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Hi, We are two technicians working in the film industry in France (a grip guy and a gaffer) and we just discovered this very interesting forum. We particularly noticed that gaffers and cinematographers were asking questions about light output and what aperture is obtained at a certain distance. It happens that with the help of two IT engineers we developed an iOS app responding to this question about 2 years ago. First and for all, we’re not going to post messages everywhere on this forum to sell our app nor are we going to pollute your threads to gain in visibility. We just think s
Hi all, I just wanted to know everyone's thoughts on using either a Helium balloon/ Sausage lights (attached) OR A Dino (maybe x2, one either end of a set) Using them as back lights, & fill. (Firelight is the key light in most scenes) Or maybe even Softboxes from cranes? Which are better for moonlight? I am filming a scene in the middle of an old medieval town centre (imagine Magnificent Seven gun fights) I'd ideally like to use a balloon light as the ambient light and then the Dino's as backlights, but as its a low budget feature I have to cho