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  1. Hello everybody, I was just given my first feature film grading job. I need some help. What’s the typical or best way to receive the timeline from the editor? The editor is using Premiere Pro. I will be editing in Davinci Resolve 16. I have only worked with original source files. Mostly on my own projects. So I don’t know how colorists receive and deliver the timeline from the editors. Any tips and advice would be appreciated. Thanks in advance.
  2. Hey all, As the title suggests, I'd like to buy a CM171, DM250 or BM210 – a true 10 bit monitor with HD-SDI input. Ideally in London but EU would be great. Thanks all, Davo
  3. The 2019 International Colorist Academy Summit is happening in Hawaii this year! October 5-13, 4 different instructors and 11 different courses- there's something for everyone from beginner Resolve classes up to Looks and Matching Masterclasses! We have discount accommodation at the Sheraton Princess Kaiulani for anyone coming in from the mainland or out of the country. More information can be found here: https://www.stonesoupproductioncompany.com/hawaii-summit
  4. The 2019 International Colorist Academy Summit is happening in Hawaii this year! October 5-13, 4 different instructors and 11 different courses- there's something for everyone from beginner Resolve classes up to Looks and Matching Masterclasses! We have discount accommodation at the Sheraton Princess Kaiulani for anyone coming in from the mainland or out of the country. More information can be found here: https://www.stonesoupproductioncompany.com/hawaii-summit
  5. 10 NEW FEATURES in DaVinci Resolve 16 BETA 2 In this video, I will share my top 10 favorite features that are newly added with the latest BETA 2 update in R16. If you are on the fence and need a nudge to upgrade to Resolve 16, this video might do the trick. FULL VIDEO When you are plowing through 100s, sometimes 1000s of shots a day, time is the most important factor in determining your success or failure. The features you will see in this video will help you save a significant amount of time and make you a much more efficient colorist. Reply and let me know if you found th
  6. I apologize in advance for this post being so long. Screenshots of the color grade and video links are at the bottom of the post. --- A few years ago, I ran across a Vimeo, under the name Organik Cineworks. They are a Hungarian couple that creates wedding videos. I saw one of their videos, and loved their editing style, so I followed them. Now, I am obsessed with their color grading. Let me just say, they are SO difficult to get in contact with, because a) They're Hungarian, and b) They probably don't have time to answer someone's questions about their grading. HOWEVER, after emailin
  7. The 13th annual Hollywood Professional Association (HPA) Awards took place tonight, honoring the accomplishments of industry luminaries, behind-the-scenes artists and outstanding engineering teams. The HPA Awards set the bar for creative and technical achievement, recognizing individuals and companies for outstanding contributions made in the creation of feature films, television, commercials, and entertainment content enjoyed around the world. Awards were given to talented individuals and teams working in twelve creative craft categories, including color grading, sound, editing and vi
  8. Happy to announce that 3D LUT Creator OFX plugin for DaVinci is coming! Details in the video https://www.youtube.com/watch?v=aKVE8MgJpb8
  9. I'm about to start a feature and because of our schedule as well as dropping temperatures, the possibility of shooting day for night is becoming more and more real. My concern is that having red/orange light in the night scenes is extremely important to the director, but that the grade will suck all of that out. The source for the light is a campfire, but one of the characters will also be bloody and wearing a faded red jacket. I've seen the 40's/50's day for night scenes which have a lighter grade and thus more colors, but those seem to have been done because of the sheer expanse of th
  10. Hello fellow filmmakers! I have been editing in premier and color grading in davinci resolve. Ive actually enjoyed the process more than I thought I would but am curious how to achieve certain moods and tonws. I love the memory type of colors we get in call me by your name during the grass scene how might I achieve that? Overall the film has a very blue tone so how might you suggest I grade more romantic scenes, sad scenes, neutral scenes? Lastly, I have had trouble transferring slow motion from premier to resolve any advice? Thanks so much! Tyrone
  11. Hey guys, I’ve a question on Davinci and the way its waveform deals with the blacks. I’m grading a project aimed for the big screen, I set my level to data (and data level also for export), did all my grading, but notice the blacks stay around 128 on my waveform and when I try to lower them and crush them toward 0 the picture just get way too dark. I don’t have any broadcast safe line active and such things. Is that due to the fact my computer display in 8bits? so the moment I try to lower the blacks, I just get super blacks? So if I export this graded version and play it on my comp
  12. The Hollywood Professional Association (HPA®) has opened its Call for Entries in Creative Categories for the 12th annual HPA Awards. These awards are considered standard-bearing honors for groundbreaking work and artistic excellence, recognizing creative artistry in color grading, editing, sound, and visual effects in feature film, television, and commercials. The HPA Awards shine a spotlight on talent, innovation and engineering excellence in the professional media content industry. The 12th annual gala awards presentation will be held on the evening of November 16, 2017 at the Skirball Cult
  13. Hey everyone! I would love to hear your feedback on my latest film. This was a translation of my time spent in Baltimore and Washington during the trump election. I wanted to show the viewer what it felt like as I was waling through the streets during this incredibly tense time in Americas history. http://www.freshfinishmedia.com/canadian-filmmaker-washington-election/
  14. In a new premium article supervising colorist Scott Klein (Warner Bros) talks in detail about his technical and creative work on the Fox megahit “Empire” and about his collaboration with Cinematographer Paul Sommers. Enjoy!
