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Found 1 result

  1. My team is about to take possession of an Amira. We’ve been renting for a while and shooting Log-C as standard. I’m starting to question the merits of shooting Log. Typically we shoot product footage in a studio, with finely tuned and very controlled light. We really craft each shot – bread and butter shots are pretty low DR. Occasionally we go for dramatic contrast. I’ve done a fair but of reading on the theory, pros, and cons of shooting Log, but I have to say I’m still not convinced either way. If I’m careful with clipping and try to get a healthy looking histogram/waveform, is Rec 709 ju
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