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In great shape, This PL Angenieux Optimo lens is the perfect companion to the 24-290 zoom. Comes with ATA case and rods, recently checked and serviced. $20,900.00 Lens is in LA, shipping on your account

For sale is this beautiful PL, Zeiss 32mm Standard Speed Lens. T2.1, Just picked up from Duclos where it got Overhauled, includes front and back cap. This back cap in brand new, from Duclos. In great condition. Lens is in LA,

Up for grabs is an excellent super 16 or micro 4/3 prime lens: The zeiss super speed 25mm t1.3, in PL mount Hate to part ways with it, it really is an amazing lens. No scratches, great overall condition. Bought from Visual Products this summer, looking at 1250 US$ for it, plus shipping. Images: https://drive.google.com/open?id=1kE0DScl5SHIVqnI3HYi58Sqgc3hvZHJN Also have a super wide kinoptik 5.7mm in PL mount, taking offers on this one. https://drive.google.com/open?id=1e4WUZfFNWzAnBGbXM_ZNR7tuMWDS1OCz

Please email sales@broadcastsolutions.com for pricing and details. For Sale: CINEMA LENSES: Elite MK IV & V Anamorphic Lens Set Includes: 24.5/32/40/50/75/100/135mm Leica Summicron-C Set Includes: 18/21/25/29/35/50/75/100/135mm PREOWNED Leica Summicron-C Set Includes: 18/21/25/29/35/50/75/100/135mm NEW Angenieux Anamorphic 30-72mm Zoom Lens Angenieux Anamorphic 56-152mm Zoom Lens Angenieux Optimo 24-290mm Zoom Lens Angenieux Optimo 28-76mm Zoom Lens Angenieux Optimo DP 30-80mm Zoom Lens Angenieux Optimo DP 16-42mm Zoom Lens Arri/Zeiss Ultra Prime LDS Lens Set Includes: 16/20/24/28/32/40/50/65/85/100/135mm Arri/Zeiss Ultra Prime Lens Set: 16/24/32/50/85mm Arri Ultra Prime 10mm Lens Arri Alura 45-250mm Feet Arri Alura 18-80mm Lens Feet Cooke S5/i Set Includes: 18/25/32/40/50/65/75/100mm Cooke S4/i Set Includes: 18/25/32/40/50/75/100/135mm Cooke S4/i Set Includes: 18/24/32/50/75/100mm Cooke S4 14mm Lens Cooke S4/i 27mm Lens Cooke S4 40mm Lens Cooke S4/i 135mm Lens Cooke Speed Panchro Set Includes: 18/25/32/40/50/75/100mm TLS Cooke Speed Panchro Set Includes: 18/25/32/40/50mm Cooke Speed Panchro 18mm Arri Flex Mount Cooke Varotal 18-100mm T3 Zoom Lens B&S Super Baltar 75mm Mechanics Repair Needed Before Rehousing B&S Super Baltar 50mm Cell Only For Rehousing B&S Super Baltar 35mm Original Mount Canon EF Prime Lens Set Includes: 14/24/35/50/85/135mm NEW Zeiss Master Anamorphic 75mm Lens NEW Zeiss Master Anamorphic 100mm Lens NEW Flare Set For Zeiss Master Anamorphic 28mm Zeiss Master Zoom 16.5-110mm Lens Zeiss CZ-2 28-80mm T2.9 Compact Zoom Lens Zeiss CZ-2 70-200mm T2.9 Compact Zoom Lens Zeiss CP2 Lens Set Includes: 18/25/35/50/85mm PL & EF Mounts & Case DSO Trump Prime Set Includes: 38/58/88mm PL Mount Red Pro 300mm T2.9 Lens Red Pro 18-50mm T2.9 Lens Red Pro 50-150mm T2.9 Lens Red Pro 17-50mm T2.9 Lens CAMERAS: Arri LF Includes: Full Pro Kit, 4x1TB Mags, Full Filter KIt,3x CLM Motors Hours-0 Arri Amira Camera Package Arri Alexa XT Camera Package Arri Alexa Studio Camera Package Arri Alexa Plus 4:3 Camera Package Arri Alexa EV Camera Package Red Epic X Dragon Packages Red-W Helium 8K Package Sony F65 Camera Package Sony F55 Camera Package Sony PMW-F5 w/4K upgrade Low Hours Sony HSC 100 Camera Chains Qty.-3 Available Phantom Flex 2K Package Phantom Miro 320 Camera Package Panasonic Varicam LT Package Panasonic Varicam 35 Camera Packages Panasonic HPX 3700 Packages S16/35mm FILM CAMERAS: ArriFlex 16SR3 High Speed Advanced Film Kit Arri 435 4 Perf Kit Arri 535 4 Perf Kit Arri 235 4 Perf Kit S16 FILM LENSES: Cooke SK4 S16 Lens 6mm Cooke SK4 S16 Lens 9.5mm Cooke SK4 S16 Lens 12mm Zeiss S16 High Speed 9.5 T1.3 MKIII Zeiss 10-100mm T2 Zoom Lens CAMERA SUPPORT: Vinten Quartz 2 Stage Pedestals Qty. -2 Available Vinten Vector 900 Heads Qty.-3 Available O'Connor 2065 w/Mitchell Mt. & Ronford Baker Sticks & Spreader & Cases O'Connor 2565 Head & Ronford Baker Standard & Baby Sticks Motion Impossible Mantis 360 VR Rover Includes: EVO Arm Connex HD Wireless TX/RX Retrofit Gold Mount KenLabs 6x6 Gryo modified to take 12v Power from Battery Plate Can purchase with or without Gyro CAMERA ACCESSORIES: 2-Telecast Fiber Systems, Includes: 2-Telecast Copperhead G 3400 Base Stations, 2- Telecast Copperhead G3400 Camera Backs, (Note:MX Connectors) 2-Telecast Power Plus 3000 Power Supply's. Telecast Smpte Hybrid Elimination Device Shed-C Qty. 10 Available Telecast Smpte Hybrid Elimination Device Shed-BS Qty. 9 Available Digital Bartech Kit (Email For Full Details) Arri Follow Focus FF3 2 Speed Follow Focus w/15 &19mm Sliders,Short & Long Tails,Case Arri Lens Focus Control Kit Model ZMU-1 Heden M26 & M21VE Motors 2-RedVolt XL Batteries & RedVolt XL Module 3- 512GB RedMags 1.8 SSD 3- RedMotes LIGHTING : Arri 18K HMI Fresnel Lights With Electronic Ballast Qty. 5 Available POST: Quantel Pablo Neo 4K Includes: Neo Panel & 80TB of Storage on Dillon Drives Additional Neo Panel Available Looking For : (Preowned) To Purchase P&S Skater Scope Kit Zeiss High Speed 65mm T1.3 Arri Amira Packages Arri Alexa Mini Packages Arri 416 Film Kits Arricam LT Film Kits Aaton Minima Kits Aaton XTR Prod Kits RTS Zeus 32 or 16 Intercom Units

