Jump to content

Search the Community

Showing results for tags 'lenses'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Occupation


Location


My Gear


Specialties

  1. Hi everybody, I was reading a previous issues of "Film and Digital Times" and I came across a portion in wich the editor ask one of the lens engeneers behind the signature primes: -Q: "What happens with a large format lens like a signature prime on a Super 35mm camera like an Alexa SXT?" -A: "The LF lens looks the same as the S35 lens. An 18mm LF lens on the S35 camera looks just like an 18mm S35 lens on the S35 camera" Maybe I lack of knowledge, but I thought we were going to get a narrower field of view. So following the same logic for example if I put a 50mmn Master prime on an Arri 416 plus my lens would give me the same FOV as, for example, a 50mm Ultra 16 prime. I'm really confused about what happens when we put a bigger format lens on a smaller format sensor. Thanks in advance!
  2. FJS International is brokering a sale of a large inventory from a European rental company. You can buy items individually. See complete list here: https://fjsinternational.com/fjsaprilinventorysale.html
  3. IB/E OPTICS RAPTOR T2.9 Macro Prime 4-Lens (60, 100, 150 & 180mm) Set - PL Mount. These are beautiful lens which are Brand new and never used. 100, 150 & 180mm Lenses comes with a Pelican Case 60mm Lens comes with the original box. Bought these lenses for $55,610.00 and never used, our asking price for these PRIMES is $48,357.00. OPEN FOR BEST OFFERS For additional Pictures and any questions regarding RAPTOR Lenses please contact us. Email - seebeyondusa@gmail.com
  4. All these LEICA Summicron-C Lenses are new and never used. LEICA SUMMICRON-C T2.0 11 Lens Set (15, 18, 21, 25, 29, 35, 40, 50, 75, 100 & 135mm) Leica Summicron-C 15mm T2.0 - PL Mount Leica Summicron-C 18mm T2.0 - PL Mount Leica Summicron-C 21mm T2.0 - PL Mount Leica Summicron-C 25mm T2.0 - PL Mount Leica Summicron-C 29mm T2.0 - PL Mount Leica Summicron-C 35mm T2.0 - PL Mount Leica Summicron-C 40mm T2.0 - PL Mount Leica Summicron-C 50mm T2.0 - PL Mount Leica Summicron-C 75mm T2.0 - PL Mount Leica Summicron-C 100mm T2.0 - PL Mount Leica Summicron-C 135mm T2.0 - PL Mount Bought LEICA SUMMICRON-C Lens set for $181,000 and our asking price is $157,700. All the lenses are new and never used. OPEN FOR BEST OFFERS For additional pictures and any questions regarding LECIA Lenses please contact us. Email - seebeyondusa@gmail.com
  5. Production Company selling off gear. Best Offer for all or part... CANON HJ11ex4.7B Lens CANON HJ22ex7.6B Lens Panasonic AJ-HPX3700 Varicam Panasonic AJ-HPX2700G Panasonic AG-HPX500P P2 cards OConnor 2575D tripod system All good condition. Pics available.
  6. Looking to purchase a pre-owned set of Hawk V-Lite Anamorphic lenses. Please email sales@broadcastsolutions.com with pricing and details.
  7. Hey everybody, I'm considering investing in a 12mm cine lens for my BMPCC and while browsing I've come across the Kowa Prominar Micro Four Thirds lenses. They don't have geared focus rings, but do feature both F-stops and T-stops interestingly enough. Does anybody have experience with these lenses? All the footage and photos I've seen from them are quite lovely, but would they really be worth the extra money I might spend on them versus, say, a Rokinon or SLR Magic cine lens?
