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Showing results for tags 'm40'.
Hi everyone. I hope you all are safe and sound. I have an interview set up to take place in a stadium football field. All the lights surrounding the stadium have to be on as they all are turned off and on by a single switch unfortunately . Now I am stuck in 2 minds. I haven't had a chance to light meter the location yet but I the plan to underexpose this by 2-3 stops; then bring in my key on the talent which will then be exposed (something big obviously like a M40 going through diff to compete with those lights). I'm also thinking of covering the talent from each side and front with a 20X20 Blackout to model the light more; potentially 2x M18s on megabooms for backlight. The debate I am having is will the Blackout be needed for both sides or just do 2x favouring one side? Also if I should add the M18's as the backlight or will the stadium lights be sufficient? The whole point for me is to make it as less flat as possible. Please see the idea of my floorplan and some references for the lighting. Once again any advice is appreciated or tips from people who have been in the same filming environment. Cheers!
Hi everyone, thanks for looking through and the advice ahead of time. I have a shoot fast approaching and I'm debating the best way to light my exterior scene for an upcoming commercial. We will begin shooting early morning and we will see a family enter an amusement park from one angle where the sun is backlighting them - and then we will need to reverse the camera to see their POV. It will be a very sunny day I'm sure with no clouds so we should get some nice backlight. I'm debating however whether to front lit with a large ultra bounce (20x20 or 12x12) using the sun to light the family of 4 as they walk in (Wide - Full shot of family - then MID CU of each member). OR if I should also blast some M40s/M90's into the ultra bounce OR light them using 2 of these lights with diffusion frames or softboxes over them. The location has access to 63 amp power so we could run cables to take this power. I want a high key commercial look but want to go down the wisest route here. I have attached a sketch (actual location) in order to get a better idea.... I also plan to use a Job at the back of the family at the end of the street for an establishing shot... Also after I get this I will have to move the camera around facing a street of performers so they will all be front lit by the sun. I could film this first in order to get a more pleasant look with the sun being lower (Maybe use the Frames with Diffusion in case of any camera shadow if need be) and then film the family. Reference Picture attached... Any thoughts you may have on this or experience with similar setups would be super. Cheers all!
Is there way for someone like me to start using a generator so that I might power an M40 or an Arrisun 60? I love the M18 because I allows me to work with a decent amount of light on a very small budget. I've been shooting commercial projects on a thin budget by running with one M18, a few fluorescent fixtures a great deal of light modifiers. In the states, I believe an M18 is about the most powerful light you can run off a house or office circuit. (If there are more powerful options, I'd love to use them) Is the answer as simple as renting or buying a 6500 watt portable generator or is there more to it?