Please email sales@broadcastsolutions.com for pricing and details. For Sale: Cooke SK4 S16 Lenes 6mm & 12mm

Please email sales@broadcastsolutions.com for pricing and details. For Sale : Arri/Zeiss Ultra S16 T1.3 Lens Set Includes: 8,9.5,14,25,50mm Imperial scale. Mint Condition

For Sale : Zoom Carl Zeiss 12-120 mm, T/2.4, PL mount As I don't shoot in Super 16 format anymore, I let my little treasures go. And it breaks my heart. From a Zeiss 10-100 mm zoom lens for film camera Arri SR 1 & SR2. Upgraded in 12-120mm zoom by Optex UK company for Super 16 format. PL mount, Macro focus, Chroziel "Fluid zoom" gear. Pristine condition. No scratches on lenses, no cleaning marks, no fungus, no lenses separation, absolutely great ! Just look at the pictures. Suitable on digital cameras as Panasonic ( GH4, GH5, GH5s), BlackMagic ( Pocket & Pcket 4k), Digital Bolex... The "must have" for any Super 16 film camera as Arriflex ( Arri SR1, SR2, SR3, Arri 416), Aaton cameras... Never rented, only for my personal use on documentary films. Full super 16 coverage. No vignette. Payment : bank transfer only. No paypal. More pictures on request. Ask for shipping taxes... Price : 2200 Euros.

F.S. Leica Summicron-C Lens Set (NEW) $110,000.00 18,21,25,29,35,50,75,100,135mm Feet New in original boxes. Email sales@broadcastsolutions.com

F.S. Cooke S5/i Lens Set : 18,25,32,40,50,65,75,100mm T 1.4 Email sales@broadcastsolutions.com for pricing and details.

Zeiss CP.2 Primes (18mm/T3.6, 25mm/T2.9, 85mm/T1.5) + Schneider Cine Xenar 50mm/T2.0 All Lenses in Pristine Condition. Use my zooms mostly, so don't really need these. I've babied this set. - No visible scratches, no dust, no fungus, no cleaning marks. - Includes Pelican 1620 Roll-around case & Cleaning Acs. $9,500 for All - Will NOT split set for now. Maybe later. PayPal OK - Buyer pays fees. PM me for more pics.

