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  1. Hello Everyone, After much thought I have decided to put my complete Sony F35 + Codex package up for sale. This is the only Sony F35 kit you will find to have a complete Codex Onboard Recorder package. This includes the Codex Onboard Recorder, 1 512GB + 3 256GB Data Packs, F35 Wet Dock, Control Panel, all necessary cable, the incredibly rare and expensive Desktop Transfer Station (DTS) and an ATTO ExpressSAS H3680 card inside a Sonnet Echo Express Sel case which plugs into any MAC with a Thunderbolt port. The Codex Recorder and DTS both have all available licenses activated: 12bit 444 uncompressed DPX, compressed JPG, ARRI RAW, CANON RAW. The DTS can automatically convert to ProRes422, ProRes444 or other formats on the fly for immediate editing of your footage. Also this is the only recorder that will record everything the Sony F35 can output: uncompressed 12bit 444 up to 30fps and uncompressed 10bit 444 up to 50fps - something that even the Odyssey 7Q cannot do because you need 4 SDI connectors for this last output. In addition to all this, Start/Stop recording can be activated via the record button on the F35. This Sony F35 is a complete OTTO NEMENZ kit with, in addition to other things, 2 custom machined cheeseplates, a machined top cheeseplate with integrated single 15mm rod mount and their spectacular viewfinder mount, which I updated with custom made 3D printed parts. If desired this can be easily changed to the original Otto Nemenz viewfinder setup. I have a great many accessories for sale to make a complete "ready-to-shoot" system. These include: Red One 18-50mm f2.8 lens in great shape, a Carl Zeiss Biometar Jena 120mm f2.8 PL mount lens, a Carl Zeiss Biometar Jena 80mm f2.8 PL mount lens, a Helios 44-2 58mm F2 PL mount lens, Vocas Wooden Handgrip with 150mm offset extender, an Ikan D5 monitor, Zoom H6 recoder with Gator waterproof case and Monster Digital 32GB SD card + Zoom SSH-6 Stereo Shotgun Mic, a 2 stage Chrosziel matte box with french flag, SHAPE 8000 quick-release V-Lock shoulder mount/baseplate, Sony VCT-14 quick-release tripod adapter, O'Connor 50D fluid tripod head, Lensse S5 Dual Follow Focus with speed crank, Lanparte V-mount batteries with charger, Tiffen 4x5.65 full spectrum IRND 1.2 filter, and other items for a truly complete setup. Since I have so many Sony F35 related items for sale I have created a price list with descriptions in PDF format that can downloaded from the link provided below. I believe I am offering these kits at very competitive prices. Everything is fully functional and in exceptional condition. As I said it took me 2 years of trial and error, testing various components, and finally finding the best parts for what I consider the Ultimate Sony F35 Set-Up. I have selected each component carefully and have taken exceptional care of them all. Photos and links to photos of many of my components can be found here below. Here is the link to the price list: http://www.igorbertolucci.com/SONYF35SALE/SONY_F35_Kit_Price_List.pdf As an incentive, with the purchase of multiple kits, or better yet the entire list of equipment, I am able to offer an even better price than the already very competitive prices you see in the price list. If you are interested in purchasing multiple kits please contact me. Shipping will vary depending on the kit(s) purchased and the destination. For the "Sony F35 with Codex Onboard Recorder Kit" WITH the Otto Nemenz hard cases you are looking at around $400 shipping in the US and $800 overseas. Without the cases this price drops substantially as they cases themselves are very heavy. I regularly pack and ship hand-crafted ceramic items all over the world and can pack all the equipment securely and safely in boxes without the hard cases, which will reduce the shipping cost to about half: ~$250 CONUS, ~$500 overseas. Shipping will be from San Francisco. Following are links to additional photos as we are limited to only one photo attachment per sale thread: http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_01.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_02.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_03.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_04.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_05.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_06.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_07.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_08.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_09.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_10.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_11.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_12.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_13.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_14.