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Showing results for tags '16mm camera'.
Found 12 results
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FOR SALE: I am am hoping to sell this all as a kit and am hoping to get $3500 USD. I am selling the following: -Bolex H16 Rex 5 w/ 10x viewfinder. The camera was just CLA’d by Abdul at Cinerepair and has a brand new govenor. It runs like a top with a very strong spring. It is in excellent condition. -Kern Vario Switar 16-100 POE f/1.9 C Mount Lens. glass is very clean. Zoom, aperture, and focus are all smooth -SOM Berthiot 10mm Cinor f/1.9 for Bolex RX -Bolex 400ft magazine with torque motor and roller bearings -Sekonic Studio Deluxe 2 analog incident meter If interested, please send me a DM. I can provide pictures and video. I can piece out items if needed. Because of the cost, I am only shipping this kit in the US. I am only accepting PayPal at the moment.
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Hello there ! I am wondering about the scan part of the production for upcoming tests on an eclair gv16. Am i suppose to ask to the lab to make the Scan or TC at regular 25fps recommendation or am i missing something ? I understand that it is good to match the frame rate to the scan/TC 'rate' for 25 fps and under, but for the rest, i don't have an idea. thanks in advance Jordan -
Hello, has anyone made a pl mount to pl mount focal reducer for super 16 cameras? I want to use larger format lenses on super 16 film cameras with lenses like the 12mm master prime, or the 18mm tokina and it's derivatives. I don't want to pigeonhole myself into buying a whole bunch of super 16 primes (before you ask, no one in my area offers any motion picture film cameras), but I want to use them to their fullest image circle wise while on super 16 as I feel it within the world of the available film stocks like vision3 it still has texture comparable to old film stocks but I want the perspective that shooting a super 35 or larger camera would force me to do in terms of distance from the subject relative to the field of view. So y'know how there's pl to pl focal expanders? Has anyone made a pl to pl focal reducers then? Also, can you convert a 416 to shoot regular 16mm like you can with an sr3? I just want to know as another element of which to buy. -
Hi, Can anyone suggest how I should treat rust on the inside of an Arriflex ST's door (see photo)? If I run my finger along it leaves a residue. Also, there's some very fine paint flaking off inside the camera and some fine dust/rubbing in the corners of the magazine cavity on top of the camera, which falls and collects inside the camera where the 100ft film is. Any suggestions on what I should do to maintain it would be much appreciated. Thanks. IMG_0302.heic
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Hello, I have 3 packages of 16mm cameras to sell. They are supposed to be sold as a sets, but I will also consider offers if someone would like to buy a lens or camera separately. Cameras are located in Warsaw, Poland. SET NR 1: 1. Camera: - Bolex EBM Super16 2. Lenses: (all those lenses were serviced, lubricated and collimated. All covers Super16 format) - Kern Vario Switar POE 16-100mm F/1.9 - Switar 10mm f/1.6 - Switar 16mm f/1.8 - Switar 25mm f/1.4 3. Accessories: - 2x 400ft mags and 1x MM motor for 400ft mag - Battery charger - Power grip + power grip battery (I don't think it needs re-celling, never had a problem with it) - Remote control cable - Battery container - 7 filter frames with filters (ND 0,6, ND 0,9, ND 1,2, 85/ND 0,9, 85B/ND 0,3, 85, 85B) - Set of Kodak wratten gelatine filters and ND gelatine filters - Bolex bayonet to C-mount adapter - Bolex bayonet to Nikon adapter - 4x 200ft spools - 2x100ft spools - Metal case Here are a few shots made with that camera throughout the last three months: Asking price: 4500 euro SET NR 2: 1. Camera: - Bolex SB Regular16 2. Lenses: - Angenieux 12-120mm f/2.2 Cameflex mount - Angenieux 12-120mm f/2.2 Bolex bayonet mount (this one has glasses in perfect condition, but it needs some collimating. I can arrange it in Poland, before shipping) - Angenieux 12-240mm f/3.5 Cameflex mount 3. Accessories: - Bolex MST motor and battery pack - Pistol grip - Bolex RX-Fader - Bolex bayonet to cameflex mount adapter - 2x100ft spools - Metal case Asking price: 2500 euro SET NR 3: 1. Camera: - Krasnogorsk-3 2. Lens: - METEOR-5-1 17-69mm f/1.9 3. Accessories: - Filters - Lightmeter - Pistol grip - Bag Here a few shots made with that Krasnogorsk and 30 years old ORWO stock (I was surprised that anything came out of it): If you will have any questions or you would like me to send you photos of the cameras, please contact me by email: janbujnowski1@gmail.com Thanks!
