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Hello, Fotoquímica Films SpA, cinema production company in Santiago de Chile, is currently available for integral production services shooting on real film. Please see below some the type of stock, cameras that we do have currently available and a quick description of some of services in the field of motion picture production and digital intermediate post-production. STOCK 35mm 400 ft cans: 50D color negative (5203) Super8 50 ft cartridges: 250D / 200T black and white negative XX (total 1000 ft) medium format (120 film format): 50D color neg (5203), 250D color neg (5207) 200T color neg (5213) We do import raw stock and custom load raw stock in several motion pictures and photographic formats. Fujifilm (older/expired stock) also available. We do export the exposed & unprocessed film to submit it to industrial motion picture Laboratories in for ECN-2 processing and scanning. Super-8 black and white negative can be developed in Chile (manual processing) into D-96, ID-11 or Ilfotec DD-X Manual ECN-2 processing for medium format photography being implemented. MAIN CAMERAS Arriflex 435 Xtreme with three 400 ft magazines Pro8 Classic (Max8) with PL mount Contax 645 AF (with Carl Zeiss glass) and Rollei 6008i medium format photographic cameras Other motion pcture cameras, as well as Grip and Lighting ressources, are available through third-parties companies under our production service supervision. POST-PROD Full digital intermediate uncompressed workflow supported, with talented pool of freelancers, and third parties companies in Chile and abroad. Experience in supervising inter-continental digital intermediate workflows envolving processing, scanning, editing, VFX, color grading and film-out. Nikon Coolscan 9000ED scanner for medium format and 35mm scanning (4000 dpi). For more information please contact us at firstname.lastname@example.org / mobile +56 975543323 English, French, Spanish spoken
Hi everyone, I'm shooting a short soon and due to budget reasons have a selection of stocks that have to be used. I was wondering if anyone had experience of a pull process on 5203, 1 or 2 stops. We're going for a pastel, soft contrast look which i've seen great examples of on Kodaks' faster stocks but was wondering how it might come out on 5203 as it seems naturally more vivid and contrasty. The kind of look is seen in the Gordon Parks image below (something comparable in an exterior). cheers!