Jump to content

Search the Community

Showing results for tags 'Backup'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Occupation


Location


My Gear


Specialties

Found 2 results

  1. When it comes to archiving, a major obstacle to overcome is personal prejudice and small mindedness on the curator's part. I see it all the time with special collection libraries and museums I deal with. Many times the digital material I've tried to place as a donation with special collection libraries has been refused because I have it or a portion of it online. And what happens down the road? The prejudiced people that run some of these online sites remove it. Now where is it? But besides that, there is no comparison with having material at your fingertips, on disc or or the server when it comes to searching through it as compared to trying to search through it online or trying to download it with slow and spotty internet service that some of us have. In addition, these small minded archives would have the hi-resolution digital material in their collection and not the lower resolution material that is online. And they could provide a backup to the online material as well. But they just don't get it. And since I brought up resolution, keep that in mind with your archival work. I see a lot of things archived that are terrible resolution. Sometimes we have no choice and low resolution is all that we can get. But if you have a choice, archive in decent resolution online. Use resolution that could make a decent facsimile, if one day all that is left for the historical record is your last extant copy. Giant Alsace bow - selection from the Daniel D. Teoli Jr. Fashion & Hair Archives. Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  2. Hi guys! As my career progresses I've found myself without an adequate solution for storing my footage and old projects. I try to cut a new reel every year or so, and right now to get to work I need to have as many as 8 separate HDDs plugged in. These are mostly personal drives or backup drives from the projects themselves. I'd love to build myself one giant tower of hard drives that I could have everything on and which would be RAID-0 for safety, but I've never built such a thing before. I've got around 10TB of footage to store right now, but would like to be future proofed, so some kind of enclosure in which I can slide drives in/out depending on my needs would be great. Do any of you have good recommendations for external enclosures, brands to prefer/avoid, that sort of thing? Thanks for any feedback you can provide!
×
×
  • Create New...