Hey everybody,
On another thread awhile ago I saw somebody looking for advice on how to achieve that "Kodachrome look" when there aren't many reversal options left. There was a great suggestion to try making a print of the negative, and transferring THAT.
Has anybody done this, and does anybody have any links to the results?
20 years ago in film school, I remember getting a 16mm work print transferred to VHS (!) and I remember it looked cool, but that was a long time ago and I don't still have it.
I would love to see iif this is worth doing, or if it's too much hassle / expense for something that could maybe be achieved just as well or better in a standard telecine with the right colorist, etc.
I'm shooting a Super-16 film later this month and I, too, would love that heavily saturated reversal "look".
Thanks so much for any advice,
Bo Price