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Lot's of great film gear for sale. Everything is well maintained!! Please make an offer and send me a PM! Click here for pictures: https://www.zonerama.com/Link/Album/5045829 ARRI SR 3 Refurbished – Complete Kit This camera has been used by Michael Ballhaus for teaching at the Munich Film School until I bought it in 2011. It was then fully refurbished and repainted by former ARRI technician Georg Bogner. This kit runs perfectly and has been serviced since at least once a year by Georg Bogner. I am only selling this because I have a second kit! Set includes: - ARRI SR 3 Super 16 with lightmeter + timecode (SN: 1634) - ARRI IVS (PAL) - 4 SR 3 Timecode 122m Magazines (SN: 1484, 1322, 3502, 1307) - Metal cases for all parts And further accessories: ARRI Viewfinder Extension FE-2 SN:1423 ARRI Eyepiece Leveller EL 3 + mounting plate for tripod ARRI Battery plug-on adaptor ARRI MCL 4 - Timecode machine SN: 32 ARRI ESU-1 - External Sync Unit Bildschirm-Sync, alle Kabel, Bedienungsanleitung NN 7" Videomonitor with ARRI plugs ARRI S-3 Shoulder Rig, Geweih ARRI VSU 4, Variable Speed Unit SN: 1114 ARRI Heated eyecup HE 3 ARRI SR 3 Raincape ARRI LWS 15mm rods, with two extensions ARRI Viewfinder Extension FE-4 SN: 1324 ARRI ARRI studio matte box 4x4 / 4x5.65 with sideflags, frenchflag, two rotating filter stage, 19mm rods, custom made. Filters can be positioned either vertically or horizontally. It is well suited to most prime lenses and smaller zooms. ARRI Frenchflag 4x4 ARRI / NN Leather Blimp for 122m magazine ARRI DC DC Converter 24V 12V ARRI Battery plug on adaptor ARRI power distributor ZV4 ARRI 2 Plug on batteries, need to be recelled ARRI Standard charger ARRI Power cable with XLR/Fisher plugs ARRI groundglass 1.33 / 1.66 ARRI groundglass 1.78 / HD (maximum area!) ARRI groundglass 1:2.35 (custom made, maximum area) ARRI ARRI Timecode cable BNC (AUDIO) to Fischer (KAMERA) Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 ARRI 535B - 3perf + 4perf – Complete Kit This set runs perfectly and has been checked and serviced by Georg Bogner (Munich). At the moment the 3-perf-movement is installed. But the set also includes a 4-perf-movement as well. FEATURES OF THE ARRI 535 • Silent Sound Sync camera (under 24 db). • In-camera ARRI Glow for 9 formats (there is no need to physically change the glow mask. It can be done easily in-camera using the CCU-1). • Electronic shutter. The camera uses an electronic shutter and can be programmed to ramp up or down. • Speed ramping from 3fps to 50fps with individual steps of 0.001 frame. The exposure will stay constant as it is being compensated for by the electronic shutter. • Shutter ramping from 11 to 180 degrees. Ramping can be programmed or changed during the shot. • Beam splitter: Options are 10/90, 90/10 or 50/50. The 535 is the only ARRI camera that offers a 50/50 beam splitter. • SMPTE Timecode and ARRI time code system (timecode module is included in this auction). • Swingover Viewfinder System and In-Camera Contrast Filter Kit includes: ARRI ARRI 535 B with IVS (PAL), Tophandle etc. SN 5164 ARRI 3perf movement (mounted) SN 3P97 ARRI 4perf movement (additional) ARRI 2 120m Magazine M-11 with Case SN 4857 + 5161 ARRI 2 300m Magazine M-10 with Case SN 8812 + 9168 ARRI 2 Steadycam-Magazines 122m LM 1 SN 6202 + 6084 And further accessories: ARRI SCU-1 ARRI VCU-1 ARRI groundglass 1.78, ARRI GLOW ARRI groundglass 2.35, ARRI GLOW ARRI Viewfinder Extension FE-3 SN 1064 ARRI Timecode TC Cabel XLR Fischer ARRI Raincape ARRI CCU-1 Computer Control Unit ARRI CCU-Cable 30m ARRI Eyepiece Leveller EL-3 ARRI CCU cable short more cable for SCU and Antiflicker ARRI RCU-1 Remote Control Unite ARRI RCU Cable ARRI RCU Manual ARRI PL Port Cap ARRI 535 Flight Case Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Canon Zoom Super 16 SC15x11 T2.5 11-165mm Checked and serviced zoom with normal wear but really perfect glass. It’s the most versatile Super16 zoom I have ever worked with, one of the best ever made for Super 16. It's not a converted lens, it was properly designed for Super 16. It’s really sharp! Can be used in crop-mode on all the digital cameras as well. Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Chrosziel Follow Focus Checked and serviced Follow Focus for 15mm rods, with handles/wheels on both sides, One can be removed if not needed. Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Chrosziel Matte Box – 15mm rods with Frenchflag, one fixed, one filter stage fixe, one rotating, swing-away, 15mm rods Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 NORRIS Intervalometer ARRI SR3 Complete set for stop motion or special effects photography with ARRI SR 3 cameras. These intervalometers are hard to find. Took me two years to get one. But since I only used it on very few projects it is time to sell it. This Intervalometer kit comes with motors for Arri SR's as well as the large capping shutter with 15mm rod mount to prevent any light pollution/fogging on your film. Includes: SCC-300 Time-lapse Controller Motor For Arri SR (1,2, Or 3) 24V 3 Pin to 4 Pin Power Cable 12V 4 Pin to 4 Pin Power Cable Controller/Remote Cable Case Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Sachtler tripod (100mm), Video 18 III head It's in good shape, works absolutely smooth and is ready to shoot. Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Many more accessories are available. Please check the pictures and make an offer:
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Production Company selling off gear. Best Offer for all or part... CANON HJ11ex4.7B Lens CANON HJ22ex7.6B Lens Panasonic AJ-HPX3700 Varicam Panasonic AJ-HPX2700G Panasonic AG-HPX500P P2 cards OConnor 2575D tripod system All good condition. Pics available.
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Zeiss CP.2 Primes (18mm/T3.6, 25mm/T2.9, 85mm/T1.5) + Schneider Cine Xenar 50mm/T2.0 All Lenses in Pristine Condition. Use my zooms mostly, so don't really need these. I've babied this set. - No visible scratches, no dust, no fungus, no cleaning marks. - Includes Pelican 1620 Roll-around case & Cleaning Acs. $9,500 for All - Will NOT split set for now. Maybe later. PayPal OK - Buyer pays fees. PM me for more pics.
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Looking to purchase a pre-owned set of Hawk V-Lite Anamorphic lenses. Please email sales@broadcastsolutions.com with pricing and details.
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Looking to purchase a set of pre-owned Cooke Anamorphic lenses. Please email sales@broadcastsolutions.com with pricing and details.
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Wondering if anyone has purchased a lens or had a cine modification done by PCHood/Cinematics company in China? They rehouse many different lens brands. It looks like they just put new housing over the top of existing lenses like the Zeiss ZE or Sigma 18-35. But wondering if the Cine mod increases the focus travel of the Still lenses? Could be a great solution. Thanks! Doug
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Hello, Set of CookeS4i for sale: -Set of 5: - cooke S4i/18 18 mm lens footage cooke S4i/32 32 mm lens footage cooke S4i/50 50 mm lens footage cooke S4i/75 75 mm lens footage cooke S4i/100 100 mm lens footage -New in box -Available now Please if interested send me an email at zaarour.joelle@gmail.Com Thank you
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Good afternoon everyone, I have a run & gun gig coming up in the foreseeable future for which I'd like to give the new BMPCC 4K a shot (I don't technically own one yet, but hopefully will reasonably soon). Due to the job's specific nature, I will require an extremely lightweight and portable setup. I've done similar work in the past and always suffered from having to work with primes (both in terms of weight and overall practicality), so this time I decided I'd rather stick with a single zoom for the entirety of the shoot. On a full-frame camera I would probably just opt for the Sigma 18-35 f1.8, but being the new BM Pocket M4/3, I don't think that would give me enough range to handle a broad enough variety of situations. I've done a little bit of research for suitable options and found that quite a few people seem to be praising the Olympus 12-40 f2.8 M.Zuiko PRO as a good one for video. Has anyone here had any experience with it? Or would you know of any interesting alternative covering the same/similar range (24-80 equivalent)? I've also read that a few people appear to be very happy with C-mount vintage options, such as the Angenieux 12-120mm f2/2 (amazing range and constant aperture) but it weights a ton and the whole point is to retain flexibility while shooting. Also another set of issues that I've had with vintage Angenieux in the past has included very noticeable chromatic aberrations, heavy breathing and vignetting (all things that I would want to avoid for this project). However, if you're aware of any vintage lens that might fit the bill I'd be more than open to consider it. Please let me know if you have any recommendations for me, as I could gladly use some. Wish you all a lovely rest of your day and thank you for having taken the time Best, Filippo