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_16.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_17.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_18.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_19.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_20.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_21.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_22.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_23.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_24.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_25.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex001.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex003.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex004.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex005.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex006.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex007.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex008.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex009.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex010.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex011.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex012.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex013.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex014.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex015.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex016.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex017.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex019.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex020.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex022.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex025.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex026.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex027.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex028.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex029.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex030.jpg Here is a link to a forum where you can find additional photos of the F35 in the Kata backpack (at the end of the page): http://www.dvxuser.com/V6/showthread.php?332103-Sony-F35-Codex-M-Recorder-Complete-Setup/page5&highlight=codex Here is a link to a thread where you can find photos of the additional CCD Block and Sony F23 to F35 Conversion kit hardware: http://www.dvxuser.com/V6/showthread.php?337896-Sony-F23-F35-Conversion-Kit-***-F35-Optical-Block-CCD-plus-hardware Should anyone have any questions please PM me or write to me directly at samana76@yahoo.com Cheers, Igor
  2. Everything is in good shape, clean and well maintained. No rental gear, so its well cared for. Email -- mbentgroup AT gmail Or PM TVLogic 058W 5.5" Monitor -- $1100 1 - LP-E6 Batt Plate 1 - Sony L Batt Plate 1 - AC Power 2 - DTap Power Cables 1 - Plexi Cover BNC and 1/4-20 Adapters [A few have asked for opinions on the 058W as a SmallHD 502 owner. The TVLogic is a workhorse with its hard buttons and easy programming. Its slightly sharper, I trust the color a little more (and highlights), and its incredibly reliable. It also manages every format properly, so you aren't thrown a curve ball with weird wireless signals or video feeds. Audio is managed properly too with embedded sources. Arguably the best avail if you're an AC.] Teradek Bolt Pro 300 3G-SDI (Receiver and Transmitter) -- $1950 1 - AC Power 1 - DTap Power Cable 1 - 5/8 CStand Adapter 1 - Hot Shoe Adapter 1 - 1/4-20 Thumbscrew Bartech Digital Wireless Follow Focus Kit -- $3950 OBO 1 - Handset with Center Marking Disc and Lanyard 1 - Heden M26VE Digital Motor 1 - Digital V1 Receiver 2 - Receiver Antennas (Straight and Right Angle) 2 - Handunit Antennas (Long Range and Short) 2 - Motor Cables (Straight and Right Angle) 2 - DTap Power Cables 1 - RED One Stop Start Cable 1 - Epic Stop Start Cable 1 - Arri Power / Stop Start Y-Cable 1 - 15/19mm Motor Adapter 1 - 15/19mm and 5/8" Mounting Bracket (Handunit or Receiver) 12 - Marking Rings 1 - Case -- Preston MDR1 Cables -- 1 - Epic Stop Start Cable (DTap / BNC Combo) --- $100 1 - Arri Power / Stop Start Y-Cable (3 Pin Fischer) --- $150 1 - RED One Stop Start Cable --- $100 Panasonic BT-LH1760 17" Monitor -- $1400 OBO 1 - Vesa V-Mount Battery Bracket (Has V-Mount Plate Installed) 1 - D-Tap to XLR Cable 1 - Hoodman 1700 Hood w/ Rain Cover 1 - Plexi Screen Cover 1 - Power Cable 1 - Pelican Case w/ Foam [This is the upgraded 17" model with 120Hz and Split Screen. No Table/Desk Stand] -- O'Connor Support Gear -- 1 - Mitchell to 150mm Bowl Mount Adapter - Part 08360 ($595 New) --- $350 includes tie-downs. 1 - O'Connor 150mm Base Mount - Part 08278 ($409.50 New) --- $200 1 - Filmtools / Alan Gordon 150mm Hi-Hat - ($185 New) --- $110 no base included. comes with hardware.
