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Found 25 results

  1. Applications opened today for the 2021 class of HPA’s Young Entertainment Professionals (YEP) program. For five years, YEP has connected ambitious and talented creative, technical, project management and administrative professionals between the ages of 21 and 32 with mentors and educational offerings that accelerate their professional development. Applications are due Monday, October 12, and applicants will be notified of their status in mid-November. The 2021 YEP class will begin in January 2021. Since its inception in 2015, the YEP program has nurtured the critically important pipel
  2. The Hollywood Professional Association (HPA) announced that its second Industry Recovery Task Force Virtual Global Town Hall will be held on August 26, 2020 from 11 AM to 12:30 PM PDT. As the industry grapples with the complexities of returning to work in the midst of the ongoing pandemic crisis, the need for comprehensive information from direct sources remains strong. The upcoming global town hall will feature another panel of experts from the creative, health and governmental arenas, who will share the latest scientific, technical and creative best practices to encourage a safe return to wo
  3. LOS ANGELES, (June 18, 2020) – Sohonet, the global experts in connectivity, media services and network security for the media and entertainment industry, announced their partnership with Moxion and its revolutionary platform for HDR Immediates and Cuts. The partnership broadens the range of remote collaboration solutions Sohonet can now offer the production, post and visual effects communities. The partnership will provide the production, post and visual effects communities with a distinct set of tools designed to enable both synchronous and asynchronous remote review to suit every use c
  4. Hi, I just want to share link to Paul-Anthony Mille´s posthouse: http://kafardfilms.fr/film-stocks-processing/ He is doing so far, the cheapest work in Europe. 16mm - 400ft = 200 € 35mm - 400ft = 150 € (Prices are for developming, cleaning and 2K/4K scanning) Development is done by Hiventy lab, Paris and Paul is doing scans at his posthouse. I have not met Paul in person yet, I just want to share this cheap and great quality alternative on market 🙂 Many people already know Paul, but for those who not, this is the solution to keep you shootin
  5. Panavision, the world-class provider of end-to-end solutions, will return to Cine Gear Expo (May 31-June 1) at The Studios at Paramount to showcase the latest innovations in the company’s ever-expanding production and post production ecosystem. Panavision, Light Iron and LEE Filters will display an array of integrated technologies and systems at booth S408 on Stage 3 – ranging from lenses, cameras and filters, to state-of-the-art production and post production workflows – that illustrate Panavision’s commitment to providing the most versatile and powerful storytelling tools. “At Panavisio
  6. Light Iron, a Panavision company specializing in post production services, is again playing an important collaborative role with notable episodic series this season. Customized workflow offerings from Light Iron for BETTER THINGS, THE GOOD FIGHT, THE OA, RAMY, SHRILL, THE MARVELOUS MRS. MAISEL, and WHAT WE DO IN THE SHADOWS, included dailies, digital intermediate, archive, and data services, among other creative and technical contributions. From San Francisco and Los Angeles to New York and Toronto, Light Iron serviced the productions from a range of locations with color and front-end teams in
  7. FotoKem, a leader in digital and film post production, announced today that industry veteran Dana Ross has joined the facility as Senior Vice President of Client Relations. With more than 40 years of experience, Ross will collaborate with FotoKem’s sales and marketing teams to continue to expand its growing creative connections. Ross brings a breadth of experience to this new engagement that encompasses motion picture workflow, production, camera and lens expertise, and decades of relationships with filmmakers. He began his career at CFI Motion Picture Laboratory, first as a projection
  8. Saban Capital Acquisition Corp. (NASDAQ:SCAC) (“Saban Capital Acquisition Corp.”), a publicly traded special purpose acquisition company, Panavision Inc. ("Panavision"), and Sim Video International Inc. ("Sim") announced today that the companies have entered into a definitive business combination agreement to create a premier global provider of end-to-end production and post-production services to the entertainment industry. The combined company will be well positioned to capitalize on the continued growth of content production spending and enhance the scope of service offerings to its custom
