Jump to content

Search the Community

Showing results for tags 'pal secam 4k audio'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Occupation


Location


My Gear


Specialties

Found 1 result

  1. Client just sprung a 4K/PAL/25FPS requirement for an upcoming shoot here in US. Already had three C300 II's booked, so the camera is capable. This will be a first for me so I did a blitz of research, came up with these settings etc. Below is what I provided the rental house, who are also a bit puzzled, but efforting. Suggestions, observations, GOTCHAS, please. Many thanks. SYSTEM: PAL RESOLUTION: 4K FULL AUDIO: 48khz AUDIO SAMPLE RATE (please confirm this makes sense) CODEC: XF AVC 10BIT 4:2:2 ISO 800 REC 709….OR 2020….NEED ADVICE HERE. 25FPS (YES, 25) 180DEGREES JAM-SYNC TIME-OF-DAY 24-HOUR CLOCK, FREE RUN DROP -FRAME REC OUT 4K RAW: OFF RELAY RECORDING ABB PERFORMED It’s an auditorium shoot. I need Cams A/B to stay tack-sharp on podiums, A head-on, B to the side, Cam C does roving cuts and needs to be able to select focus at the shooter’s discretion. So, FOCUS SETTINGS: “C” CAM, “One Shot” focus mode, Face Detection ON, “Face Only” ON, no tracking. “A” and “B” CAMS, "AF Manual Boosted”, “Face Detection” ON, and I think….”Tracking” off, but we should discuss. All cards verified formatted (sorry, and thank
×
×
  • Create New...