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Found 6 results

  1. Hello Everyone, After much thought I have decided to put my complete Sony F35 + Codex package up for sale. This is the only Sony F35 kit you will find to have a complete Codex Onboard Recorder package. This includes the Codex Onboard Recorder, 1 512GB + 3 256GB Data Packs, F35 Wet Dock, Control Panel, all necessary cable, the incredibly rare and expensive Desktop Transfer Station (DTS) and an ATTO ExpressSAS H3680 card inside a Sonnet Echo Express Sel case which plugs into any MAC with a Thunderbolt port. The Codex Recorder and DTS both have all available licenses activated: 12bit 444 uncompressed DPX, compressed JPG, ARRI RAW, CANON RAW. The DTS can automatically convert to ProRes422, ProRes444 or other formats on the fly for immediate editing of your footage. Also this is the only recorder that will record everything the Sony F35 can output: uncompressed 12bit 444 up to 30fps and uncompressed 10bit 444 up to 50fps - something that even the Odyssey 7Q cannot do because you need 4 SDI connectors for this last output. In addition to all this, Start/Stop recording can be activated via the record button on the F35. This Sony F35 is a complete OTTO NEMENZ kit with, in addition to other things, 2 custom machined cheeseplates, a machined top cheeseplate with integrated single 15mm rod mount and their spectacular viewfinder mount, which I updated with custom made 3D printed parts. If desired this can be easily changed to the original Otto Nemenz viewfinder setup. I have a great many accessories for sale to make a complete "ready-to-shoot" system. These include: Red One 18-50mm f2.8 lens in great shape, a Carl Zeiss Biometar Jena 120mm f2.8 PL mount lens, a Carl Zeiss Biometar Jena 80mm f2.8 PL mount lens, a Helios 44-2 58mm F2 PL mount lens, Vocas Wooden Handgrip with 150mm offset extender, an Ikan D5 monitor, Zoom H6 recoder with Gator waterproof case and Monster Digital 32GB SD card + Zoom SSH-6 Stereo Shotgun Mic, a 2 stage Chrosziel matte box with french flag, SHAPE 8000 quick-release V-Lock shoulder mount/baseplate, Sony VCT-14 quick-release tripod adapter, O'Connor 50D fluid tripod head, Lensse S5 Dual Follow Focus with speed crank, Lanparte V-mount batteries with charger, Tiffen 4x5.65 full spectrum IRND 1.2 filter, and other items for a truly complete setup. Since I have so many Sony F35 related items for sale I have created a price list with descriptions in PDF format that can downloaded from the link provided below. I believe I am offering these kits at very competitive prices. Everything is fully functional and in exceptional condition. As I said it took me 2 years of trial and error, testing various components, and finally finding the best parts for what I consider the Ultimate Sony F35 Set-Up. I have selected each component carefully and have taken exceptional care of them all. Photos and links to photos of many of my components can be found here below. Here is the link to the price list: http://www.igorbertolucci.com/SONYF35SALE/SONY_F35_Kit_Price_List.pdf As an incentive, with the purchase of multiple kits, or better yet the entire list of equipment, I am able to offer an even better price than the already very competitive prices you see in the price list. If you are interested in purchasing multiple kits please contact me. Shipping will vary depending on the kit(s) purchased and the destination. For the "Sony F35 with Codex Onboard Recorder Kit" WITH the Otto Nemenz hard cases you are looking at around $400 shipping in the US and $800 overseas. Without the cases this price drops substantially as they cases themselves are very heavy. I regularly pack and ship hand-crafted ceramic items all over the world and can pack all the equipment securely and safely in boxes without the hard cases, which will reduce the shipping cost to about half: ~$250 CONUS, ~$500 overseas. Shipping will be from San Francisco. Following are links to additional photos as we are limited to only one photo attachment per sale thread: http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_01.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_02.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_03.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_04.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_05.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_06.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_07.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_08.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_09.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_10.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_11.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_12.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_13.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_14.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_16.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_17.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_18.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_19.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_20.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_21.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_22.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_23.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_24.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_25.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex001.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex003.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex004.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex005.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex006.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex007.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex008.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex009.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex010.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex011.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex012.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex013.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex014.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex015.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex016.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex017.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex019.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex020.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex022.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex025.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex026.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex027.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex028.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex029.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex030.jpg Here is a link to a forum where you can find additional photos of the F35 in the Kata backpack (at the end of the page): http://www.dvxuser.com/V6/showthread.php?332103-Sony-F35-Codex-M-Recorder-Complete-Setup/page5&highlight=codex Here is a link to a thread where you can find photos of the additional CCD Block and Sony F23 to F35 Conversion kit hardware: http://www.dvxuser.com/V6/showthread.php?337896-Sony-F23-F35-Conversion-Kit-***-F35-Optical-Block-CCD-plus-hardware Should anyone have any questions please PM me or write to me directly at samana76@yahoo.com Cheers, Igor
  2. Hello my fellow cinematographers, I hope you can help me with my problem. I need to shot for more than 8 minutes. Do I need a ssd of 320Gigas? What model do I use? Are models not compatible with the redone? Thanks a lot.
