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Found 12 results

  1. There is this old one ... https://variety.com/2009/digital/features/is-it-really-cheaper-to-shoot-in-digital-1118008522/ And a 2015 indie experience https://www.moviemaker.com/archives/moviemaking/cinematography/film-v-s-digital-is-the-expense-of-shooting-on-film-a-misconception What's your thoughts generally (not only on the articles...)
  2. https://www.ebay.com/itm/293086201571 It comes with Pelican Case, Articulating arm, Battery, adapter, and even a 256GB SSD! I have tested everything before posting the auction and everything works flawlessly. Minor cosmetic wear on the magnetic screen hood, but it still works perfectly.
  3. Hi All, I'm selling 35mm short end recans. I came into this stock a few years back, a friend worked on the Wolf of Wall Street and was able to get me there recans. I thought I would use them on a project by now but haven't got around to it and they have been kept in safe storage. I'm looking to sell footage at below price points: Kodak 5219 Vision 3 500T Color Negative - 5,817ft (Price = .25/ft) Kodak 5260 Vision 2 500T Color Negative - 400ft (Price = .20/ft) Kodak 5212 Vision 2 100T Color Negative - 3,687ft (Price = .20/ft) Kodak 5201 Vision 2 50D Color Negative - 400ft (Price = .20/ft) Kodak 5217 Vision 2 200T Color Negative - 1,395ft (Price = .20/ft) Fuji 8583 - 400ft (Price = .20/ft) Fuji 8563 - 400ft (Price = .20/ft) All recans have over 250 ft of film, some are full 400ft recans. Please PM me or email hschleiff@gmail.com if interested in purchasing. I am based in NYC, but can ship if needed. Best, Harry
  4. Hi, I was browsing through different online shops for some bargain split diopters (a set of filters, 77 or 82mm), but I haven't found anything reliable yet. I don't have the budget to spend on new filters for 200+ dollars. Does anybody know where can I get used, cheap and sharp split diopters? Any help would be appreciated :)
  5. For sale is my Arri 435es Free shipping anywhere in the world you'd like. I took a Job in England and can't take the camera with me. Very complete package in outstanding condition. Camera was recently completely overhauled with new electronics and circuits. It was just recently serviced by factory trained technicians and has not been used since. Included with the package are two 24v batteries which I just had completely re celled. It includes: (2) 24v Batteries Arri BP-8 Baseplate w rods Arri Dovetail IVS Color Video Tap NTSC Ground Glass & Glow Mask Extension Eyepiece Eyepiece Heater Cup Remote Control Unit 1 Finder Block 24v Power Cable RCU Cable - Long RCU Cable - Short Carrying Handle Short Eyepiece Eyepiece Heater Cable Lens Port Cap RS Block 24v RS Block 12v Silent Lens/IVSRS Mag Port Cover (1) 435 1000' Magazine (4) 435 400' Magazines Price $4000 USD
  6. The main up-side to the DSLR is that it is small & light & so any paraphernalia (steady cam, jib, slider etc.) designed for DSLRs will be a lot cheaper than for bigger heavier camcorders. The JVC GY-LS300 seems like a pretty small, light camcorder. Is it small & light enough for cheap equipment usually reserved for DSLRs?
  7. I am making a low-budget short film in July, where the actor punches through the passenger window while another character sits in the passenger seat. They'll be multiple takes, so I want at least 10 breakaway windows. I've tested sugar glass, but it's tinted yellow. I've thought of using food coloring to try and dilute the yellow, but in case that doesn't work, I want other options. SMASH! Plastic (from smooth-on.com) looks realistic & clear. But don't want to pay $200+ for it. Is there some way I could make this plastic concoction on my own? Or another method to make smooth & clear glass under $100 for 10 windows?
