Jump to content

Search the Community

Showing results for tags 'production design'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


  • Cinematography Forums
    • General Discussion
    • Cinematography News
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Cine Marketplace
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support

Find results in...

Find results that contain...

Date Created

  • Start


Last Updated

  • Start


Filter by number of...


  • Start





My Gear


Found 3 results

  1. Hey guys. Currently writing my dissertation for my university degree. I'm writing on the topic of colour in film and to what extent it evokes emotions in the audience. I have discussed a lot to do with both cinematography and production design, mainly the importance of the collaboration between the two roles. A large majority of my essay is currently discussing modern black and white cinema too. I have a few questions relating to my main question. Would be highly appreciate if I could get some answers/opinions on the topic from some of the DOPs in the group. Would love to hear examples of your actual work as well. Thanks in advance. Main question: To what extent does the use of colour in film evoke specific emotions in the audience? Sub Questions: What would be your main reason for choosing to shoot a film in black and white? In what ways would you work differently in creating specific emotions, how do these differ to shooting for colour? How did you direct the audience to a certain part of the frame without the use of colour? In regards to the colour films you have shot, did you work with any kind of colour harmonies in mind when shooting the films? How closely do you work with the production designer in creating a specific feeling/mood throughout a production? If there is anything else you would like to add please do include it in your answer. Thanks!
  2. Hello! Can anyone please advise some trustworthy and relevant literature on scenic / production design? Thank you very much!
  3. Does any one know of any good production design forums with a large user base and community support similiar to this site?
  • Create New...