  8. Rare set of three lenses for sale: 35mm, T2,5 50mm, T 2,5 and a 80mm, T2,4 All with PL Mount Lenses come with: - front cap - rear PL cap; - new suitcase The price for all three lenses is USD 36,000. Lenses have metric scale. These are Russian vintage ANAMORPHIC NAS Lomo lenses with PL mount. They were used for a big movie recently and then inspected and serviced by Pure4C (Munich) These are 35mm camera format lenses. We used lenses on RED EPIC 6 K. These lenses create the vintage anamorphic look with amazing flares. Lenses are in great optical condition for their age. Focus rings works smooth as for 35 years old lens There are normal signs of use on lens casing. There is a possibility for a lens test in Berlin before purchase. The test costs € 80,-- (two hours) if you bring your own camera or 240 Euros (two hours) at a rental house including a RED camera Buyer must pay for the test in advance I advise to pick the lenses up in Berlin. I will not guarantee for damages during shipping! For more photos or questions: antonwelser@arcor.de
  9. Zeiss CP.2 Primes (18mm/T3.6, 25mm/T2.9, 85mm/T1.5) + Schneider Cine Xenar 50mm/T2.0 All Lenses in Pristine Condition. Use my zooms mostly, so don't really need these. I've babied this set. - No visible scratches, no dust, no fungus, no cleaning marks. - Includes Pelican 1620 Roll-around case & Cleaning Acs. $9,500 for All - Will NOT split set for now. Maybe later. PayPal OK - Buyer pays fees. PM me for more pics.
  10. Looking to purchase a set of pre-owned Cooke Anamorphic lenses. Please email sales@broadcastsolutions.com with pricing and details.
  11. Wondering if anyone has purchased a lens or had a cine modification done by PCHood/Cinematics company in China? They rehouse many different lens brands. It looks like they just put new housing over the top of existing lenses like the Zeiss ZE or Sigma 18-35. But wondering if the Cine mod increases the focus travel of the Still lenses? Could be a great solution. Thanks! Doug
  12. Hello, Set of CookeS4i for sale: -Set of 5: - cooke S4i/18 18 mm lens footage cooke S4i/32 32 mm lens footage cooke S4i/50 50 mm lens footage cooke S4i/75 75 mm lens footage cooke S4i/100 100 mm lens footage -New in box -Available now Please if interested send me an email at zaarour.joelle@gmail.Com Thank you
  13. Good afternoon everyone, I have a run & gun gig coming up in the foreseeable future for which I'd like to give the new BMPCC 4K a shot (I don't technically own one yet, but hopefully will reasonably soon). Due to the job's specific nature, I will require an extremely lightweight and portable setup. I've done similar work in the past and always suffered from having to work with primes (both in terms of weight and overall practicality), so this time I decided I'd rather stick with a single zoom for the entirety of the shoot. On a full-frame camera I would probably just opt for the Sigma 18-35 f1.8, but being the new BM Pocket M4/3, I don't think that would give me enough range to handle a broad enough variety of situations. I've done a little bit of research for suitable options and found that quite a few people seem to be praising the Olympus 12-40 f2.8 M.Zuiko PRO as a good one for video. Has anyone here had any experience with it? Or would you know of any interesting alternative covering the same/similar range (24-80 equivalent)? I've also read that a few people appear to be very happy with C-mount vintage options, such as the Angenieux 12-120mm f2/2 (amazing range and constant aperture) but it weights a ton and the whole point is to retain flexibility while shooting. Also another set of issues that I've had with vintage Angenieux in the past has included very noticeable chromatic aberrations, heavy breathing and vignetting (all things that I would want to avoid for this project). However, if you're aware of any vintage lens that might fit the bill I'd be more than open to consider it. Please let me know if you have any recommendations for me, as I could gladly use some. Wish you all a lovely rest of your day and thank you for having taken the time Best, Filippo