  3. Hi guys, I have a fantasy film coming up that we'll be shooting entirely on stage, that will involve a fair amount of digital set extension (forests, mountains, shining dome structures) and background replacement via greenscreen (or bluescreen, haven't confirmed whether it'll be green or blue yet) and a pretty vibrant colour palette. Our two options for camera are the Red One MX and Sony F5 (without a raw recorder, so 1080p 4:4:4 only). I'll be lighting with tungsten almost exclusively (the lighting grid is mainly 5k fresnels and 2k soft lights), so I'm a little weary about the impact that will have on the shadows with the Red (most of the scenes will be pretty low-key). However with the F5 we'd only get 10-bit 1080p 4:4:4 as apposed to 4K Redcode raw with the Red One. So I'm wondering what people's leanings would be camera-wise? I'd also really appreciate any thoughts or suggestions people have for using atmospherics (mainly haze) with greenscreen components? We really need haze for atmosphere - but we probably need clean keys more. I'd love to hear anyone's thoughts on the matter. Cheers, Mark
  4. Hello everyone! This is my first post! Nice to meet you all! I am wondering if anyone has any advice/tips regarding handheld operation. The setup I will be using is the Red One - luckily with the Bomb EVF - and Ziess Compact Prime CP2 lenses. I will also be using a ET Mantis shoulder mount. Attached is the setup thus far - any tips regarding operation, balancing, or handheld in general would be greatly appreciated. All the best!
  5. Hello! Last year I was a part of a student production called "Punctum Temporis". A 10-minute, no dialogue, short film. My first time operating a Red One camera, so I believe I might could have gotten more out of it. Although I co-directed and wrote, I would like get some feedback on my cinematography for this one, as this is the branch I really want do continue doing. This was a small production with only eight crew members, so I ran the lighting and camera operating myself, while my camera assistant pulled the focus. Would appreciate any feedback!
  6. Hey everyone. In October I'm going to be directing my first feature. It will be shot kind of like Zero Dark Thirty, but we will be shooting a lot of it weekend warrior style. For example, we're going to go ahead and shoot some of the scenes on the weekend with a small crew and then shoot most of our location with a pro crew. The idea being that we can just reshoot the cheap stuff if we need to. My camera options are a Red One, Sony EX-1 with letus 35mm adapter, a Canon 60D and a Canon 5D Mark II. Now, first of all...is it worth it to shoot with a sony EX-1 with letus adapter now that you can shoot with a dslr? I heard an interview with Gareth Edwards who mentioned it was just so hard to focus with dslr. Also the footage would be handheld...kind of like Zero Dark Thirty...not jittery found footage, but moving around a little. I own a 60D and so I can just go out whenever I want and shoot stuff with that. Or carry it around during the shoot and take some shots. We are going to have a kind of rehearsal with the actors for a scene in a bar at daytime. But I also wanted to film that with either the 5D or 60D with a basic lavalier mic set up. The main reason is that I want to set up 2 cameras and let the actors improvise. I know this is kind of incoherent, but would this be a mistake considering the majority of the film will be shot with a Red One? Will film grading kind of take care of that later? Or is there some way to make sure it all matches in terms of color tones.
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