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  1. Hello group, Just got my Sekonic L 398 A. The classic external light meter. I am browsing the web for weeks on external light metering and all I see is people measuring the incidental light with the white dome, pointing at the camera (hmmm....). That's all fine but I couldn't find anything about different methods - for example: landscapes, complex lighting with fill lights/reflectors, back lights, sunsets, beach scenes during sun set with complex lighting (light bouncing off the rocks, people moving, sun just out of the frame, etc.). Way too much "information" about staged, posed or studio situations in stills photography (a lot of it seems dead wrong BTW!) and way too few about cinematography where things are moving and one needs to decide what is the most important area (or find a good average exposure - I know: on neg film blown highlights are not as bad as crushed shadows, reversal is unforgiving on both sides....). I won't use the camera's internal meter at all (which will be way off anyway). So how do I measure the incoming (reflected) light and use some common sense (such as making up a stop or two for the sun, snow, exterior light coming through windows, the usual drill...). Do I hold the light meter with the white disc (instead of the dome) in front of my lens - to emulate an internal meter? Do I screw on the grid which also comes with the light meter? Any input where to get reliable and comprehensive/complete information (I'll study and learn - and practice, but obviously not right away on expensive, rare film stock, waiting for it to return!) highly appreciated. Christian
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