I'd rather stick with a single zoom for the entirety of the shoot. On a full-frame camera I would probably just opt for the Sigma 18-35 f1.8, but being the new BM Pocket M4/3, I don't think that would give me enough range to handle a broad enough variety of situations. I've done a little bit of research for suitable options and found that quite a few people seem to be praising the Olympus 12-40 f2.8 M.Zuiko PRO as a good one for video. Has anyone here had any experience with it? Or would you know of any interesting alternative covering the same/similar range (24-80 equivalent)? I've also read that a few people appear to be very happy with C-mount vintage options, such as the Angenieux 12-120mm f2/2 (amazing range and constant aperture) but it weights a ton and the whole point is to retain flexibility while shooting. Also another set of issues that I've had with vintage Angenieux in the past has included very noticeable chromatic aberrations, heavy breathing and vignetting (all things that I would want to avoid for this project). However, if you're aware of any vintage lens that might fit the bill I'd be more than open to consider it. Please let me know if you have any recommendations for me, as I could gladly use some. Wish you all a lovely rest of your day and thank you for having taken the time Best, Filippo
  24. Hi group, Well I was always wondering: Why don't lenses provide the F stop which exactly corresponds to the light actually hitting the film emulsion or sensor (not accounting for lens flare and other random factors, just the glass inside the lens)? So in reality: if I get an F stop value from, say, a light meter, I most likely will get it in T stop. Otherwise the "exposure triangle" would make no sense (to me that is). Looks like some lenses are reducing as much as one stop while others perhaps a third of a stop. There is some information for some lenses regarding the actual T-stop, but many don't come with that information - and even with that information: what to do? Now add certain filters and you're into some serious math.... The only thing that remains the same (F stop/T stop) is of course the depth-of-field/focus. Fully automatic digital cameras with 100% matching lenses (or built-in ones) most likely take all that into account (to varying degrees of success IMHO). But what about using different lenses with no electronics and a 100% manual exposure? With film, once it's in the camera (and you don't have a variable shutter angle) your only way(s) to control exposure is/are lighting, filters and F stop. Please let me know how you go about the F stop vs. T stop issue and avoid under exposure. As always: any reply highly appreciated. Christian
×
×
  • Create New...