  3. Hey guys, I have a few more I'm tossing up for sale this week: -- 2060HD (with case) + Standards & Babies. I'll throw in adapters and a euro ball hi-hat too. Sticks are Mitchell but you can grab a Matthews or Backstage bowl adapter if you want to go euro/150mm. The head is ready to rock for either Mitchell or Euro ball. *** $7000 and its all yours. -- MB20II Mattebox One more up for grabs. We bumped to 6x6's, so this box has to go as well unfortunately. Great 3 Stage ready to go. Three 4x5.65 trays, Flags (Top and Sides), Mattes, Bellows, 114-110 Ring, 100 and 80mm plus 19mm Rod Adapter *** First $2950 takes it.
  4. Been letting go of a few Alexa packages that have been great in the studio/location but unfortunately swapping to some new Hassleblads for our next project. This is what's left of the bundle. Not parting out the Alexa package itself but all the support that was part of these kits. Hoping to get everything sold off before hitting the door for Cinegear. Paypal or Wire. Send over reasonable offers. Will work out shipping larger items. Arri Alexa Studio Package ---- $32,500 (SALE PENDING) Handle w/ Ext, Bridge Plate, Level Block, IDX Batt Plate Hours - 1521, Optical OVF-1 w/ Ext and Ground Glasses 8 - Sony 32GB SxS Cards, 12/24V Power Cables, Ethernet Cable Prores, High Speed and Anamorph Licenses Cinematography Cine Tape Kit -- $5000 Great Shape with Readout, Sensor, Pair of Sensor Cables and 2 Dtaps. Can throw in an arm, spare cable and some other AKS for right price O'Connor 2575 Head - $11,000 (Pending) Mitchell, Base plate, Handle and Extension, Tie Down Like New with the Rolling ATA Case O'Connor 2060HD --- $5000 ($7000 as a package with sticks and extras) Mitchell - Base plate with quick plate, Handle and Extension, Tie Down Good Shape, Mostly studio environment. Includes an ATA case, Mitchell Adapter if price is met for the package O'Connor Cine Sticks - $1400 (Standard or Baby) Mitchell - Clean with Ground Spreaders. Leg Locks are solid. Includes Case Arri FF4 ---------------- $2750 19mm Studio with Smart & Dumb side wheels, Crank, 3 Misc Gears (Wide/Tall and Std), Spare Mark Rings, 13" Whip Great Shape, nice and tight Arri MB20 V2 ---------- $3500 3 Stage - Top/Side Flags, Mattes, 138mm Bellows, 19mm Studio Adapter, 3 Bellows Rings (80/100/110) Arri LMB 25 --- $2200 (Sale Pend) Top/Bott Flags, Mattes, Cinetape Holder, 3 Stage Setup with 138mm back, 80 and 95mm rings Trays are all in good shape, mattes are fresh. May have various adapter rings to throw in Will update if more becomes available. Thanks -Mark
  5. RocketJump Film School, an online filmmaking community started by YouTube sensation Freddie Wong, has partnered with Vitec Videocom, the Broadcast Division of The Vitec Group, to educate a new generation of filmmakers and content creators with top-of-the-line production equipment, including Videocom’s NAB 2016 product offerings. As a sponsor of the school, Videocom has supplied RocketJump with professional production gear from industry-leading brands, including Sachtler, OConnor, Litepanels, Anton/Bauer, Paralinx, SmallHD, and Autocue. Headed by Dean Lauren Haroutunian with creative producer Cherish Chen and director/editor Joey Scoma, RocketJump Film School provides unique, engaging, high-quality online video tutorials on all facets of filmmaking from directing, editing and sound, to cinematography, screenwriting, and more. Launched in May 2015, the film school delivers free, readily accessible content to help ambitious students improve their familiarity with every element of filmmaking, including the equipment. The online format has been overwhelmingly popular and boasts over 200,000 subscribers with close to 10 million views since it began. “A core tenet of the film school is offering easy-to-follow demonstrations that ultimately encourage and promote hands-on experience. Having Vitec Videocom as a sponsor makes this a reality for us and has opened up more possibilities in shaping the school, both on and offline,” said Haroutunian. “Their support makes our mission of creating an empowering community for contemporary filmmakers