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Found 4 results

  1. I was listening to Good. The Podcast and the interviewee is Sean Porter (Green Book, Kumiko the Treasure Hunter) and he mentions how in the past some cinematographers were able to get work because they own a cinema camera package. After listening to this my friend and I are interested in investing in a package. My friend wants to invest in an Alexa Classic - mainly due to budget - but is it really a good idea to buy one in today's market? I know that having work experience, lighting knowledge, networking etc really help to get opportunities but I'm wondering from other's experiences if owning a camera package vs not owning one has really affected work opportunities? Thanks in advance.
  2. Hey everyone, I am currently selling an Arriflex SR Regular 16mm camera package. Here are the contents: Camera: Arriflex 16SR Regular 16mm Camera in Arri B/S mount Three magazines Batteries XLR cables Other power cables and battery chargers Magazine covers Eyepiece cup Handgrip Monitor: Sony B&W monitor Accessories Mounting equipment Cables Film: Some 16mm scratch film Crystal Control Speed: Crystal Control Speed that allows any framerate up to 75p. Cables for that and other accessories PM me with your best offer or if you want to see pictures! Or email me at tonymdupre@gmail.com Thanks!
  3. Please Contact : sales@broadcastsolutions.com
  4. I'm shooting a super low budget feature soon and am currently working on the gear package. The entire production budget is around $50k shooting in 12 days. Looking at local rental house catalogs, I'm not able to find a low enough day rate for a basic camera, grip and electric package. A c300 rig with a few Joker HMIs, 2 Kino 4x4s, some Arri tungstens and basic grip gear is still way too expensive. What equipment tricks do people use for micro budget features like this? Thanks.
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