  14. Zeiss Biotar 35mm f2 (Arri Standard Mount + PL Adapter) Zeiss Biotar 35mm f2 in Arriflex Standard Mount, plus PL adapter made by c7adapters.com. The adapter doesn't fit the Arri Amira/Alexa Mini PL Mount! Glass without scratches or fungus. Some dust particles inside. Smooth Aperture and focus rings. Arri Standard Mount + PL Adapter (PL Adapter doesn't fit Alexa MINI/Amira) Covers Super35mm film and sensors Price: 756$ Ebay Link: https://www.ebay.com/itm/173381486646?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 Angenieux 12-120mm f2.2 - Cameflex Mount Glass is clean without scratches, haze or fungus. Focus, aperture and zoom rings run smooth. Slight wear on the body. Cameflex Mount Covers 16mm sensor. It also covers Super 16mm sensors, but it starts vignetting when focusing closer than 8 meters Price: 413$ Ebay link: https://www.ebay.com/itm/173381492080?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 Samyang 800mm f8 - PL Mount Glass has no scretches, haze or fungus. The body has some wear. The lens has been professionally modified in order to be usable on PL Cameras. PL Mount Covers Super 35mm film and Sensors Price: 282$ Ebay link: https://www.ebay.com/itm/Samyang-DX-Tele-Lens-800mm-f8-PL-Mount/173381496210 All lenses are located in Zürich, Swizterland. For any question feel free to email me at vanja.tognola (at) gmail (dot) com . To see more pictures, check the ebay link or ask me directly! I wish you all a wonderful day Vanja
  15. Hi all. Excited to ask my very first question on this forum! For an upcoming short, I'm trying to achieve a pastel, somewhat low-contrast color palette in a bright daytime exterior, very much like the attached reference image from Vertigo. Being a micro budget project, I don't have the opportunity to pre test a bunch of filters or lenses. Any recommendations on filtration for this reduced contrast, slightly blooming look? For the project, I'm using the Ikonoskop A-Cam DII. I own this camera, and the colors from its Super16 Kodak CCD sensor feel inherently pure and dare I say film-like. I'm pairing it with oldish glass, the Cooke 9-50 Varokinetal (T2.5). I've rented this lens before and it is not only affordable but renders a very creamy three dimensional image. I've attached a sample I shot with this configuration, no filters. Just need to turn that into something less contrasty, more talcumy, more "vintage" for lack of a better word. Thank you! Jall
  16. Hi all, I'm going to be shooting a short film in the very near future on the Sony FS5. The Camera only comes with a kit lens, so I was wondering whether it was worth sourcing another lens to work with. I know friend's have pretty pricey Canon lenses, but I'm unsure whether these would be better or worse. The film is going to be shot mostly outside on location, shots of buildings and streets etc. If anyone has ideas, let me know. Thanks.
  17. Hey everyone! If you have a spare moment, check out this 2min film I shot called ‘Land of Steel’. Shot on ARRI Amira using COOKE S2 Panchros. Vintage lenses re-engineered by TLS (40+ year old glass in modern housing) Shot in Port Talbot late last year. With Blade Runner (1982), Ridley Scott drew his vision of the future from this surreal and vast location. LAND OF STEEL https://vimeo.com/260825061 Supported by Michael Sheen - https://goo.gl/6zwXFF Thank you very much hope you enjoy! Lee
  18. Hello everyone, 4 lenses for sale, in excellent working condition. A nice complementary set, all in PL mount: 3x Carl Zeiss and 1x Panther Carl Zeiss Distagon 8mm T* 2.1T Carl Zeiss Distagon 16mm T* 1.3T Carl Zeiss Distagon 25mm T* 1.3T Panther Cinar Super 16 35mm 1.3T Information on the Panther: "in the 1990s Panther got these lenses custom made in small batches. Since there is no 35mm lens in the Zeiss lens set for Super16 and since the 8mm Zeiss lens would not cover Super16 it makes sense to get such lenses custom made to complement a Zeiss lens set." £3800 for the set.