  15. Hollywood Professional Association Unveils HPA Awards Nominees Creative nominations announced for editing, sound, visual effects and color grading 28 September 2016 (Los Angeles, CA) - The Hollywood Professional Association® (HPA) today announced the nominees for its 2016 HPA Awards. Considered the standard-bearer for excellence and innovation in an industry embracing an expanding array of groundbreaking technologies and creativity, the HPA Awards honor creative achievement and artistic excellence. Launched in 2006, the HPA Awards recognize outstanding achievement in editing, sound, visual
  16. Company 3's Paul Ensby is widely regarded as one of London’s top colorists, and in this article he talks about his work with Romeo & Juliet. Paul has a very impressive list of feature film credits, including 'Kingdom of Heaven', 'Amy', 'Hanna' and Guy Ritchie's 'The Man From U.N.C.L.E' that soon will be added to the Lowepost premium collection.
  17. Learn some great grading techniques by The Mill's senior colorist Damien Van Der Cruyssen. He's incredible talented, and in this Lowepost article he talks about his work on the 'Encounter' spot by Calvin Klein. Damien is specialized in setting distinctive looks for luxury brands, and is also well versed in long-form grading.
  18. Hey guys, I just installed DaVinci Resolve 12 (Lite Version) on my laptop, and I've noticed something when importing clips - on playback in the Edit and Color tabs, the clips have a flickering strobe of different colors. Is this something to do with my graphics? And if so, is there anything I can change to get rid of this issue? Here are my basic specs: HP Envy Laptop CPU: intel Core i5 Platform: Windows 10 Graphics: Intel HD Graphics 520 RAM: 12GB Thanks a lot!
  19. Hi everyone. I want to lern more for color grading advance , for the moment i have acoount in mixlight and i love this training but i need more info for color grading DI. Can you sugest me something special for online or dvd advance training??? Thank you Bledi
  20. Provide your colorist with RAW files guys! Simona Cristea has colored hundreds of major international campaigns and works as Head of Creative Color in Deluxe's Rushes. She is hugely talented and shares some of her experience and insight in this article by Lowepost. All the articles are full of tips and are highly relevant for Cinematographers.
  21. Provide your colorist with RAW files guys! Simona Cristea has colored hundreds of major international campaigns and works as Head of Creative Color in Deluxe's Rushes. She is hugely talented and shares some of her experience and insight in this article by Lowepost. All the articles are full of tips and are highly relevant for Cinematographers.
  22. Hello all, I am in my final year of studying film production and I am currently doing research about cinematography and color grading. I am trying to find out more about the collaboration/ workflow between the DP and the Colorist and the issues regarding the authority over the look. I am also looking into whether new, aspiring cinematographers should be their own colorists. I was wondering if you could please share your opinions about this from your experiences so far. As a Cinematographer, how were your collaborations with Colorists ? (and vice-versa). What can DPs/Colorists do to
  23. Hi guys! I would like to invite you to check my YouTube video : https://www.youtube.com/watch?v=Q6tDyRBv4Zk In this video you can see how my color grading presets looks on a 4K video. If you like it and want to have this preset you can download it from this link : http://land.make-your-media.com/WEB-C... Tell me what you think about the preset! Enjoy :)
  24. So I'm on a project that is based around multirotor helicopters. Needless to say I have a lot of gopro footage coming my way. I was wondering if anyone had any advice or leads to good resources on matching gopro footage and cinema log footage in the grade I would be much appreciated! Here is what I've been capable of so far. Ignore the last 18 minutes it's black video there was an encoding error. http://youtu.be/Isge70aoLtE
  25. Right in this tutorial I show how easy it is to do tracking in Davinci Resolve. Very handy if you want to add some exposure to a moving object or actor’s face! Thanks for watching! R
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