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Looking to buy an Eclair NPR. PM me if you have any leads. Thanks~
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I know there are many Krasnogorsk haters on this forum but I wanted to share this awesome project by Russian DP Max Ivanov. It's been 2 years in the works and so much effort has been put into this with a ton of custom machined parts and boards. Here are the specs as shared on the Instagram page for the project: - Camera works with 7-12V batteries (it has a 2-pin lemo connector for power input) - Swiss 100 watt BLDC Motor. (BLDC motors have longer service life and were installed on the Aaton A Minima, XTR Prod, Arri 416.) - Motor controlled and stabilized by a microcontroller - Sync is accurate to 0.001fps at 25fps. (between 0.01-0.001 at other framerates) - Framerates: 1-50 fps - Video tap is based on GoPro internals which allows to record the tap feed in-camera. (Max said he will be adding a cable clamp / adapter since it uses the unreliable micro-hdmi connection from the gopro internals) - Optical viewfinder can be used at the same time as the video tap - Wi-Fi control which allows to set framerate and run/stop wirelessly via your phone - Electronic footage counter. (Maintains footage count after being powered off and has a reset button) - Super 16 gate with ground glass adjustment mechanism. FFD can now be easily tuned and will be precisely set on every model. Max will also be selling a set of tools for calibrating the FFD on this camera so you will be able to calibrate it yourself (I can already hear some of you complaining about how nobody should attempt to do this on their own unless they're a trained technician) - Super 16 viewfinder with correct markings - PL Mount Obviously not a camera for every situation, like narrative projects or basically anything with dialogue. However, I think it's perfect for more abstract projects like music videos or fashion films, especially when you need to move fast and do dynamic handheld stuff. I have one preordered and am super excited to test it out once it's ready! (I think the current eta is March/April)
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CAMERA ARRIFLEX + SCHNEIDER CINE-KREUZNACH SET aSKING PRICE : 6000 Euros / Location : Paris, France THIS KIT IS TESTED AND READY TO ROLL. The camera number shows it is one of the latest model, the body and the mags are in perfect condition, so as the lenses. This kit contains : - 1x Camera body ARRIFLEX 16 s + Matteboxe - 4x lenses + focal extender x2 : 16, 25, 50 & 75 - 2x 300ft Magazine (122 meter) - 1x 8 volt Battery + case - 2x Motors (1x 25fps motor & 1x Variable speed motor from 8 to 48 fps) - 1x Viewfinder extension - 2x Flycase All the material are like new, no sign of use (NO SCRATCH, NO TECHNICAL PROBLEM). The photo tripod in the pictures is not included in the kit. Here is some pictures of the hole kit, and multiple footage that i shot with it, it includes an audio sync shot with the 25fps motor : https://drive.google.com/drive/folders/15O28olFOoT8RYyXCPoNKTD2SjgrYUTBi?usp=sharing Here is the ebay link to the offer : https://www.ebay.fr/itm/144256898217
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Hello, I am looking for an Eclair NPR Crystal Sync motor. My motor had some issues and I cannot rely on it for filming. It seems almost impossible to find one these days on eBay or in any store that sold it in the past. I am asking here to see if anyone can help to shine some light on my search. ? Thank you, Leo
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Hi all, Just got a Krasnogorsk-3, having an issue with the film slipping up the sprockets as I run it through (at least I think this is the issue but may be wrong) Seems like the sprocket roller isn’t attatched properly on the on the top side? I've tried adjusting with the position of the release pins but even when the film seems to be proplery in place, the film still shifts up and then pulls out the pressure plate as soon as I start to shoot.. Very new to this so any help would be much appreciated, Thanks so much.
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I am looking for the instruction manual of PATHE ELECTRONIC DUOLIGHT in any language. Thank you very much for your attention!
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Hawk-Woods MDV Link System question. 16mm camera battery.
Guest posted a topic in General Discussion
Hello, I have a question about Hawk-Woods MDV Link system. I have a 16mm camera which requires a 12v 5-7A power source with 4-pin XLR out. At the moment I'm using a sealed acid motorbike battery, but it's heavy and it takes ages to charge it. The question is: can I use a Hawk-Woods DV-F970 LLithium-Ion Battery ( which is 7.2V 47W 6600mA) and Hawk-Woods DV-XLRR MDV 12V Step-Up Power Adaptor to power the camera? I'm not really good at electricity, please help me. Thank you.
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