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  1. RED to Host Panels Featuring Henry Braham, BSC, Dean Devlin and Red Bull Media House Cine Gear attendees can find RED Digital Cinema at booth S301 in Stage 2 of Paramount Studios at Cine Gear Expo 2017 from June 2-3. RED’s visitors can interact with a range of DSMC2™ cameras, including SCARLET-W™, RED EPIC-W™, WEAPON® 8K S35 and WEAPON 8K VV. Additionally, RED will be demonstrating the latest workflow options - covering their new image processing pipeline (IPP2), HDR, and 8K. RED will be joined in their booth by a wide variety of manufacturers of lenses, camera modules and accessories including RT Motion, Kippertie, foolcontrol, and Offhollywood. RED will also take attendees behind the scenes with two panels in Paramount’s Sherry Lansing Theater: June 2 at 12:45pm: Director Nicholas Schrunk and key members of Red Bull Media House’s production team will discuss the making of the feature documentary Blood Road. Blood Road follows the journey of ultra-endurance mountain bike athlete Rebecca Rusch and her Vietnamese riding partner, Huyen Nguyen, as they pedal 1,200 miles along the infamous Ho Chi Minh Trail. Their purpose was to reach the crash site and final resting place of Rusch’s father, a U.S. Air Force pilot shot down over Laos. Panelists will discuss the creative and technical process, and how this incredibly demanding story came together visually. Moderated by Andrew Fish of American Cinematographer. June 3 at 11:45am: Guardians of the Galaxy Vol. 2 director of photography Henry Braham, BSC will talk about filmmakers’ escalating preference for shooting with larger format digital cameras. Braham shot Guardians of the Galaxy Vol. 2 entirely on the RED WEAPON 8K VV. He will be joined by well-known producer, actor, and writer Dean Devlin. Devlin will discuss how new formats are driving an evolution in filmmaking for the big screen and touch on his experience using RED including WEAPON 8K S35. Moderated by Carolyn Giardina of The Hollywood Reporter. All of RED’s cameras offer superior image quality, incredible dynamic range, and simultaneous recording of REDCODE® RAW and Apple ProRes or Avid DNxHR/HD, combined with cutting-edge performance in a compact, lightweight, and modular design. For more information, visit http://www.red.com/cinegear-2017.
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