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Rare set of three lenses for sale: 35mm, T2,5 50mm, T 2,5 and a 80mm, T2,4 All with PL Mount Lenses come with: - front cap - rear PL cap; - new suitcase The price for all three lenses is USD 36,000. Lenses have metric scale. These are Russian vintage ANAMORPHIC NAS Lomo lenses with PL mount. They were used for a big movie recently and then inspected and serviced by Pure4C (Munich) These are 35mm camera format lenses. We used lenses on RED EPIC 6 K. These lenses create the vintage anamorphic look with amazing flares. Lenses are in great optical condition for their age. Focus rings works smooth as for 35 years old lens There are normal signs of use on lens casing. There is a possibility for a lens test in Berlin before purchase. The test costs € 80,-- (two hours) if you bring your own camera or 240 Euros (two hours) at a rental house including a RED camera Buyer must pay for the test in advance I advise to pick the lenses up in Berlin. I will not guarantee for damages during shipping! For more photos or questions: antonwelser@arcor.de
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STOLEN ITEMS - Zeiss 40mm & 85mm Standard Speeds Hi everyone, I work the Film and Video Arts Society of Alberta (FAVA), we are a non-profit charitable organization located in Edmonton, Alberta. We had a rental this weekend and 2 of our Zeiss Standard Speeds were stolen from the renters shoot. If anyone comes across: 40mm T2.1 S/N: 6947336 85mm T2.1 S/N: 7280603 for sale anywhere, hopefully you'll be able to contact me. You could reach me at, PH: 780-424-4368, EM: rentals@fava.ca & Katrina at production@fava.ca We have a police report and are dealing with insurance, but would love to be able to get the ones from our original set back as they were deeply beloved by our film community. If anyone has any other places I could share this that would be greatly appreciated! Attached are photos of what the lenses look like (not our exact lenses, photos grabbed from Alan Gordons website.) Note that one of them will have a lens cap that says 16mm instead of 85mm.
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Hello Cinematography lovers! I hope you're all well! I recently shot a music promo using all natural and golden hour light! Filmed on location in the UK, where normally it's not like this! The budget was so small, like really small! We just managed to get hold of an Alexa for the weekend. We used my Canon EF lenses which I use normally for stills. I was quite impressed with the quality, what do you all think? Thanks for watching! Lee
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Zeiss Biotar 35mm f2 (Arri Standard Mount + PL Adapter) Zeiss Biotar 35mm f2 in Arriflex Standard Mount, plus PL adapter made by c7adapters.com. The adapter doesn't fit the Arri Amira/Alexa Mini PL Mount! Glass without scratches or fungus. Some dust particles inside. Smooth Aperture and focus rings. Arri Standard Mount + PL Adapter (PL Adapter doesn't fit Alexa MINI/Amira) Covers Super35mm film and sensors Price: 756$ Ebay Link: https://www.ebay.com/itm/173381486646?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 Angenieux 12-120mm f2.2 - Cameflex Mount Glass is clean without scratches, haze or fungus. Focus, aperture and zoom rings run smooth. Slight wear on the body. Cameflex Mount Covers 16mm sensor. It also covers Super 16mm sensors, but it starts vignetting when focusing closer than 8 meters Price: 413$ Ebay link: https://www.ebay.com/itm/173381492080?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 Samyang 800mm f8 - PL Mount Glass has no scretches, haze or fungus. The body has some wear. The lens has been professionally modified in order to be usable on PL Cameras. PL Mount Covers Super 35mm film and Sensors Price: 282$ Ebay link: https://www.ebay.com/itm/Samyang-DX-Tele-Lens-800mm-f8-PL-Mount/173381496210 All lenses are located in Zürich, Swizterland. For any question feel free to email me at vanja.tognola (at) gmail (dot) com . To see more pictures, check the ebay link or ask me directly! I wish you all a wonderful day Vanja
