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Showing results for tags 'monitors'.
Hi everyone, I wanted to get some opinions on what some of your favourite monitors to use on camera are? I am in the middle of researching which monitor would be best for future proofing and using on commercial sets and run and gun documentary type style projects while filming exteriors and interiors. There are a few features I am looking for: Above 1,000 Nits (for using on bright exterior days) HDMI & SDI input & output Colour accurate Offers Waveforms, false colour, histograms, selection of aspect ratios, etc Preferably between 5inch and 7 inch moni
Today, RED Digital Cinema® introduces the DSMC2® Touch 7.0” Ultra-Brite LCD Monitor to its line of innovative camera accessories. The new RED® DSMC2 Touch 7.0” Ultra-Brite LCD Monitor is a robust, optically-bonded touchscreen with Gorilla® Glass that provides the most intuitive way to navigate menus, adjust camera parameters, and review .R3D clips directly out of the camera. It offers a brighter, high-definition viewing experience for recording and viewing footage on DSMC2 camera systems, even in direct sunlight. A 1920x1200 resolution display panel provides 2,200 nits of brightness to ove
To the Bay Area photographic and videographer community: Announcing: The Grand Opening of the Bay Area's newest broadcast equipment supplier. We are Draco Broadcast: the maker of the Dracast lighting brand as well as other production equipment brands such as..... • Magicue Teleprompters • Laizeske Camera Monitors • A&J Camera Sliders • and many more! We have a newly renovated showroom with spare studio space and will host monthly seminars, product swap meets, and other events. In addition, we will be offering rental services and providing a place for consignment sales. Right now, we'r
Hey there, I'm unsure where to start, so I'm just going to say it all. I have a feature which was graded in FCPX using both a macbook pro and a calibrated monitor. Because most people initially watching the film were going to do so on their computers, we thought it best to find a middle ground for exposure and color so that it could be played on a computer, television or in a theater. Now that the film has been accepted to play publicly, we've been told that the blu-rays will be authored by an outside company for exhibition. That company mentioned that each film should have been graded