all the more attainable.” Best-in-class brands from Videocom are contributing first-rate equipment for this sponsorship, including bestselling industry staples like the OConnor 1030 system, as well as new product offerings that will be featured at NAB 2016 such as the new Astra Soft Bi-Color LED and the new Anton/Bauer CINE series batteries. Sachtler and OConnor are delivering various tripods and fluid heads, including the 1030 system which delivers seamless transitions from heavier to lighter payload camera set-ups. For lighting, RocketJump will also be using Litepanels Astra 1x1 LED panels in addition to the Astra Soft Bi-Color LED, powered by Anton/Bauer’s new CINE series batteries. Paralinx is providing a Triton and Arrow-X, which offer uncompressed wireless video transmission up to 300ft and 700ft, respectively. And for ultimate convenience, Autocue is contributing portable iPad prompters, while SmallHD is contributing 501 on-camera monitor production kits. “We are thrilled to be a part of RocketJump Film School,” said Tobias Keuthen, Director, Global Products, Vitec Videocom. “We’ve been big fans of RocketJump for a long time so when we were given a chance to support their education endeavors we jumped at the opportunity. This allows us to be at the forefront of partnering and educating a whole new generation of filmmakers and aspiring cinematographers. I cannot think of a better place to learn new techniques using some of the industry’s best equipment.” Watch Freddie Wong talk about RocketJump Film School:
  6. Hi, O'connor 2575C Fluidhead (7 years, very good condition, fully refubished). We use the Head only for our own producions (no rental). The reason for sale is a switch to a lightweight camerasystem. Asking Price is as low as EUR 5800,-. 150mm version, Transportcase, plates + arm included Please send me a pm if interested. Cheers
  7. Hi -- I have an O'Connor 1030HDs that has a loose European quick release / tripod plate. Can anyone recommend a good repair shop? Even better if it's n the San Francisco Bay Area. this guy: http://www.filmtools.com/oconnor-mini-european-quick-release.html Or, if it's relatively simple I could do it myself - I'm finding the O'Connor support site a little cryptic. Dan
  8. I'm looking for a used, but in good working condition, set of tripod legs. I have a 1030s head already. Sachtler or Oconnor would be at the top of the list, but I'm open. If you have some that you'd like to sell, PM me here (or better yet, email me) Be sure to include your asking price with best guess on shipping if you can. I'm in TN Zip 37363 Thanks! Bryan
  9. Gear is at a shop in southeast, US thats offloading some inventory. Listed here and some on Ebay. Thought I would pass along here. Contact me at mirror image pictures AT gmail DOT com or call 818 Five Eight Four 6243. I'm familiar with the equipment and can speak mostly for its condition and quality, so feel free to reach out with any questions and Make Some Offers. SUPPORT - O'Connor 2060HD Head (Mitchell) with Handle, Euro Base, Quick Plate, ATA Case - $7000.00 - O'Connor Cine HD Standard or Baby Sticks (Mitchell or Bowl) with Spreader (Ground or Mid) and Tuffpak Case - $1500.00 (3 Sets Avail) ARRI AKS - Arri FF4 with Dumb Wheel and Crank - $3000.00 (Last One) - Arri MB20II with 3 Stage Module, Top and Side Flags, 19mm Bridge Adapter, Hard Mattes - $4500.00 (2 Avail) FILTERS (4x5.65 unless noted) - Tiffen ND 6 - $250.00 - Formatt ND 3, 6, 9 - $150.00 Each - Formatt ND12 IR Combo - $250.00 Each - Formatt IR Hot Mirror - $250.00 - Schneider ND Grad HE 3, 6, 9 - $250.00 Each - Schneider Tru-Cut 750 IR - $250.00 - Schneider Circular Polarizer 138mm or 4.5" Drop-In Style for Arri Bellows - $300.00 Each - Tiffen Black Pro Mist 1/4, 1/2, 1 - $250.00 Each MISC - TVLogic 7" HDSDI Monitor LVM-071W with Portabrace Case, Plexi Cover - $900.00 (2 Avail) - Mole 4K HMI Par [New Style] with Lenses (and Case), Header Cable, Ballast Cable, Scrims, Barndoors - $9000.00 (2 Avail) - Element Technica Mantis Handheld Rig - $950.00 - DF50 Hazer with Cord - $2000.00 - Motorola CP200 4 Channel Radio Set (4 Walkies with Spare Batteries) with 6 Way Charger - $850.00 - Prompter People 10" iPad Prompter System - $400.00 - Peplink Balance 30 Multi-WAN Router BPL-031 - $200.00 - Canopus ADVC-1000 SDI/DV Bi-Directional Converter - $450.00 - NetGear ProSafe (FS728TP) Switch - $200.00 - Polycom SoundPoint IP 335 Phones (Set of 3) - $125.00 - ShoreTel 230 IP Phones (Set of 4) - $150.00 PHOTOS: http://www.reduser.net/forum/showthread.php?133763-Inventory-Sale-OConnor-Prompter-TVLogic-Arri-FF4-MB20-4K-HMIs-Filters-amp-More ALSO - Epic-X Package - $27.5K: http://www.reduser.net/forum/showthread.php?133758-Epic-X-Package-FS-(Just-add-lenses-and-Media)-27-5K-OBO-Ready-to-Ship - Red One MX Package - $7500: http://www.reduser.net/forum/showthread.php?133759-Red-One-MX-Package-FS-7500-Ready-to-Ship - Red Pro Primes - $13K: http://www.reduser.net/forum/showthread.php?133762-Red-Pro-Prime-Lens-Set-25-35-50-85-100-13K-Ready-to-Ship
  10. NAB 2015, Booth #C6025 Universal Hand-Held Support Rig Offers Flexibility Needed for Accessorized Digital Cinematography BURBANK, Calif. (April 6, 2015) - OConnor, a Vitec Group brand and premier provider of fluid heads, tripods and camera accessories for film and television production, will unveil its new O-Rig 15mm Rod Support System at NAB 2015. The versatile, hand-held support rig is perfectly suited to the a la carte configurations of today's accessorized digital cinematography. The O-Rig is designed to work with any camera/lens combination in 15mm LWS (Light Weight Support) configuration, including the latest offerings from Sony, Canon, Nikon, ARRI, AJA, JVC, Panasonic, Vision Research and RED. OConnor will showcase the newest addition to its award-winning lineup of camera supports and accessories at their NAB exhibit (Booth #C6025) in Las Vegas, which runs April 13-16. OConnor's O-Rig is camera and lens agnostic, providing cinematographers maximum flexibility. Its new, proprietary universal baseplate enables quick and easy camera and lens changes. A height adaptor offers cover for all camera bodies, providing rotation of wide-angle filters, and increasing the lens coverage of OConnor's O-Focus follow focus unit. Uniquely crafted to deliver superior ergonomic performance, the O-Rig also allows users to effortlessly move from shoulder mount to tripod and back again. "Whether our users need to bolt an increasing amount of equipment to their camera or they're looking to maximize their rig for as many configurations as possible, the O-Rig can support them," said Steven Turner, Product Manager for OConnor. "All of OConnor's products are engineered to meet the demands of today's challenging camera work, and now, more than ever, flexibility is key. We believe cinematographers, operators, and rental facilities will be pleased to have such a robust and durable solution from a trusted brand." The O-Rig system is housed in a robust Storm Case, fitted with custom-cut, high-density foam. Each kit includes: an award-winning O-Grips handgrip system; an infinitely adjustable offset adaptor, which allows users to easily reposition camera viewfinders and provides comfort adjustments for shoulder pads; and a shoulder pad with hand-stitched leather construction and aluminum detailing, giving versatile positioning of rods through pad for optimizing counterweight, camera balancing, and body ergonomics. Individual elements within the O-Rig kit will also be available, and are compatible with other 15mm LWS accessories. While the new O-Rig system delivers robust quality and ease of use, it was also designed with an eye towards the future. "The O-Rig is the definition of future proofing," added Turner. "As camera technology continues to evolve rapidly, cinematographers and operators cannot be locked in. They need adaptable solutions that allow them to change and grow, and the O-Rig delivers that versatility without comprising performance." The O-Rig 15mm Rod Support System will be available worldwide in May. Customized shoulder rig packages, designed to support specific cameras, can be assembled upon request. For more information, visit OConnor at www.ocon.com.