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Hi guys I'm selling of my Super16 lenses (9.5mm, 16mm & 25mm), they are in great shape with both feet/meter on the focus-scale, they are all PL converted the lenses are T1.2 (although it says 1.3 on the iris-ring) No fungus or scratches, only normal sign of use Price: well i tried to find other adds on eBay and other forums, but found only a few and there the lenses was listed for around 2500 Euro each, but I'm up for reasonable offers i also have a clip-on matte box (chrozhiel) and loads of 4x4 filters that i used with this lenses, and a black magic pocket with PL-adapter and cage i planning to sell aswell I'm located in Gothenburg (Sweden) and can ship almost everywhere, but buyer pays the shipping cost
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Hi all. Excited to ask my very first question on this forum! For an upcoming short, I'm trying to achieve a pastel, somewhat low-contrast color palette in a bright daytime exterior, very much like the attached reference image from Vertigo. Being a micro budget project, I don't have the opportunity to pre test a bunch of filters or lenses. Any recommendations on filtration for this reduced contrast, slightly blooming look? For the project, I'm using the Ikonoskop A-Cam DII. I own this camera, and the colors from its Super16 Kodak CCD sensor feel inherently pure and dare I say film-like. I'm pairing it with oldish glass, the Cooke 9-50 Varokinetal (T2.5). I've rented this lens before and it is not only affordable but renders a very creamy three dimensional image. I've attached a sample I shot with this configuration, no filters. Just need to turn that into something less contrasty, more talcumy, more "vintage" for lack of a better word. Thank you! Jall
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Hi all, I'm going to be shooting a short film in the very near future on the Sony FS5. The Camera only comes with a kit lens, so I was wondering whether it was worth sourcing another lens to work with. I know friend's have pretty pricey Canon lenses, but I'm unsure whether these would be better or worse. The film is going to be shot mostly outside on location, shots of buildings and streets etc. If anyone has ideas, let me know. Thanks.
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Hey everyone! If you have a spare moment, check out this 2min film I shot called ‘Land of Steel’. Shot on ARRI Amira using COOKE S2 Panchros. Vintage lenses re-engineered by TLS (40+ year old glass in modern housing) Shot in Port Talbot late last year. With Blade Runner (1982), Ridley Scott drew his vision of the future from this surreal and vast location. LAND OF STEEL https://vimeo.com/260825061 Supported by Michael Sheen - https://goo.gl/6zwXFF Thank you very much hope you enjoy! Lee
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I've recently purchased my first S16 camera (Aaton XTR Prod) and I'm looking to make an investment in a zoom lens I can use for allround purposes and no-budget projects that I can still use on productions where we have the budget to rent e.g. Ultra16s, Super Speeds, S4s/SK4s - Hoping someone in here can give me some advice on the topic. I'm interested in a zoom that has the following properties: PL Mount Close focus of 0.75m or closer Has at least 12-30mm range Preferably ~T2.8 or faster Covers S16 fully For these requirements I've narrowed my options down to either: Angenieux HR 11.5-138 T2.3 Angenieux HR 7-81 T2.4 Cooke 10.4-52mm T2.8 (CVK) Cooke 10.8-60 T3* (CVK) Cooke 10-30 T1.6 (CVP) Cooke 9.5-53 T1.6 (CVT) Cooke 10.6-52 T1.65 (CVT) I didn't include the Canon Zooms as I don't feel like they give me the look I am going for. I also didn't include Zeiss Vario Sonnars in the list because their close focus is too far. But they may be workable with a diopter. I'm afraid of losing sharpness however. Any thoughts? Any other lenses that I might have missed in my research are much appreciated. Do you have any advice on these lenses. And which do you prefer?
