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Found 5 results

  1. Just for educational purposes, here is some footage from a short I shot last year. We were stealing this, so we couldnt light anything. It's all available light. https://vimeo.com/174719862 We shot 5219 with a 2 stop push. I rated it at 1250, which gave me about a t/2 in some places, but often my meter said "E.U.", so I really wasnt sure how it would turn out. We I went in for the transfer i was very very impressed by how it held up, even with it only being 2-perf. I'm so used to thinking that you need to shoot digitally if you want to shoot available light at night, but this turn
  2. Hello, I have a short film shoot set to go to camera early November and we're shooting on Kodak 35mm film. There's a particular scene involving two characters who go out for a night in the city and involves them running through the streets, in china town shops, and restaurants. We've set aside 5219 for those scenes and will be shooting on Zeiss Super Speeds but I'm worried it still won't be enough. So I've thought about push processing. The look of push processing would also aid the story as everything is supposed to feel heightened for the characters. I've never attempted it before so I w
  3. Ok, this is my first film shot with motion picture film. I read as much as I could about it a jumped right in. This weekend we filmed a very fun and cheesy, short for a Zombie Film Challenge. I'll be sending the footage to the lab on Tuesday. I had a relatively simple one-location story (my garage) with the lighting you see in the photo. In the back, the large white square on the ceiling to the far right behind the practical is a 250 watt Lowel Pro Light. In front there is a 500 Watt Lowel Omni Light and to the far right a 1000 watt Strand Bambino Fresnel on full. I didn't use my light met
  4. Hi all, I've recently finished shooting a music video on 4-perf 35mm, 5219. I'm about to send the film off for processing/transfer and I'm sort of stuck as to whether I should get an HD telecine or a 2k scan. The price difference given the amount of film I'm working with is not that large of a concern. My lab of choice (the wonderful Video and Film Solutions in Maryland) uses a Spirit for both. Now obviously, as it's a music video, it'll only ever be viewed on computer screens, so I'm sure the difference won't be too drastic between the two, but there are still some factors to consider
  5. Hello and thank you for any help in advance. I shot my first couple of rolls of 16mm yesterday (Vision 2 and Vision 3 500T in a 16mm Arri from the 60s). To help you understand where I'm coming from with this question, I shoot digital regularly and also 35mm film stills, which I develop. Also, all the tools I was working with yesterday are ancient--finicky in the working, but working. My hope for the two different shorts are medium to high contrast with fine grain and lots of saturation. Here's my problem: I need to know whether to tell Fotokem to push the film a stop or two. Both s
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