Search the Community
Showing results for tags 'Flat'.
Hello Had queried about use of spherical as well as anamorphic lenses for a diploma film project in a different forum. Now I have decided to shoot the film in both the formats - flat as well as scope. If I shoot 1.33 spherically and 2.35 on anamorphic, then the negative will be scanned to 2048 x 1536 (10bit dpx) in both cases, if i am using the universal gate on Arri 535B (4perf). Now how will the project be finished to final 2K DCP post grade if the film contains both the flat as well the scope material. Also due to Kowa Prominars not being in perfect condition, we might
My team is about to take possession of an Amira. We’ve been renting for a while and shooting Log-C as standard. I’m starting to question the merits of shooting Log. Typically we shoot product footage in a studio, with finely tuned and very controlled light. We really craft each shot – bread and butter shots are pretty low DR. Occasionally we go for dramatic contrast. I’ve done a fair but of reading on the theory, pros, and cons of shooting Log, but I have to say I’m still not convinced either way. If I’m careful with clipping and try to get a healthy looking histogram/waveform, is Rec 709 ju