  9. As entertainment industry luminaries prepare to swarm Park City for the Sundance Film Festival, Panavision and Light Iron (Panavision’s post production subsidiary) are proud to announce their collaborations with filmmakers on more than 25 projects screening or competing at the 2019 event (Jan. 24 – Feb. 3). The independent filmmakers behind these unique stories leveraged the innovative services of Panavision and Light Iron to provide a full range of offerings from gear to final deliverables. “We’re honored that independent artists join forces with us to achieve their vision,” says Kim Snyd
  10. The Hollywood Professional Association (HPA) has announced the 2018 nominees for the HPA Awards creative categories. The Awards are considered the standard bearer for creative excellence and technical innovation in an industry embracing an expanding array of groundbreaking technologies and creativity, honoring achievement and artistic excellence by individuals and teams who bring stories to life and outstanding content to audiences around the world. Launched in 2006, the HPA Awards recognize outstanding achievement in editing, sound, visual effects and color grading for work in television,
  11. Pacific Post, a full-service editorial equipment rental and services provider, has expanded its footprint with the opening of a new 10,000 square-foot facility in Sherman Oaks. The new location offers 25 spacious Avid suites with 24/7 technical support, alongside a writer’s room and several production offices. Pacific Post has retrofit the entire site which is supported by Avid NEXIS shared storage, 1 gigabyte of dedicated fiber internet connectivity, and individually climate-controlled rooms. “We recently provided equipment and services to the editorial team on Game Over, Man! for Net
  12. Hi Everyone, I have finished the colour grade on a short film and afterwards, have spotted some shots used with a certain camera throughout the production that have dead pixels. I have scanned through the dailies and can confirm they are present from the day they were shot - so this is nothing to do with any post production or data transfer. My question is whether or not it would be worth trying to fix - or just leave it and hope the majority of viewers wont notice. As I want to avoid any possible degradation and compression of the overall image during the post pipeline. It just
  13. Hei guys, I need some help and wonder if any of you creates DCP in DaVinci and if it's possible doing it this way. situation I have a short film (10min long), final export full HD at 25fps 16:9 (but we shot in 2.39 scope so it comes with letterbox). So far Festivals have always been asking for a vimeo link or DVD, and now we've been selecting for a Festival accepting only DCP. in DaVinci in the exporting setting I know you have the video format option of easyDCP -codec: 2K DCP (there's also the option of flat and scope, but I thought as the final export is 16:9 to keep the c
  14. 11th Annual Industry Honors Shine Spotlight on Excellence in Sound, Editing, Visual Effects and Color May 16, 2016 (Los Angeles, CA) The Hollywood Professional Association (HPA®) has announced the opening of its Call for Entries in the Creative Categories for the 11th annual HPA Awards. These categories, considered the standard bearer for groundbreaking work and artistic excellence, recognize creative artistry in the field of post production. The HPA Awards promote the achievement of talent, innovation and engineering excellence in the larger professional media content industry. The
  15. Hey there, I'm unsure where to start, so I'm just going to say it all. I have a feature which was graded in FCPX using both a macbook pro and a calibrated monitor. Because most people initially watching the film were going to do so on their computers, we thought it best to find a middle ground for exposure and color so that it could be played on a computer, television or in a theater. Now that the film has been accepted to play publicly, we've been told that the blu-rays will be authored by an outside company for exhibition. That company mentioned that each film should have been graded
  16. Facility Relocates to Second Line Stages, Adds Finishing Suite NEW ORLEANS (November 16, 2015) - FotoKem has expanded its award-winning post production services in New Orleans, and moved into a new space here at Second Line Stages, a production hub for the local filmmaking community in the heart of the Lower Garden District. Previously situated downtown near the French Quarter, FotoKem has been supporting local productions and providing quick deployment of its on-set and near-set nextLAB systems since 2011. As part of the expansion, FotoKem has added a dedicated Mac-based Blackmagic D
