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Found 5 results

  1. I am selling a set of Arri/Zeiss Standard Primes (Super 35mm format), T2.1, PL Mount, metric/imperial markings in 16mm, 24mm, 32mm 50mm and 85mm. They are in pristine condition. Also included is a 3x3 Arri LMB2 3"x3" clip on matte-box, compatible with all the lenses. Comes with a set of ND filters (0.6, 0.9, 1.2 & 1.5), polariser, White Pro Mists in 1/2, 1 & 3, and a Low contrast 3. Price: 16,500 euros. Based in Spain. More photos on request. Please email andy@filmcanaryislands.com or WhatsApp/message to +34 620 002297. Cheers, Andy McLeod
  2. Hi Guys, Just looking to confirm some Sony F5 sensor size and lens crop factor. Sony F5 = Super 35mm sensor Super 35mm Crop Factor 1.5 So an 18mm lens on an F5 or any Super 35mm equivalent sensor is more like a 12mm lens? As 18 / 1.5 = 12 Is this correct? Thanks Steve
  3. FS Set of 6 Pristine Zeiss Standard Speeds, being serviced as I type this at Abel L.A., well only 2 since most of them were serviced at the time of purchase by Duclos, but will come with a letter from an Abel tech stating how great shape they are on. 16,28,32,50,85 and 100mm all T2.1 and 80 mm front diameter, they will come in an ATA case. $29.5k I doubt you will find a set in better shape. The 28 is the last one I got and it has never been mounted on a camera that is why is being serviced, it needed to be re lubed. In Burbank if you want to check them in person. Send me your email to send you pictures, it is ridiculous how limiting this website is in terms of file sizes
  4. Hello, FotoquĂ­mica Films SpA, cinema production company in Santiago de Chile, is currently available for integral production services shooting on real film. Please see below some the type of stock, cameras that we do have currently available and a quick description of some of services in the field of motion picture production and digital intermediate post-production. STOCK 35mm 400 ft cans: 50D color negative (5203) Super8 50 ft cartridges: 250D / 200T black and white negative XX (total 1000 ft) medium format (120 film format): 50D color neg (5203), 250D color neg (5207) 200T color neg (5213) We do import raw stock and custom load raw stock in several motion pictures and photographic formats. Fujifilm (older/expired stock) also available. We do export the exposed & unprocessed film to submit it to industrial motion picture Laboratories in for ECN-2 processing and scanning. Super-8 black and white negative can be developed in Chile (manual processing) into D-96, ID-11 or Ilfotec DD-X Manual ECN-2 processing for medium format photography being implemented. MAIN CAMERAS Arriflex 435 Xtreme with three 400 ft magazines Pro8 Classic (Max8) with PL mount Contax 645 AF (with Carl Zeiss glass) and Rollei 6008i medium format photographic cameras Other motion pcture cameras, as well as Grip and Lighting ressources, are available through third-parties companies under our production service supervision. POST-PROD Full digital intermediate uncompressed workflow supported, with talented pool of freelancers, and third parties companies in Chile and abroad. Experience in supervising inter-continental digital intermediate workflows envolving processing, scanning, editing, VFX, color grading and film-out. Nikon Coolscan 9000ED scanner for medium format and 35mm scanning (4000 dpi). For more information please contact us at fotoquimicafilms@gmail.com / mobile +56 975543323 English, French, Spanish spoken
  5. So 65mm has an aspect ratio of 2.20:1, but does it give you a wider horizontal FOV like the anamorphic process does? That is, if I were to slap an 80mm lens on a 65mm camera and a 32mm lens on S35(cropped to 2.20:1) would it give me the same image in terms of spatial compression and horizontal FOV? Or would I have to shoot on a 50mm Anamorphic lens and crop the sides? This is all hypothetical of course-I'm just trying to get a grasp on the 65mm format so I can further appreciate the films that utilized the process.
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