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Found 9 results

  1. Hey there everyone! I am a colombian film student and wannabe cinematographer and I am looking for some advise for an upcoming short film me and some classmates are preparing. So I am going to be the DP for this short and in terms of lightning I am looking to have an aesthetic close to the images I attached below for the interior daylight scenes. Logic tells me that to achieve this I should have some strong key lights motivated from the windows on the characters and expose to those bright areas of the face, so everything else will be darker to achieve that high contrast ratio. We´ll probably have like 2 or 3 arri 1000 and maybe like 6 arri 650, it really depends on what the faculty will have available at the time and the budget that production will give us (which will be very, very low). So really I want to have a realistic view of our lightning capabilities with such few lights, can I achieve this look with the lights that are available? If so, what tips can you guys give me to achieve it on an extremely low budget? One of our likely sets is a house with really big windows, so one of the strategies I came up with is partially blocking some windows to control and limit the entrance of light (because it may be too much and spreading everywhere). Am I thinking about this the right way or am I completely off? Thanks in advance!
  2. Hello, I'm preparing to shoot a music video. I have an idea for a shot where you can see infinite space behind the object filled with colored or colorless mist. The reference shot is from the new Bladerunner trailer. My goal is to place a car on the foreground like it's in the middle of nowhere. Most of the shots will be inside the car but I need to sustain this look in the windows without green screen. How I can achieve that on a tight budget? Would it be easier to accomplish shooting outside or indoors? With dark or light background? Many thanks in advance!
  3. Hey Filmmakers! This summer i'm officially doing my first job as a paid DoP for a short film (30min approximately) . I've never shot fiction before, i am foremost a Director and Writer for my own films. Although i have studied still photography for a long time, i've only shot and directed my own documentary short film. The film is mostly taking place in one location, a forest with a cabin/small house. I want to create a very unique look for the film, i'm gonna play with mist/rain, shoot early mornings and evenings. I take a lot of inspiration from my favorite filmmakers like Andrei Tarkovsky, Theo Angelopoulos and Yasujiro Ozu. I'm worried that my technical knowledge will set me back during filming, i'm probably gonna have to rely on my camera operator if that ever happens. We're a pretty small team of great guys and girl, so i'm in no worry that we're gonna be in a disagreement in anyway. What are the things that i should avoid? The lightning equipment is not much but i want to achieve a soft looking light in a lot of scenes, i will also list those below with the gear. All tips/comments are welcomed! Camera: Sony PXW-FS7 Lenses: Sony FE 28-135/4,0G - Sony FE 24-70/4,0 - Sony FE 70-200/4,0 - Sigma AF 18-35/1,8 Tripod: Manfrotto 519 Rig: Shoulder rig, Slider Lightning: 1 Smaller LED, 1 Blondie, 4 Flags, 3 Bounce boards, Black wrap, some C-stands
  4. I'm looking to mimic this fight scene from the matrix with bright flashing lights outside these windows - supposedly lightning from the storm outside. (see attached 1-3) My assumption at first was that they maybe had some HMI's hooked up to flicker boxes. But then I thought that HMI's have issues with hot strikes so maybe that's not what was used? Can an hmi work on a flicker box to simulate lighting? If so, what reccomendations of a flicker box do you reccomend I use? If I can't use an HMI to simulate lightning with flicker, how else can I achieve this effect? I'm hoping to only use 2 light sources that are bright enough to shine through windows like this and get reflections on the floor and walls? Some how I need that flicker effect done even if it's not from a flicker box. You can see more of the fight scene in motion at: https://youtu.be/0EpC2T00PAE?t=3m32s Also attached is the building I will be shooting in and the windows I'll be shining through. All advice welcome!
  5. Hello everyone! I'm new to cinematography.com, to introduce myself quickly, I'm a French aspiring Filmmaker, located in south of France, if some of you would like to see what I do, you can, here : www.damienkazan.com (not here to promote anything it's just that I know usually we have to introduce ourselves on forums before posting...) I have a question about some lightning from "The Conjuring", the living room, desk, lightning, I was wondering how they lit that living room, looks like it is 90% lit by those lamps we can see on screen, does anyone know how to achieve a similar lightning please ? Thanks a lot!
  6. Hi, I'm looking to create some lightning effects for a short film with the use of studio strobes. We don't have the budget for lighting strikes and this seems to be a viable option. We'll be shooting inside a house on RED scarlet. 180 degree shutter. 23.98fps. Wondering if anyone has used still photography studio strobes for this purpose? If so, can you share any advice or experience? Thank you, Michael Helenek
  7. Hello there! FIRST OFF: WARNING; I am complete NOOB in this field so expect to see something really bad. I am just posting this to get some basic feedback on how to present myself on video (how I should stand, look into the camera, how I should move my face muscles when I speak and so forth), some lightning changes, editing changes, etc.,. My purpose of shooting video is appearing as a "spokesperson" (so yes, I am definitively wearing the wrong outfit). I will get better clothing, another mic instead of the one inside my camera and a complete white background since my camera has "wrong" color sampling 4:2:1 for using green screens (if I understand things correctly). I just wanted to try to shoot something and edit some in Adobe Premiere Pro CC to get some feeling. https://www.youtube.com/watch?v=63vvsATq9U8 Film was shoot with: Canon LEGRIA HF G25 in Cinema Mode (a button you can choose; this one, auto or manual mode). I also used two softboxes which is why you see two shadows (and I added artifical lightning in Adobe Premiere Pro CC, just to play around). I added used "expander"-preset inside "Dynamics" which is an Audio Effect in Adobe Premiere Pro CC to cut away all background noise which the camera otherwise pick up. I'm deciding on whether to get a shotgun microphone or TRAM 50 lavalier. What are your suggestions? I am also curious on how to do with the lightning, how close or far away I should be with the camera so I can use the "rule of third" (standing in the middle just look like a poor mugshot if you ask me; my room is about 3,5 meters wide where I stand; yes I will shoot in my apartment). I will also get some simple lightning above my head so I can "pop out" of my, upcoming, white background. Feel free to give harsh but well-meant suggestions on what I can change 'till my next video besides the obvious clothing, hairstyle, added make-up and such. I am very excited to hear from you professionals and highly experienced film- and/or promotional video makers. And yes, you may laugh your butt off at my bad video! ;-) Take Care & Have An Awesome Day! / Max K.
  8. Hi. Now that the Black Magic have been on the market for a while, I would love to hear any experience shooting with this camera? I am going to shoot a short film soon, where this little camera could be very cool to shoot at:-). Thanks, Henrik A. Meyer www.henrikameyer.com
  9. Im from Argentina and i would like some feedback of my work. Thanks! https://vimeo.com/51286298
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