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Angenieux HR 11.5-138mm T2.3 Zoom Lens = $8,000 Super-16mm Includes: - Century 2x Extender - Lens Support / Motor Combo Bracket - Lens Bridge Support Bracket (15mm) - Set of Medium Iris Rods (15mm) - Pelican Case Angenieux HR 17-102mm T2.9 Zoom Lens = $6,000 Includes: - Lens Bridge Support Bracket (15mm) - Set of Long Iris Rods (15mm) - Flight Case Angenieux HP 25-250mm T3.7 Zoom Lens = $8,000 Includes: - 122.5mm to 138mm Step-Up Ring - 138mm Sunshade - Lens Bridge Support Bracket (15mm) - Set of Long Iris Rods (15mm) - Flight Case Canon FD 600mm T4.5 Telephoto Lens = $3,000 Includes: - Hood Extension - Tiffen 2x3 Pola Filter - Tiffen 2x3 85 Filter - Tiffen 2x3 85N3, 85N6, 85N9 Filters - Tiffen 2x3 ND3, ND6, ND9 Filters - Tiffen 2x3 ND3, ND6, ND9 HE Grad Filters - Flight Case Canon FD 800mm T5.6 Telephoto Lens = $3,000 Includes: - PL & PV Mounts - Lens Bridge Support Bracket (15mm) - Set of Long Iris Rods (15mm) - Hood Extension - Tiffen 40.5mm 85 Filter - Tiffen 40.5mm 85N3, 85N6 Filters - Tiffen 48mm 85 Filter - Tiffen 48mm 85N3, 85N6, 85N9 Filters - Flight Case Fujinon 18-85mm T2 Premier Zoom Lens = $25,000 Includes: - Lens Bridge Support Bracket (15mm) - Set of Long Iris Rods (15mm) - Flight Case Nikkor ED 200mm T2 Telephoto Lens = $3,000 Nikkor ED 300mm T2 Telephoto Lens = $9,000 Includes: - Century Precision 1.4x Extender - Century Precision 2x Extender - Hood Extension - Lens Bridge Support Bracket (15mm) - Set of Long Iris Rods (15mm) - Tiffen 40.5mm Optical Flat (Clear) Filter - Tiffen 40.5mm Polarizer Filter - Tiffen 40.5mm 85 Filter - Tiffen 40.5mm 85N3, 85N6, 85N9, 85N1.2 Filters - Tiffen 40.5mm ND3, ND6, ND9, ND1.2 Filters - Tiffen 40.5mm Black Promist 1/8, 1/4, 1/2, 1 Filters - Tiffen 40.5mm White Promist 1/8, 1/4, 1/2, 1 Filters - Tiffen 40.5mm Coral 1/8, 1/4, 1/2, 1, 2, 3 Filters - Tiffen 40.5mm LLD Filter - Tiffen 40.5mm 812 Filter - Tiffen 40.5mm Ultra Con 1/8, 1/4, 1/2, 1, 2, 3 Filters - Tiffen 40.5mm Enhancer Filter - Tiffen 40.5mm Supafrost 0, 0+, 00, 00+ Filters - Tiffen 40.5mm Green #11 Filter - Tiffen 40.5mm Red #25 Filter - Tiffen 40.5mm Yellow #8 Filter - Tiffen 40.5mm Mitchell A, B, C Filters - Flight Case

Hello everyone! I own a bolex h16 sbm and am looking to buy a motor for it but finding it hard to find. Any recommendations on which types are better / where I can source one from? I'm also thinking about converting to S16. Does anybody know a trusted person to do this? Thank you!

<iframe src="https://player.vimeo.com/video/244517536"width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> <p><a href=" ">iron sportster 883 hd</a> from <a href="https://vimeo.com/user18835395">Prashantt Rai</a> on <a href="https://vimeo.com">Vimeo</a>.</p> https://vimeo.com/244517536 I shot this long time back, early 2014 perhaps. Had the negatives scanned, graded, and 2k footage stored in a hard drive. The drive crashed. Data recovery guys were asking a lot of money. I got it scanned again now. I shot this with a focus puller and a driver one early morning on Kodak 200T.

Hey everybody, On another thread awhile ago I saw somebody looking for advice on how to achieve that "Kodachrome look" when there aren't many reversal options left. There was a great suggestion to try making a print of the negative, and transferring THAT. Has anybody done this, and does anybody have any links to the results? 20 years ago in film school, I remember getting a 16mm work print transferred to VHS (!) and I remember it looked cool, but that was a long time ago and I don't still have it. I would love to see iif this is worth doing, or if it's too much hassle / expense for something that could maybe be achieved just as well or better in a standard telecine with the right colorist, etc. I'm shooting a Super-16 film later this month and I, too, would love that heavily saturated reversal "look". Thanks so much for any advice, Bo Price

Hey everybody, I’m shooting a short on Super-16 film at the end of October in Los Angeles and I’m looking for a DP. I’m hoping to shoot on an Arri 416. (The last time I made a Super-16 short I used the Aaton A-minima, which I loved, but apparently that is now defunct.) So... I would love to talk with anybody who has extensive experience with the 416 -- loading, etc. Also, if any anybody HAS the 416, that would of course be a double bonus. Or if anybody KNOWS a DP with his own 416, please pass this along. We are low budget, but THIS IS PAID. Please contact me privately and I can tell you more about the project. Tone wise, it’s (hopefully) a mix of “Willy Wonka” and “Jackass”. You can see a link to some of my previous shorts below. Thanks so much! Bo Price Www.boprice.com Boprice@gmail.com

Hello, I'm in the market for a super-16 camera with video assist/tap, 400ft mags, crystal sync at 24/25. Got my eye out for an Arri SR2, SR3, or an Aaton, although a reliable Eclair NPR could do the trick. A camera in Europe is preferable as import duty costs a fortune. Looking to spend £1000 - £2000 ($1650 - $3300) depending on the model and condition. Thanks, Greg