  19. I've recently purchased my first S16 camera (Aaton XTR Prod) and I'm looking to make an investment in a zoom lens I can use for allround purposes and no-budget projects that I can still use on productions where we have the budget to rent e.g. Ultra16s, Super Speeds, S4s/SK4s - Hoping someone in here can give me some advice on the topic. I'm interested in a zoom that has the following properties: PL Mount Close focus of 0.75m or closer Has at least 12-30mm range Preferably ~T2.8 or faster Covers S16 fully For these requirements I've narrowed my options down to either: Angenieux HR 11.5-138 T2.3 Angenieux HR 7-81 T2.4 Cooke 10.4-52mm T2.8 (CVK) Cooke 10.8-60 T3* (CVK) Cooke 10-30 T1.6 (CVP) Cooke 9.5-53 T1.6 (CVT) Cooke 10.6-52 T1.65 (CVT) I didn't include the Canon Zooms as I don't feel like they give me the look I am going for. I also didn't include Zeiss Vario Sonnars in the list because their close focus is too far. But they may be workable with a diopter. I'm afraid of losing sharpness however. Any thoughts? Any other lenses that I might have missed in my research are much appreciated. Do you have any advice on these lenses. And which do you prefer?
  20. I have three Zeiss ZF.2 lenses for sale and two adapters. Each one has a custom lens gear and screw on front diameter adapter (35-50 = 77mm front, 21=95mm front). The lenses can be delivered with indexed aperture or de-clicked. Your choice. The lenses have seen very light use and are in like new condition. The two adapters take the Nikon mount ZF.2 lens and convert them to either Canon or Sony camera mounts. Both adapters have been gently used. 21mm f/2.8 $1000 35mm f/1.4 $1200 50mm f/2.0 makro $800 Novoflex Nikon to EF adapter $50 Metabones Nikon to Sony E-mount adapter $50 Prices do not include shipping. We can do local pickup if you're in the Southern California area. Paypal or cash only. DM me if interested.
  21. Hi there, I'm currently on the hunt for the best entry level camera, lens, tripod and slider for filming/photographing landscapes. I have some money to spend but would still like to not break the bank entirely. If anyone can suggest what they think is the best combo of gear I would be super appreciative. Thanks in advance! Andrew
  22. For the purposes of future testing for a project, I would like to get some opinions on the various characteristics of some Super 16mm primes. Flares, bokeh, sharpness, contrast, color temperature, the works. Lenses in particular I would appreciate information on are... Zeiss Super Speed Mk 1 Zeiss Super Speed Mk 2 Optar Illumina s16 Cinema Products Ultra T Any other prime sets that have both 16mm & 25mm focal lengths. I'm really only interested in prime lens sets, no single primes like the Angenieux 5.9mm or any zoom lenses.
  23. $159,950 Very nice condition. email me for pictures. carson.lori61@gmail.com
  24. hey guys, im trying to set up a black magic cinema camera 4k onto a movi m5. Does anyone know which lens setup is compatible and which ones are not? I just want to make sure so I don't overload the movi m5. The max paylod on the movi 5 is 5lbs, the black magic is 3.75 lbs, that leaves like 1.25 lbs for the lens. Thanks.
  25. Hi all, I'm selling a lightly used set of Angenieux Optimo DP Rouge zooms, one 16-42mm and one 30-80mm. I'm the original owner and took good care of them. The lenses are optically perfect and display only light wear on the bodies. They've also been checked recently via Panavision. Each lens comes with a custom flight case, plus the original documentation, spare colored rubber rings (blue and red), a zoom stick, a zoom support. I'm also including 2x 8" 15mm rods and 1x screw on zoom motor bracket. As you probably know, these lenses are quite spectacular. I'm in Los Angeles and prefer local pickup if possible. Also of interest, the pair were made later in the production cycle, after the rear element housing was re-engineered to be slightly lower profile. The package includes: 1x Angenieux Optimo DP Rouge 16-42mm lens 1x Angenieux Optimo DP Rouge 30-80mm lens 1x flight case for 16-42mm 1x flight case for 30-80mm 2x zoom sticks 2x sets of original documentation, plus spare blue and red rings 2x 8" 15mm iris rods 1x Duclos zoom motor bracket $20k for the set. Photos available upon request. Thank you!
×
×
  • Create New...