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Showing results for tags 'prime lens'.
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For Sale : Optex 5.5mm T2 Prime Wide Angle S16 Lens Email sales@broadcastsolutions.com for pricing and details.
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For Sale : Optex 8mm T2 S16 Wide Angle Prime Lens Email sales@broadcastsolutions.com for pricing and details.
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Please contact me with any questions and/or to receive pictures. ARRI/Zeiss 27mm T1.3 LDS Master Prime Lens = $12,000 Angenieux Type EZ Zoom Premium Lens Kit = $20,000 Includes: - Type EZ-1 30-90mm T2 Super 35mm Lens + 45-130mm T3 Full Frame Back - Type EZ-2 15-40mm T2 Super 35mm Lens + 22-60mm T3 Full Frame Back - Movcam MSU-1A Single Axis ENG Servo Unit (Brand New) - Type EZ Lens Hood (Brand New) - Pelican Case Angenieux HR 11.5-138mm T2.3 "Super-16" Zoom Lens = $6,000 Includes: - Century "Super-16" 2x Extender - Arriflex LS-8 Lens Support Bracket (15mm) - Set of Iris Rods (15mm) - Pelican 1450 Case Angenieux HR17-102mm T2.9 Zoom Lens = $4,000 Includes: - Set of Iris Rods (15mm) - Flight Case Angenieux HP 25-250mm T3.7 Zoom Lens = $7,000 Includes: - 122.5mm to 138mm Step-Up Ring - 138mm Sunshade - Lens Bridge Support Bracket (15mm) - Set of Iris Rods (15mm) - Flight Case Cooke Optics Cinetal 25-250mm T3.7 (Mk-3) Zoom Lens = $8,000 Overhauled by Duclos Lenses Includes: - Lens Bridge Support Bracket (15mm) - Set of Iris Rods (15mm) - Flight Case
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- angenieux
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Hi, I have for sale vintage lens - Carl Zeiss Jena Sonnar 180mm f2.8, converted to PL mount. Lens is in excellent optical condition, collimation is fine, infinity focus works. There is an original long plastic sunhood supplied. PHOTOS: https://photos.app.goo.gl/o13x5GV6JPewCsvs9 PRICE: €350 + shipping
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- zeiss
- carl zeiss
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Hi, for sale is vintage Carl Zeiss Jena prime lens - Flektogon 50mm f4 in very good condition. Lens is converted to PL mount, collimated, all witness marks works fine. Lens covers 65 image sensor. Photos Payment via PayPal PRICE: 350 EUR (incl. shipping)
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LOMO OKS (OKC1-50-1) prime cine lens 50 mm f\2, OCT-19 mount for Russian professional movie camera Konvas, Kinor, can be used on digital cameras with adapters have follow focus metal ring 0.8 mm. Excellent++ working condition, lens clean and clear, no fungus, no scratches, no durst and oil inside, aperture and focus is smooch. F= 50 mm T2.2 OCT-19 mount, S\N: 770916 Made in USSR in 1977 Included lens with focus Arri standard ring 0.8, rear and front lens cap. The price: 550 usd+ shipping email: schubert@ngs.ru or ebay price: https://www.ebay.com/itm/164377511043?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 Worldwide shipping.
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Re-housing, PL mount upgrade Focus, iris cotrol gear upgrade. 80 mm front adapter for universal lens hood systems. https://sites.google.com/site/olexservicelenses/home/lens-pl-upgrade/lomo-22-mm-f2-0t2-5-35-oks-3-22-1 https://youtu.be/FH9ZujEIAp4 Available re-housing, PL upgrade 18 mm OKS-5-18-1 22 mm OKS-3-22-1 28 mm OKS-4-28-1 28 mm OKS-7-28-1 35 mm OKS-11-35-1 50 mm OKS-1-50-1 50 mm OKS-1-50-6 75 mm OKS-6-75-1 Other lenses, to ask.
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- lomo
- pl upgrade
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Set of 10 ZEISS CP.3 Compact Prime Lens 15,18,21,25,28,35,50,85,100,135mm (PL Mount, Feet) (Covers Full Frame) Barley Used! Excellent Condition! Comes with 2 Custom cases
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- zeiss prime lens
- director of photography
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Cooke Optics S4/i Primes Set of 8 = $110,000 - Includes: 18, 25, 32, 40, 50, 75, 100, & 135mm Cooke Optics S4 Primes Set of 14 = $195,000 - Includes: 14, 16, 18, 21, 25, 27, 32, 35, 40, 50, 65, 75, 100, & 135mm All lenses are in great condition . . . bench tested/serviced to factory specs & ready to shoot. Contact me for with any questions and/or to receive pictures.
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For Sale: Zeiss/Arriflex 28MM & 50MM Lenses have been mounted, but never used in a production environment. "New" in original boxes. The physical condition is as new and is free of scratches, cleaning marks or oil. Based on serial numbers these are from the last batch of Standard Speeds Arri made. Rare opportunity to own new vintage lenses. Format: Super 35 PL Mount 80mm Front Diameter Include front and rear caps Lenses 28 mm T* 2.1 ($5500.00) 50 mm T* 2.1 ($5500.00) PM with any questions or interest Lenses are in Los Angeles and available to see.
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So I was watching some clips from Nigella Lawson’s most recent cooking show, At My Table, which aired on BBC Two in the UK, and I’m kind of torn between it looking gorgeous and there being just too much bokeh. Sometimes it felt like there was just too much of it and that the field of sharp focus was just too small. There could be, I think, a limit after which it’s just to painful for the eyes to watch. http://www.bbc.co.uk/programmes/b09d980t/clips These clips are probably only visible for those in the UK. Perhaps these YouTube ones might work – YouTube will suggest other clips from the show: The cinematography was handled by Robin Fox, just as it was in the previous show, He seems like such a great guy in this little video about how Simply Nigella was shot and lit: http://www.newsshooter.com/2016/06/21/sheffield-doc-fest-2016-robin-fox-on-shooting-and-lighting-simply-nigella/ (When I was watching him speak, I was reminded of Prince William: they both seem to have this particular way of shaping their lips when talking. Don’t know if that’s something that a certain [tiny] part of the UK population do.) EDIT: Oh, no! How does this happen?! Somehow part of the title got clipped off: the title should be “Is there such a thing as ‘too much bokeh’”?
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- bokeh
- shallow depth of field
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LOMO fast PRIME lens 100 mm f2 OCT-19 mount, EX+ (OKC1-100-1), Made in USSR 1977 Lens clean and clear, excellent condition, price $700+ shipping
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- prime lens
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LOMO PRIME lens OKC 22 mm f2, OCT-19 mount, KINOR style, excellent condition, made in USSR in 1981. F=22 mm T=2.4 price: $600+ shipping. email: schubert@ngs.ru
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- LOMO
- Prime lens
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I am looking to sell my set of 5 Arri/Zeiss Ultra Prime lenses which have only been used for testing and are virtually brand new. Comes with orinal Zeiss boxes and warranty. Great set with some gorgeous focal lenghts not usually found in the standard set. 16mm T1.9 28mm T1.9 40mm. T1.9 65mm T1.9 100mm T1.9 Located in Los Angeles. Thank you!
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I'm using some rented Zeiss Super Speeds (T1.3) on a film I'm shooting on a Red Scarlet. When I tested them at the rental house everything seemed perfect, however now that I am using them outdoors I've found that when I stop down in bright sunlight (or any sunlight really) I can see the iris closing, leaving a kind of pale spot in the middle of the frame. Any advice would be greatly appreciated!
- 11 replies