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Hey everybody, On another thread awhile ago I saw somebody looking for advice on how to achieve that "Kodachrome look" when there aren't many reversal options left. There was a great suggestion to try making a print of the negative, and transferring THAT. Has anybody done this, and does anybody have any links to the results? 20 years ago in film school, I remember getting a 16mm work print transferred to VHS (!) and I remember it looked cool, but that was a long time ago and I don't still have it. I would love to see iif this is worth doing, or if it's too much hassle / expense for something that could maybe be achieved just as well or better in a standard telecine with the right colorist, etc. I'm shooting a Super-16 film later this month and I, too, would love that heavily saturated reversal "look". Thanks so much for any advice, Bo Price