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Found 5 results

  1. I hope this is the correct forum for my question. I'm using a Panasonic GH5 with V-log L. I'm a bit confused on using V-log L. I was told that the reason for using log in general is to save the highlights (especially the sky in outdoor shoots). But in most forums, they are advising to over expose the shot to get rid of the noise in the shadows. But doing this blows out the skies. Therefore, I think there is no sense in shooting with log. Just shoot with a standard profile and light the scene correctly as v-log can't save both highlights and and shadows at the same time. The problem is,
  2. Lots of discussion on the why of shooting with an iPhone, but I'm wondering about how. As in how do you create lighting that will let you get a good meaty picture and lots of subject separation using an iPhone. Expressiveness is a topic for another day. Specifically where would you start with light levels, ratios, color temps, and the rest? I presume you would set light levels so the camera could be shot at its native ISO value, but beyond that: Would you go very hard source light? Ultra diffused? Religiously keep your ratios at 2:1 or eliminate the fill and let the shadows fall where
  3. Hello group! Just finished watching the great Wes Anderson film: "Moonrise Kingdom" (2012), which - according to IMDb - was all shot on Kodak Vision 3 200T Super 16mm (A-Minima and Aaton Xtera). It looks fantastic IMHO. I wonder how the night scenes were done. These look underexposed on purpose, which of course is the correct choice, but I can see no coarser grain anywhere. Was it perhaps exposed correctly and darkened in post (or pull processed)? The grain pattern is really nice and very even throughout the movie (it seems to have a few zoomed-in shots done in post, making it jus
  4. I'll be shooting soon a short film (as DP), and I only have a small amount of choices in term of which camera I can use. I was wondering if anyone has personal experience to share as for how these cameras work in a low key light system, which of these cameras render the black at the best, with which one we can play with sort of gamma settings so as we can get a good latitude? I also have the opportunity to work with Panasonic AF101, but I don't like codec so much beside the fact it crashes the highlights very quickly and can't go beyond 2 stops 2 stops and a half in the blacks, so I was
  5. NOTE: I think this could be a broad question, and most people (I hope) will have something to say but admins feel free to relocate this thread if it doesn't belong here. I'm writing a paper temporarily entitled 'Aesthetics in the Absence of Light: Storytelling Through Shadows' and have purchased several books on the film noir and horror genres and on film lighting in general. I'm finding, however, that the films referred to in the books are either too obscure and not great films or the few obvious choices. I can't watch every film in existence looking for shots that utilise shadows effecti
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