Selling my used Sony Zeiss FE 24-70 f/4. Includes: (1) - Lens Body (1) - Front Cap (1) - Back Cap (1) - Lens Hood (1) - Soft Case $850.00 Los Angeles Local Only

I just purchased a large lot of cine lenses. Most are pretty straightforward - either old PL or C mounts; but there are a couple of head scratchers. I have a Kinoptic Anamorphic F:2 Focale 75mm lens. The odd thing is that is doesn't have a focusing mechanism. Below the aperture ring is a screw on 1.5" (approximately) barrel followed by another short ring (see attached photos. The threaded section measures slightly under 35mm. Does anyone know what's up with this lens? Is it some sort of universal mount that screws into the focusing helical of one's choice? Thanks! John

Can anybody tell me what lens was used at 00:45 in this video? Lens baby, Lomography Petzval or something third? (Am having trouble uploading the still so have to post the whole video)

Hi peeps, I just posted this lens on eBay, so if you are looking for a C-mount lens that will cover the S16 frame here is one. I only ship to the lower 48 United States. https://www.ebay.com/itm/153231296621 Thanks for looking

I have TWO brand new, unused Arri CLM-5 motors for sale. I'm asking $2200 each. Here is a link to Ebay https://www.ebay.com/itm/323493525303

Good afternoon everyone, I have a run & gun gig coming up in the foreseeable future for which I'd like to give the new BMPCC 4K a shot (I don't technically own one yet, but hopefully will reasonably soon). Due to the job's specific nature, I will require an extremely lightweight and portable setup. I've done similar work in the past and always suffered from having to work with primes (both in terms of weight and overall practicality), so this time I decided I'd rather stick with a single zoom for the entirety of the shoot. On a full-frame camera I would probably just opt for the Sigma 18-35 f1.8, but being the new BM Pocket M4/3, I don't think that would give me enough range to handle a broad enough variety of situations. I've done a little bit of research for suitable options and found that quite a few people seem to be praising the Olympus 12-40 f2.8 M.Zuiko PRO as a good one for video. Has anyone here had any experience with it? Or would you know of any interesting alternative covering the same/similar range (24-80 equivalent)? I've also read that a few people appear to be very happy with C-mount vintage options, such as the Angenieux 12-120mm f2/2 (amazing range and constant aperture) but it weights a ton and the whole point is to retain flexibility while shooting. Also another set of issues that I've had with vintage Angenieux in the past has included very noticeable chromatic aberrations, heavy breathing and vignetting (all things that I would want to avoid for this project). However, if you're aware of any vintage lens that might fit the bill I'd be more than open to consider it. Please let me know if you have any recommendations for me, as I could gladly use some. Wish you all a lovely rest of your day and thank you for having taken the time Best, Filippo

Hi group, Well I was always wondering: Why don't lenses provide the F stop which exactly corresponds to the light actually hitting the film emulsion or sensor (not accounting for lens flare and other random factors, just the glass inside the lens)? So in reality: if I get an F stop value from, say, a light meter, I most likely will get it in T stop. Otherwise the "exposure triangle" would make no sense (to me that is). Looks like some lenses are reducing as much as one stop while others perhaps a third of a stop. There is some information for some lenses regarding the actual T-stop, but many don't come with that information - and even with that information: what to do? Now add certain filters and you're into some serious math.... The only thing that remains the same (F stop/T stop) is of course the depth-of-field/focus. Fully automatic digital cameras with 100% matching lenses (or built-in ones) most likely take all that into account (to varying degrees of success IMHO). But what about using different lenses with no electronics and a 100% manual exposure? With film, once it's in the camera (and you don't have a variable shutter angle) your only way(s) to control exposure is/are lighting, filters and F stop. Please let me know how you go about the F stop vs. T stop issue and avoid under exposure. As always: any reply highly appreciated. Christian

Selling a super wide angle lens for super16 or micro 4;3 Originally in Arri Standard Mount, it has a PL mount adapter installed. The lens is in great condition, I hate to see it go! Looking at 950$ for it. Pictures : https://drive.google.com/open?id=1e4WUZfFNWzAnBGbXM_ZNR7tuMWDS1OCz Contact: albu.william@gmail.com

Please email sales@broadcastsolutions.com for pricing and details. 18/21/25/29/35/50/75/100/135mm T2

Hi everybody, I'm doing a check out tomorrow and we are checking two 24mm lenses, one of which is detuned, what does that mean? Thank you in advance for the help!

Set Includes: 18/25/35/50/75/100mm Please email sales@broadcastsolutions.com for pricing and details.

Please email sales@broadcastsolutions.com for pricing and details. Cooke SK4 S16 6mm T2 Lens Cooke SK4 S16 12mm T2 Lens

Zeiss CP.2 35mm T1.5 Super Speed PL Mount - $3.800 Interchangeable EF Mount Set for Zeiss CP.2 35mm T1.5 Super Speed - $300 https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing Very excellent condition.

FS Arri / Fuji Alura 18-80 Zoom Lens (Feet) Please email sales@broadcastsolutions.com for pricing and details.

Hi Guys, Just looking to confirm some Sony F5 sensor size and lens crop factor. Sony F5 = Super 35mm sensor Super 35mm Crop Factor 1.5 So an 18mm lens on an F5 or any Super 35mm equivalent sensor is more like a 12mm lens? As 18 / 1.5 = 12 Is this correct? Thanks Steve