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Found 2 results

  1. Hello Had queried about use of spherical as well as anamorphic lenses for a diploma film project in a different forum. Now I have decided to shoot the film in both the formats - flat as well as scope. If I shoot 1.33 spherically and 2.35 on anamorphic, then the negative will be scanned to 2048 x 1536 (10bit dpx) in both cases, if i am using the universal gate on Arri 535B (4perf). Now how will the project be finished to final 2K DCP post grade if the film contains both the flat as well the scope material. Also due to Kowa Prominars not being in perfect condition, we might be sourcing Hawk C Series lenses from the rental. Can the members reflect on the look and image qualities regarding the same lenses. Will be shooting the spherical portion on Zeiss High Speed Lenses. Thank You Regards Shashank Walia Class of 2011 Film and Television Institute of India
  2. Hei guys, I need some help and wonder if any of you creates DCP in DaVinci and if it's possible doing it this way. situation I have a short film (10min long), final export full HD at 25fps 16:9 (but we shot in 2.39 scope so it comes with letterbox). So far Festivals have always been asking for a vimeo link or DVD, and now we've been selecting for a Festival accepting only DCP. in DaVinci in the exporting setting I know you have the video format option of easyDCP -codec: 2K DCP (there's also the option of flat and scope, but I thought as the final export is 16:9 to keep the codec as general 2K DCP and let the cinema screen, or if the film is 2.40 I need to select 'scope'?) -what about max DCP bit rate? -do I need to select/work on any another setting? for instance compression: lossless, interop packaging or encrypt package? I gave it a try and export a version, and I've got this folder with some xml and mxf files, and I litereally never wondered what a DCP really looks like. how then could I open a DCP? so to check colors and everything is the same as my final QuickTime export for instance? thank you so much for any input :) cheers!
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