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Hi there, I'm currently on the hunt for the best entry level camera, lens, tripod and slider for filming/photographing landscapes. I have some money to spend but would still like to not break the bank entirely. If anyone can suggest what they think is the best combo of gear I would be super appreciative. Thanks in advance! Andrew
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Hello everyone, 4 lenses for sale, in excellent working condition. A nice complementary set, all in PL mount: 3x Carl Zeiss and 1x Panther Carl Zeiss Distagon 8mm T* 2.1T Carl Zeiss Distagon 16mm T* 1.3T Carl Zeiss Distagon 25mm T* 1.3T Panther Cinar Super 16 35mm 1.3T Information on the Panther: "in the 1990s Panther got these lenses custom made in small batches. Since there is no 35mm lens in the Zeiss lens set for Super16 and since the 8mm Zeiss lens would not cover Super16 it makes sense to get such lenses custom made to complement a Zeiss lens set." £3800 for the set.
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For the purposes of future testing for a project, I would like to get some opinions on the various characteristics of some Super 16mm primes. Flares, bokeh, sharpness, contrast, color temperature, the works. Lenses in particular I would appreciate information on are... Zeiss Super Speed Mk 1 Zeiss Super Speed Mk 2 Optar Illumina s16 Cinema Products Ultra T Any other prime sets that have both 16mm & 25mm focal lengths. I'm really only interested in prime lens sets, no single primes like the Angenieux 5.9mm or any zoom lenses.
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$159,950 Very nice condition. email me for pictures. carson.lori61@gmail.com
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Hi all, I'm selling a lightly used set of Angenieux Optimo DP Rouge zooms, one 16-42mm and one 30-80mm. I'm the original owner and took good care of them. The lenses are optically perfect and display only light wear on the bodies. They've also been checked recently via Panavision. Each lens comes with a custom flight case, plus the original documentation, spare colored rubber rings (blue and red), a zoom stick, a zoom support. I'm also including 2x 8" 15mm rods and 1x screw on zoom motor bracket. As you probably know, these lenses are quite spectacular. I'm in Los Angeles and prefer local pickup if possible. Also of interest, the pair were made later in the production cycle, after the rear element housing was re-engineered to be slightly lower profile. The package includes: 1x Angenieux Optimo DP Rouge 16-42mm lens 1x Angenieux Optimo DP Rouge 30-80mm lens 1x flight case for 16-42mm 1x flight case for 30-80mm 2x zoom sticks 2x sets of original documentation, plus spare blue and red rings 2x 8" 15mm iris rods 1x Duclos zoom motor bracket $20k for the set. Photos available upon request. Thank you!
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hey guys, im trying to set up a black magic cinema camera 4k onto a movi m5. Does anyone know which lens setup is compatible and which ones are not? I just want to make sure so I don't overload the movi m5. The max paylod on the movi 5 is 5lbs, the black magic is 3.75 lbs, that leaves like 1.25 lbs for the lens. Thanks.
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I have three Zeiss ZF.2 lenses for sale and two adapters. Each one has a custom lens gear and screw on front diameter adapter (35-50 = 77mm front, 21=95mm front). The lenses can be delivered with indexed aperture or de-clicked. Your choice. The lenses have seen very light use and are in like new condition. The two adapters take the Nikon mount ZF.2 lens and convert them to either Canon or Sony camera mounts. Both adapters have been gently used. 21mm f/2.8 $1000 35mm f/1.4 $1200 50mm f/2.0 makro $800 Novoflex Nikon to EF adapter $50 Metabones Nikon to Sony E-mount adapter $50 Prices do not include shipping. We can do local pickup if you're in the Southern California area. Paypal or cash only. DM me if interested.
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Not exactly cinema level gear but I figured I would list here anyways. Selling a set of EF Leica R lenses I've had for a few years and never use anymore. They're great little lenses (sharp but still have character/creamy out of focus areas) but things are all PL these days. All Duclos modded and matched, declicked, ect. All are EF mount so great for any doc red/alexa shooters who want something small and simple. 77mm front threads so they work with photo filters. (I've got promist 1/4, soft fx 2, lowcon, variable ND, Pola I'd be willing to part with as well) Set includes a 19mm 2.8, 24mm 2.8, 35mm 2, 50mm 2 See the ebay listing below https://www.ebay.com/itm/LEICA-R-lens-set-EOS-DUCLOS-cine-mod-Late-Serials-19mm-24mm-35mm-50mm/332518855882 It's hard to find pricing info on a set this small but cost is based on the cost to rebuild the set. Open to negotiating of course.