  8. Selling a Cinema Products Steadicam 3a sled w/ green monitor. Anton Bauer battery mount. In okay condition, lots of use. Fully functioning. Includes case. PRICE: $2100 Please respond to thread if interested or contact: jacobmitchell@c49productions.com
  9. I have been looking for a nice and cheap 16mm camera to start with. I don't mind if I have to do some work on it to get it running, as long as it's do-able. the requirements are that it needs to be capable of getting footage that looks good by todays standards, should be between 100-600$ lower the better, (I have to be able to pay for film after buying it). If it doesn't have a motor is it all that hard to make one? will it look like super 8 If shoot with it? Is there any thing I should know? What other cameras should I be looking for? It's things like this that make me aviod a bolex. I've seen better thing shoot on super 8 max 8, like this. I'm going for something like this. I know it's a bolex in the first one. but there are some reasons I don't really want one, including stability. If I had money, I'd want something like this. This is what I'm looking for, in the sense of quality. I'd get a Krasnogorsk 3 if i'd wern"t for being a wind up and only taking 100' of film. I need to blimp what ever I get unless it's self blimped. Krasnogorsk 3 test, ignore the flicer, thats from the eye pice not being covered. P.S. I also consderd a canon scoopic. also how do you control and focus a camera thats blimped, expshilly if it's a home made one? Do I really need a sync motor? Also sorry for being so long with the question. cameras I'm talking about. http://www.ebay.com/itm/Professional-16-mm-movie-camera-KRASNOGORSK-3-M42-lens-Meteor-/401049505137?hash=item5d6069cd71:g:-PMAAOSwwPhWh7Bc http://www.ebay.com/itm/16CP-M-Professional-Movie-Camera-Body-Rare-Russian-ARRIFLEX-16-/272183791532?hash=item3f5f6b0fac:g:6MwAAOSwB4NWywx2 http://www.ebay.com/itm/Konvas-1m-Russian-35mm-movie-camera/361508887641?_trksid=p2047675.c100005.m1851&_trkparms=aid%3D222007%26algo%3DSIC.MBE%26ao%3D1%26asc%3D36188%26meid%3D36d99c4c1a5c43dcb9afad67dbb73f09%26pid%3D100005%26rk%3D4%26rkt%3D6%26sd%3D121882012376 http://www.ebay.com/itm/ARRIFLEX-ARRI-16-S-B-GS-16mm-FILM-CAMERA-BODY-/262349651275?hash=item3d1541fd4b:g:7C4AAOSwP~tW4RCs
  10. I've been following this guy's videos for a while now and he's built a few things such as lighting gear for very cheap but nothing I had never seen. In his last video he shows how to build a light panel that aims to simulate a window, from old laptop screen. I really think that this is something that could have many applications for filmakers on a budget. The result seems very soft and close to what you could obtain with very expensive gear. Maybe there is another type of DIY gear that is close to this one but anyway, this is the first time I see something like that and I think it's awesome !
  11. I received a couple of those giant 5600k CFL bulbs recently for free and they are rated >90 CRI, so I thought maybe I could use this for some small setups where a little extra daylight fill is needed and I'm out of lights. Does anyone know what sort of fixture/reflector design would provide maximum light output for a 150w E27 fluorescent bulb? EDIT: I think this is what I’ve got: http://www.aliexpress.com/item/New-Portable-Photo-5500K-150W-E27-Color-daylight-Video-Studio-Fluorescent-Bulb-Lamp-220V-240V-015558/1117010666.html?spm=2114.01020208.3.1.7MRtR5&ws_ab_test=201526_4,201527_3_71_72_73_74_75,201409_4
  12. Hi guys. Selling my lovely TOBIN TCS TXM-22A Crystal Sync Motor for Arriflex 16s. Bought from Du-All Cameras 2 years ago. never used, only tested recently, working like a charm. Asking price: US$ 900 (Paid US$ 995, receipt as proof). Can ship worldwide. Item is in Brazil. Can declare small value to avoid customs. Shipment costs is around US$ 60, ETA 2 weeks by normal postage. Can ship UPS if you'd like. Will post pictures here soon. Any questions, just shout. *** PLEASE CHECK MY 2 ARRI 16S KITS FOR SELL ON EBAY: http://www.ebay.co.uk/itm/2-ARRI-16S-ARRIFLEX-KITS-FULLY-WORKING-PRISTINE-CONDITION-/171665355148?#shpCntId
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