Jump to content

Search the Community

Showing results for tags 'shining'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • News & Press Releases
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Cine Marketplace
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Website URL


Skype


Location


My Gear


Specialties

Found 3 results

  1. According to the article "The Steadicam and "The Shining" (American Cinematographer - August 1980) Garett Brows says : "To annoy him we would indicate the forest of TV antennas aimed at the studio from suburban Borehamwood and imply that the TV signal was escaping the sound stage and being watched by a gaggle of “Monty Python” women every morning: “Ooooh, poor Mr Brown!… That take seemed perfectly good to me!” Somewhat later, our imitation ladies got even more sophisticated: “Ooh, must be the 24mm Distagon!, see how it’s vignetting in the viewfinder!” I was thinkking if that "24mm Dista
  2. Hello .. Can anyone identify what zoom lenses are ?? I'm pretty sure the one from 'The Shining' it's Cooke Varotal 20-100mm T3 But what about the other's ?? Thanks again !!
  3. Dear Forum, Stanley Kubrick is a director whom I have admired for as long as I can recall. His innovations to filmmaking are innumerable and in his wake has inspired several contingents of new filmmakers to push the limits in terms of conventions. Anyway, it was yesterday when I rewatched The Shining that a particular question came to my mind - his lighting techniques. I know that Kubricks use of practical lighting was quite groundbreaking, but how much did he actually rely on them to light the entire set (excluding the use of large daylight fixtures for interior day scenes)? Kubrick e
×
×
  • Create New...