  11. Asking $950 Comes with Tuffpack hard case. Currently in LA. Call, text, or email anytime Bradley 770-241-0699 bradleycrane@mac.com
  12. Asking $950 Comes with Tuffpack hard case. Currently in LA. Call, text, or email anytime Bradley 770-241-0699 bradleycrane@mac.com
  13. I'm looking for a tripod (or head only) with capacity of 15-20kg. Best would be Sachtler 20p or similar (18p, Miller Arrow 55, Oconnor 1030). I live in Poland so offers from Europe would be great. Regards!
  14. I have an O'Connor 1030B Tripod head that needs a part. The mounting point between the pan handle and the head itself has been worn down over the years and now slips when tilting the camera. Does anyone know the part number or where I could find it? Please see picture for the exact piece I am talking about. Thank you.
  15. I am selling my OConnor 2575C Fluid Head with Mitchell mount and Standard and Baby Sticks and a couple other accessories listed below. All equipment is in good working condition. Comes with: O'Connor 2575C Fluid head Handle Mounting plate Sliding plate O'Connor Hard Case O'Connor Cine Standard Legs with spreaders and case O'Connor Cine Baby Legs with spreaders and case Rubber feet High hat and low hat Pictures available here: http://www.flickr.com/photos/101151333@N04/sets/72157636368951366/ Asking $15,500 for everything. If you are interested or have any questions, please email my assistant Deb at bigdreamsdeb@gmail.com Thanks! Scott Snare
  16. Complete O'Connor 2060 System for sale Perfect system, everything is in perfect mechanical working order. A few cosmetic scratches. Please contact me at jason@cinemaOxide.com O'Connor 2060 Ultimate Fluid Head 150mm Ball Base O’Connor Baseplate Ball Base Tie Down Pan Handle Custom Road Case O'Connor Heavy Duty Tripod Legs 150mm Bowl Mid-level Spreader SKB case O'Connor 53C Tripod Dolly Made for use with the O'Connor Heavy Duty Tripod legs Individual direction locks for each wheel Individual brakes for each wheel Package: $9,500 (plus shipping) This was my backup system for several years but I no longer need it. I would prefer to sell this as package. Please contact jason@cinemaOxide.com
  17. On the lookout for either of these follow focus sets. With the O'Connor O'Focus, if you have both Cine and Photo wheels, even better. I am based in Paris, France, but get back to the US occasionally as well. you can email me at: throwback2550@hotmail.com Cheers, Clayton
  18. I have an opportunity to pick up a clean set of these 5 lenses for $12.8K for use with my Sony PMW F3. I know they are external focusing and even the focus ring moves forward, as well as being big beasts. Great bokeh and no breathing that I can see. But the price seems very interesting. Any other opinions ? Trying to see if it would be wiser to go with either Duclos Zeiss ZF.2's or Compact Primes instead, as I own a Canon 5D Mark III and often have shoots where we are mixing RED, my Sony PMW F3 and DSLR's. One thing purchasing would mean, would be to find a more solid follow focus and a matte box with a large enough rear opening. Chrosziel provides a package for dealing with the barreling issue: http://www.chrosziel...&wpid=115&sid=0 However, the matte box is reported to be cheap and easy to crack and I am wondering about that follow focus compared to O'Connor and ARRI, being that it starts to fall into the same price range. I still shoot a lot of DSLR though too, so I have been looking at the O'Connor DM with both photo and Cine wheels, but ARRI remains the standard as usual. I really need/like the idea of different transmission ratios depending on whether I am using photo or cine lenses. Any other contenders out there for mixed gear / transmission ratios at a less expensive price point?
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