  17. JL Cooper Eclipse CX Coloring Board. Has very little wear or signs of use and comes equipped with an ethernet in the port. All lights and functions work perfectly. It was previously used to grade feature films but we don’t use it anymore. For a full list of features and specifications, please see below: Features • Works with DaVinci Resolve • New support in Snell Archangel Ph.C - HD • Speeds Color Grading Workflow • Integrated Compact Control Surface Saves Space • Precise, Hi-Resolution, Professional Quality Controls • Easy-to-See Illuminated Keyswitches • Attractive, Low Profile and Compact
  18. Greetings People, My first post, had a search and can't find anything specific on the subject (please correct me if I'm wrong) The 'TV Movie Look' I first heard this on an episode of Entourage where a Director fires his cinematographer due to making his film look like a TV Movie. After hearing this I looked into it and you can just tell now when a film, or series have that 'look' So my question really is, what makes it look like that, and how in the hell can you really avoid it lol A great example is anything by 'The Asylum' lol
  19. BURBANK, CA - FotoKem recently completed the digital intermediate and post production services for the indie film Palo Alto. Working with director/screenwriter Gia Coppola and cinematographer Autumn Durald, FotoKem colorist Alastor Arnold fine-tuned the natural look created in camera to ensure the filmmakers' vision for this teen tale is reflected on the big screen. Based on James Franco's short story collection about rebellious high school kids in suburban California, Palo Alto has been praised for Coppola's coming-of-age storytelling and for Durald's evocative photography. The film, which m
  20. Here is a tutorial video I posted on YouTube on how to get timecode on DSLR clips and other post production workflow tips. Mac centric.! Or you can read my blog post at http://remoteaccesspost.com/adding-timecode-to-dslr-footage/ Hope you find it useful!
  21. Veteran Facility Owner Werner Winkelmann Will Oversee Motion Picture Film Processing (SYDNEY, Australia) Neglab, a motion picture film laboratory for processing 35mm and 16mm color negative, will reopen its doors later this month, providing high-quality film processing services to the region. Werner Winkelmann, original owner of the facility, has over 25 years of experience working in the lab industry and brings extensive expertise to the entire imaging chain. "All of us at Neglab are thrilled to re-engage with the filmmaking community and provide outstanding lab services for the regi
  22. (HOLLYWOOD, CA) Margarita Mix Hollywood, a FotoKem company that has been providing award-winning audio post services to the entertainment and advertising industries for 34 years, has developed a unique post production finishing workflow that includes the addition of two color suites and an upgraded hub for media management. The expansion and inventive new process enable content creators to complete audio and video work simultaneously at a single facility, adding speed and cost efficiencies to the workflow. The new color suites are completely integrated with the existing audio bays, utilizi
  23. Hey guys, We've established a new production house in Lebanon, Middle East. We provide all kinds of audio-visual media services from Pre production to post. Check our website and let us know what you think: www.pandorafilms.tv
  24. I am shooting several action scences using a green screen behind the action. This will be a 3 camera shot; 1st camera left at a 45 degree facing center stage, 2nd camera set center stage and the 3rd camera right facing 45 degrees facing center stage. All camera's are locked and spaced equally apart. How or what plug-in (if needed) to After Effects or Premeire Pro would I need to create a seemless movement interacting with all 3 cameras. The transition movement needs fast from camera 1 to 3 and slower in different action parts. In other words, I am would like the 3 camera's to work as one, and
  25. FotoKem and SPY (a FotoKem company) combined in-house talent and key post-production services for the Sundance winning film Fruitvale, written and directed by Ryan Coogler with cinematography by Rachel Morrison. The film won the festival’s coveted Grand Jury Prize and Audience Award for a drama, and was acquired by The Weinstein Company soon after its premiere screening. Providing end-to-end services for the Super 16 mm project, FotoKem and SPY worked closely with the filmmakers from start to finish. Fruitvale was processed and transferred at FotoKem in Burbank. The files were delivered to
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