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Hello I have some question about film's Motion Characteristic some movies like terminator 2, total recall (1990) are has a video-ish Motion Characteristic. terminator 2 is shot on film, it is 24 fps, it was not more than 180' shutter angle but it has lots of motion blurs, so motion feel like between film and video. and see these pictures please it's near 01:39:02 screen grab in terminator 2 / 24 fps video file you see some long kind of lamp in picture and this is same cut when fast panning. there is triple ghost. what make this thing? entire movie is like this when fast movement. ghosting and lots of motion blurs and video-ish motion. because camera shutter type? between halfmoon,bowtie? or lighting? telecine,scan? I really don't know. and sorry about awful grammar. Thank you.
For quite some time, I have wondered how the "sticky" (as I call it) slow-motion is done, the type that you see a lot in music videos of the 1980's. By sticky, I mean a noticeable appearance of advancing from frame to frame, as opposed to the much more common fluid and smooth slow-motion often seen in movies and TV. Here is an example, if you are still wondering what I am referring to. (The link should start right at the 3:22 mark, which is where there is a slow motion of two kids in a traditional dance). https://youtu.be/BY_ozF-4IAU?t=3m22s If you are any older than 30 and used to watch music videos in those days, it will probably be familiar to you! My question is actually a two-part question: how is that effect done? And...is there a way to do this effect, or indeed even any slow-mo at ALL, with a Super 8 camera??
Hey all, I'm gearing up to shoot a music video using a Kessler Revolution head as a motion control rig. I'm looking to shoot the band in a large open warehouse that has some windows but I will need to bring in lighting. The finished video will look like a one shot video where the band is performing and the camera pans to the left continuously and each time the band starts to exit frame right they enter frame left, and this happens throughout the video. I have linked a previs video I put together to help explain the concept. My plan is setup the Revolution Head in the center of the warehouse and program it to rotate 360 degrees in 4 minutes and 5 seconds (the length of the song). From here I will shoot a clean plate and shots with the band performing. Each pass that has the band performing I will shift the band to the left in a circular trajectory so I can then layer the shots in post. I'm guessing the post would require some masking but nothing too extreme. My issue is, how will I get the lighting to match and stitch consistently throughout the video. I fear that unless I light the entire space the lighting won't stitch properly. Any information is greatly appreciated. Previs video: https://www.youtube.com/watch?v=vNYeV4WKIPE&list=UU3jj9kfaAsoOB0p_K24jzvA Thanks, Michael
Has anybody got any experience with this new fiz unit? http://www.rtmotion.com/ I've got a 3D show coming up and they want to use this in a dual receiver configuration. Im used to the Preston 3 and Im uncertain of its reliability. But I noticed the receiver is only 90 grams! and the price tag for a 3 motor setup is only 10k! that seems insane to me. Anyway, if it works out I would seriously consider purchasing one. thanks