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Found 4 results

  1. Happy Sunday, I recently watched Inherent Vice for the second time and was truly captivated by the cinematography. I loved the soft vintage look, the noticeable but fine grain in the midtones and the creamy lens flare. Does anyone know how this look was accomplished? I've managed to research my way to knowing that Robert Elswit used Panavision Primo spherical primes from the late 80s, but what accounts for the grain? Was the stock simply pushed a few stops to give it a look which matches period in which the film takes place? I've been searching and searching, but I've not managed to find any interviews with Elswit about the process. I also read somewhere that they used "old film stock found in someone's attic", although I haven't been able to confirm this. Any help or leads greatly appreciated! Best, Kaspar
  2. Hello, FotoquĂ­mica Films SpA, cinema production company in Santiago de Chile, is currently available for integral production services shooting on real film. Please see below some the type of stock, cameras that we do have currently available and a quick description of some of services in the field of motion picture production and digital intermediate post-production. STOCK 35mm 400 ft cans: 50D color negative (5203) Super8 50 ft cartridges: 250D / 200T black and white negative XX (total 1000 ft) medium format (120 film format): 50D color neg (5203), 250D color neg (5207) 200T color neg (5213) We do import raw stock and custom load raw stock in several motion pictures and photographic formats. Fujifilm (older/expired stock) also available. We do export the exposed & unprocessed film to submit it to industrial motion picture Laboratories in for ECN-2 processing and scanning. Super-8 black and white negative can be developed in Chile (manual processing) into D-96, ID-11 or Ilfotec DD-X Manual ECN-2 processing for medium format photography being implemented. MAIN CAMERAS Arriflex 435 Xtreme with three 400 ft magazines Pro8 Classic (Max8) with PL mount Contax 645 AF (with Carl Zeiss glass) and Rollei 6008i medium format photographic cameras Other motion pcture cameras, as well as Grip and Lighting ressources, are available through third-parties companies under our production service supervision. POST-PROD Full digital intermediate uncompressed workflow supported, with talented pool of freelancers, and third parties companies in Chile and abroad. Experience in supervising inter-continental digital intermediate workflows envolving processing, scanning, editing, VFX, color grading and film-out. Nikon Coolscan 9000ED scanner for medium format and 35mm scanning (4000 dpi). For more information please contact us at fotoquimicafilms@gmail.com / mobile +56 975543323 English, French, Spanish spoken
  3. 35 mm short ends for someone who wants to come pick them up, best offer accepted. 400' recan 5213, 200' recan 5219, 170' 5219 - all from March of 2015.
  4. Anyone selling 35mm recans or knows someone who does? Looking for any of the following stocks: Kodak 5219, 5213, 5218, 5217 OR Fuji Eterna 8573, 8583, 8553. All in the range of 200T to 500T. Price per foot cannot exceed $.12 Willing to pay shipping cost! Thanks
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